Is There a 'The Black Phone' End Credits Scene? Details Revealed!

The new movie Thor: Love and Thunder is now playing in theaters everywhere and there are TWO end credits scenes that you definitely should stick around to watch.

The new animated movie Minions: The Rise of Gru is now in theaters and it’s expected to be the top movie of the weekend.

Production has officially started on season four of HBO’s hit drama series, Succession.

The Logan siblings are plotting again. Production has begun on the fourth season of HBO’s Succession in New York City. The Jesse Armstrong series follows media giant Logan Roy (Brian Cox) and his four grown children, Kendall (Jeremy Strong), Siobhan (Sarah Snook), Roman (Kieran Culkin), and Connor (Alan Ruck).

The box office opening for the movie has beaten expectations, posting projections of more than $20 million. With a reported $18 million budget, “The Black Phone” is set to turn a profit for Universal even if it follows the frontloaded box office performance of most horror films.

J. Kim Murphy It’s a 20th century showdown at the domestic box office this weekend, with the baby boomer epic “Elvis” contending against Gen X revamp “Top Gun: Maverick” for the top spot on domestic charts.Director Baz Luhrmann’s biopic about the King of Rock and Roll is projected to draw $30 million from 3,906 theaters in its opening.

“The Black Phone,” the new Universal Pictures and Blumhouse release that finds Ethan Hawke playing a masked killer, from the mind of “Sinister” and “The Exorcism of Emily Rose” filmmaker Scott Derrickson.But how and where is “The Black Phone” available to watch? Your answers below.“The Black Phone” will be released on Friday, June 24 exclusively in theaters. The only way to watch it opening weekend is by going to a movie theater, and you can check local listings here.However, since it’s a Universal Pictures release, the film is expected to be streaming on Peacock roughly 45 days after it first hits theaters.

Baz Luhrmann’s “Elvis” made $3.5 million in its preview screenings at the box office on Thursday from over 3,400 screens (inclusive of sneak previews on Tuesday), while “The Black Phone” also made $3 million in its own Thursday preview screenings from 2,800 theaters with showings beginning at 5 p.m. “Elvis,” the biopic about The King Elvis Presley from Warner Bros., is projected to earn in the $28-30 million range.

Warner Bros’ Baz Luhrmann directed Elvis has grossed $3.5M from all previews off 3,400 locations, which includes Tuesday fan events and last night’s showtimes. Meanwhile Universal/Blumhouse’s Black Phone took in $3M from showtimes that began at 5PM yesterday at 2,800 sites.

Brent Lang Executive Editor of Film and Media“Elvis,” Baz Luhrmann’s kaleidoscopic look at the “King of Rock,” grossed $3.5 million in Thursday previews, while “The Black Phone,” a child abduction chiller from Blumhouse,” scared up $3 million. The two films are hoping to make a mark at the box office this weekend, but they face stiff competition from holdovers such as “Jurassic World Dominion,” “Lightyear” and “Top Gun: Maverick.” It’s a wide open field as they elbow their way to the top of the chart.“Elvis,” a Warner Bros.

WARNING: This post contains spoilers for Umbrella Academy season 3.

Chris Willman Senior Music Writer and Chief Music CriticTaylor Swift has gone to Carolina in her mind in her new single, which was released at midnight Thursday night — the first newly written original song she’s put out since the “Evermore” album in late 2020. But things are more brooding for her in that state of mind than they were for James Taylor.“Carolina” is the end-credits theme for the film “Where the Crawdads Sing,” which doesn’t reach theaters for another three weeks — July 15, to be exact — and the song provides a foretaste of the possibly jolting mood of the climax, where she and the movie’s protagonist are definitely not feeling 22.As much as it’s a direct outgrowth of Swift loving the source novel, fans may feel the song is a throwback … all the way back to the “Folklore”/”Evermore” era of two years ago, with those albums’ primary producer, Aaron Dessner, back on board for a tune lightly augmented with the Americana-friendly elements of mandolin and fiddle. Swift provided more insight into the song in an Instagram post.

The new biopic Elvis, directed by Baz Luhrmann, has officially been released in theaters!

McConaissance,” the so-called career transformation in the early 2010s during which Matthew McConaughey went from a rom-com star to a sensational, Oscar-winning actor and beyond. “I think Ethan is reaching one of those career pinnacle moments, like what we saw with Matthew McConaughey during his so-called McConaissance, where it was like ‘What happened to Matthew McConaughey? When did he become Daniel Day-Lewis,” Derrickson told TheWrap.

Rebecca Rubin Film and Media ReporterDirector Baz Luhrmann’s musical biopic “Elvis” dazzled at Cannes Film Festival, earning a 12-minute standing ovation. Will audiences respond with the same, sustained enthusiasm?According to early estimates, the Warner Bros. film is aiming to collect $30 million in its domestic box office debut over the weekend.

original story is a brief one. But Derrickson, along with screenwriter C. Robert Cargill, had the idea to fuse Hill’s horror story with Derrickson’s own emotional experience growing up in North Vancouver in 1978 when he was about the age of Penny (Madeleine McGraw), Finney’s flinty 12-year-old sister whose own supernatural gifts may help her locate her brother.Derrickson went so far as to base many of the film’s characters off real life people he knew as a kid.

“The Black Phone” take full advantage of the movie’s basic setup: a suburban teen gets abducted and then struggles to escape his captor’s sound-proof basement. That scenario, co-adapted from a Joe Hill (“NOS4A2”) short story by director Scott Derrickson (“Doctor Strange”) and co-writer C.

Owen Gleiberman Chief Film CriticEthan Hawke, in 30 years, has never portrayed a villain before, so it would be nice to say that in “The Black Phone” he not only plays a serial killer — one of those anonymous madmen who live in a one-story house of dingy brick with a dungeon in the basement — but that he makes something memorable out of it. His mask is certainly disturbing.

The new Disney movie Lightyear is now in theaters and fans who are checking it out will likely want to know if they should stick around for an end credits scene.