EXCLUSIVE: Jeff Garlin (The Goldbergs, Curb Your Enthusiasm) has joined the cast of Netflix‘s Never Have I Ever for the show’s fourth and final season.
05.12.2022 - 19:29 / deadline.com
NBC Universal chief Jeff Shell was coy yet clearly jazzed today about the possible merger of prolific horror producers Jason Blum and James Wan’s respective companies — Blumhouse and Atomic Monster – saying “I can’t confirm it,” but, “If that should happen, we are going to be in an absolutely impregnable position.”
He spoke at the UBS media conference today.
The two producers are in advanced talks to come together. If they do, Atomic Monster will benefit from the first-look deal with Universal Pictures that Blumhouse is currently under, having come to the conclusion of its own deal with Warner Bros. over the summer. It’s expected that the companies would continue to operate as separate labels, with each maintaining its own creative autonomy and brand identity. The alliance would boost the production companies’ combined output, with Atomic Monster using Blumhouse’s infrastructure to scale up across film, TV and new content from games to live experiences to audio.
Blumhouse franchises include Paranormal Activity, The Purge, Halloween, Happy Death Day, Split, Ouija, Unfriended, The Exorcist and Sinister. It was behind The Black Phone starring Ethan Hawke, and this fall dropped Halloween Ends, the final chapter in their rebooted series. Atomic Monster, meanwhile, is famous for its work on film series like The Conjuring, Insidious and Saw. The two companies are co-producers of Universal horror-thriller M3gan out next year.
She touted the film business where he said the economics ” are significantly better than they were before Covid, because windows finally compressed.” He said the17-day PVOD window in has become “hugely profitable” with 80-20 revenue splits, versus 50-50 in theaters. “That adds up.”
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EXCLUSIVE: Jeff Garlin (The Goldbergs, Curb Your Enthusiasm) has joined the cast of Netflix‘s Never Have I Ever for the show’s fourth and final season.
Janelle Monáe has been set to receive the Critics Choice Association’s SeeHer Award, an honor that will be bestowed next month during the 28th annual Critics Choice Awards. She joins Jeff Bridges, who earlier this month was tapped to receive the group’s Lifetime Achievement Award at the ceremony.
John Cho and Katherine Waterston will headline Sony-Blumhouse-Depth of Field’s They Listen, directed by Chris Weitz. A theatrical release of Aug. 25, 2023 has been set; it’s the only wide release that weekend. You’ll remember the Cho thriller Searching debuted in late summer and was a microbudget hit grossing over $26M stateside, and north of $75M WW off a less than a million production cost.
Former CNN and NBCUniversal boss Jeff Zucker, private equity firm RedBird Capital Partners and Abu Dhabi-based International Media Investments have formalized plans for a joint venture.
Genius Brands, Jeff Bezos’ Blue Origin, and SMAC Productions, the company founded by Michael Strahan and Constance Schwartz-Morini, have partnered to develop and produce Blue Origin Space Rangers, an animated space adventure series for kids and families. The series will star a diverse group of global youth and include appearances by Strahan and Blue Origin founder Bezos. Mainframe Studios, an affiliate of Genius Brands, will produce the animation.
EXCLUSIVE: Jeff Brown, who has been with Warner Bros. for 26 years, is leaving the studio.
NBCUniversal CEO Jeff Shell said Peacock has more than 18 million paid subscribers as of today, a nice bump from the 15 million it announced for the quarter ended Sept. 30, driven by programming migrated from Hulu, sports and Universal movies.
Davy Chou’s “Return to Seoul” is a fast one for the books, a film that (contrary to so much of contemporary cinema) delivers exponentially more than it promises. It begins as a modest, observational slice-of-life drama and slowly transforms into a movie about the lies we tell ourselves — about who we are, what we feel, and what we need.
A platoon of titles hits the specialty circuit this weekend, getting in ahead of steamroller Avatar: Way of Water and the year-end deadline for Oscar eligibility. This is a soul-searching, what-lies-ahead moment for a market still much too inconsistent for comfort, but that can be pondered later. At the moment, indie distributors are quite busy “with all these movies, and these plans to release theatrically. We are not going anywhere,” said one executive.