John Mellencamp to Donate Archives to Indiana University

Naman Ramachandran Indian streamer SonyLIV has revealed a robust 35-strong series slate, including some returning hits, with a further expansion into South Indian languages in addition to its Hindi-language slate. Headquartered in Mumbai, the streamer now has three content offices in South India, in Kochi, Hyderabad and Chennai. SonyLIV also now has 24 million paid subscribers, SonyLIV head of content Saugata Mukherjee told Variety. In the Tamil language, after the success of “Tamil Rockerz” in 2022 and “The Story of Things” earlier this year, SonyLIV has saga “Journey,” headlined by R. Sarathkumar with Cheran Pandian (“Autograph”) serving as showrunner; and “The Madras Murder,” set against the backdrop of the Tamil film industry in the 1950s and 1960s, with A.L. Vijay (“Kireedam”) as showrunner.

Teddi Mellencamp wants to clarify her take on Scandoval. Or rather, her  about it.Earlier this week, a comment Teddi made on Melissa Gorga's  podcast spun itself into a headline across multiple outlets, all covering the fallout from  star Tom Sandoval cheating on longtime love Ariana Madix with co-star Raquel Leviss.«She probably paid Raquel to do this,» Teddi remarked, the «she» being her former  castmate Lisa Vanderpump, who stars on and executive produces . «Clearly I was making a joke and I'm being eviscerated for making a joke, which wasn't even being reported correctly, because everyone conveniently leaves out I said 'probably' and was ,» the  podcast host tells ET. «I love Bravo fans, I think how passionate they are is obviously why is so successful, but it feels like my words will continue to get twisted and when people will come at you and say, 'I wish you weren't alive, I wish you died!'» she adds. «They get brutal with even the words they say.

was an emotional reunion with Ford, Quan’s co-star in 1984’s “Indiana Jones and the Temple of Doom” — and the origin of that friendship can be seen in newly released photos, shot by Eva Sereny, as they hung out while filming.“Temple of Doom,” in which Quan played Indy’s chatty kid sidekick Short Round, was his first film as an actor. He was just 12, and superstar Ford was 40.

A wild theory. Teddi Mellencamp thinks that her former Real Housewives of Beverly Hills costar Lisa Vanderpump could have orchestrated the Scandoval drama.

EXCLUSIVE: Douglas Smith (Big Little Lies), Mark O’Brien (Arrival), Rebecca Liddiard (Alias Grace) and Vinessa Antoine (Diggstown,) have been cast opposite Amanda Seyfried (The Dropout) in Seven Veils, the new feature from filmmaker Atom Egoyan (The Sweet Hereafter).

at the 2023 Academy Awards. Quan — who won the Best Supporting Actor Oscar for his role in “Everything Everywhere All At Once” — made his film debut in the “Indiana Jones” movie in 1984, when he was 12. Sunday’s viral moment came after Ford presented the Oscar for Best Picture to “Everything Everywhere All At Once,” prompting Quan to return to the stage.

Indy and Short Round, together again! Harrison Ford and Ke Huy Quan had a viral reunion at the 2023 Academy Awards decades after working together on Indiana Jones.

The king of entertainment! From Indiana Jones to Jaws, Steven Spielberg is one of the most well-known and successful directors of all time.

Ke Huy Quan left the Oscars audience and viewers at home in floods of tears with his winners speech on Sunday night, as he made Hollywood history by becoming the first ever Asian man to take home the Best Supporting Actor Award. The 51 year old star triumphed in a star studded category, for his role as Waymond Wang, the metaverse travelling husband of Joy Wang, played by Michelle Yeoh, in this year’s runaway success Everything Everywhere All At Once.

Zack Sharf Digital News Director Ke Huy Quan ended an emotional Oscars night by reuniting with his “Indiana Jones and the Temple of Doom” co-star Harrison Ford on stage. Ford presented the final award of the 2023 ceremony, which went to “Everything Everywhere All at Once” for best picture. As Quan and Ford came face to face as the “Everything Everywhere” cast took the stage to accept the prize, the two actors and former co-stars shared an emotional hug. Quan won the Oscar for best supporting actor earlier in the ceremony. Ford championed Quan’s performance in “Everything Everywhere” all awards season long. Quan got his start in Hollywood as a child actor, making his feature film debut opposite Ford in Steven Spielberg’s 1984 adventure “Indiana Jones and the Temple of Doom.”

an reunion at the Oscars!Harrison Ford took the stage Sunday to present the final award of the evening, Best Picture. When Ford called out , he was reunited with his Indiana Jones and Temple of Doom co-star and newly minted Academy Award winnerKe Huy Quan, and they shared a sweet Oscar moment onstage.The duo couldn't contain their elation as they pointed to each other while the crew was assembling. Ford and Quan then embraced by the microphone, with Quan planting a kiss on Ford's cheek.Moments later, Ford tried to hand the Oscar to Quan but the actor instead pointed to one of the film's producers.This marks the second notable reunion between the former co-stars following Disney's D23 Expo in Anaheim, California, last September.See photos of the memorable moment below.Ford and Quan co-starred in the 1984 blockbuster, , where the latter played Short Round, Indy's sidekick.«I'm so happy for him.

reunited previously at Disney’s D23 Expo.The second entry in the franchise saw Ford reprise his role as the adventurous archaeologist, with Quan playing his sidekick Short Round. The 1984 film grossed nearly $180 million worldwide and catapulted Quan into child stardom.

In September, Indiana Jones and the Temple of Doom stars Harrison Ford and Ke Huy Quan reunited after 38 years, with their sweet embrace backstage at the D23 Expo going viral on Instagram. (You can see it below)

Shamier Anderson reveals what it was like beating up Canadian royal and legend, Keanu Reeves, in “John Wick: Chapter 4” in a new interview with ET Canada.

A legend in film and television! Best known for his roles in Star Wars and Indiana Jones, Harrison Ford’s career has spanned over six decades and he has become an icon in the film industry.

Killers Of The Flower Moon, Indiana Jones And The Dial Of Destiny, and Asteroid City are among the high-profile movies in contention for a Cannes splash this year.

Travis Kelce might not be a familiar face to a couple of Saturday Night Live‘s cast members – watch the promo above till the end – but the Super Bowl star’s game at playing Indiana Jones is pretty impressive.

Just last week, it was reported that Apple TV+ is expected to send “Killers of the Flower Moon” to this year’s Cannes. While that has yet to be confirmed, a new report from Variety throws some more films into the mix as possible additions to this year’s event.

Cannes Film Festival chief Thierry Frémaux has barely gotten over his jet lag after a whirlwind trip to Los Angeles this month, but he’s already planning a return visit as he attempts to pull together one of the most formidable lineups in the 76-year history of the event. He’s made it clear to studio executives that he would love to highlight both their blockbusters and their awards contenders, and though formal offers have not been made or accepted, this year’s Cannes has the potential to match or even surpass the 2022 edition — which played host to Tom Cruise and “Top Gun: Maverick” and Austin Butler and Tom Hanks with “Elvis” — in movie star moments. 

Chris Willman Senior Music Writer and Chief Music Critic For more than half a century, John Fogerty stood as the poster boy for all musicians who’d ever signed away rights to their publishing or master recordings and been unable to buy them back. Over time, Paul McCartney and then Taylor Swift came to be symbols, as well, of artists who tried and failed to win full ownership of their own music. But even Swift’s radical decision to re-record all her old albums, to do an end run around her former label selling her masters, may not count as quite as bold as the stance Fogerty took for several decades, during which he refused to perform any of his classic late ’60s and early ’70s Creedence Clearwater Revival songs in protest of his inability to purchase publishing rights for that material.