‘Irma Vep’ Is Shrewd Industry Commentary, Anchored by Alicia Vikander: TV Review

Channel 4 A Place in the Sun star Jonnie Irwin’s wife has suffered an awkward wardrobe malfunction while on a Spanish holiday with the TV star. Jonnie, aged 48, took to social media to reveal the moment. It came as they were abroad in Spain.

Nick Vivarelli International CorrespondentGlobal arthouse movie streamer, producer and distributor MUBI has acquired all Turkish rights to Iranian director Saeed Roustaee’s timely Cannes title “Leila’s Brothers.”A female empowerment drama set against the backdrop of a family crushed by debts linked to international economic sanctions, “Leila’s Brothers” won the International Federation of Film Critics (Fipresci) prize for best film in Cannes’ main competition.  The film, which is Roustaee’s third feature, follows from his tense actioner “Just 6.5,” about a cop trying to pin down a drug lord.

Alicia Vikander, is a clever satire of the entertainment industry … with a psychological bent. Premiering Monday, June 6 at 9 p.m., the series is mostly in English with some French subtitles.

You’d think it’d be near impossible for Olivier Assayas to add any more meta-textual layers to his 1996 masterpiece, “Irma Vep,” which followed a fictional film crew in their attempts to remake the (real) 1916 movie serial “Les Vampires” by Louis Feuillade. Assayas’ solution? To remake his own remake, but this time as a limited series.

If it feels like the sheer volume of noteworthy television has been overwhelming so far this year, that trend continues going into the summer months. Both new and returning shows are given an equal spotlight, with fan anticipation for series such as “The Umbrella Academy,” “The Boys,” and “Westworld” at all-time highs considering the long wait in between seasons.

The Chairman is calling everyone to order.

Long-lasting love on set! Michael Fassbender and Alicia Vikander are the perfect example of a costar couple still going strong.

Peter Debruge Chief Film CriticIn “Leila’s Brothers,” a once proud, now pathetic Persian family teeters on the brink of ruin, held together by the assertive sister who’s tired of relying on men to decide her fortune. Taking matters into her own hands may be empowering to watch — there’s no question that “The Salesman” alum Taraneh Alidoosti, who plays Leila, towers over this male-dominated ensemble — but it’s also a recipe for potential tragedy in Iranian writer-director Saeed Roustaee’s novelistic, nearly-three-hour saga, his first to be selected for Cannes.Some audiences may recognize Roustaee from another turbulent family portrait, “Life and a Day” (2016), whereas it was his terrific cop thriller “Just 6.5” (2019) — the closest thing Iran has produced to “The French Connection,” still unreleased in the U.S.

CANNES – To be frank, it’s hard to explain Olivier Assayas‘ impressive new limited series “Irma Vep” with a simple logline. It’s primarily about a modern-day movie star, Mira (Alicia Vikander), who is starring in a new limited series inspired by the classic French silent film “Les Vampires” which also inspired a 1997 film, “Irma Vep.” In the HBO series, the director (Vincent Lacoste), is remaking his own movie of “Irma Vep” into a limited series, just like Assayas is in real life.

CELINE by Hedi Slimane dress, complete with hair carefully shaped into a structural fringe adorned with floating pearls, actor Devon Ross looked every bit the consummate Hollywood superstar as she floated up the Cannes red carpet and into the premiere for mini-series Irma Vep, in which she stars. To watch her on this momentous occasion, you'd never know she'd not done this a thousand times before and that this was not just first proper premiere, but also her inauguration into the acting world. While you won't have seen her on the big screen yet, you'll likely still recognise her face.

A drastic departure from his prior films “Border” and “Shelley,” Ali Abbasi’s newest film, “Holy Spider,” draws inspiration from the 2000-2001 crimes and subsequent trial of Saeed Hanaei (played here by Mehdi Bajestani), a war veteran-turned-serial killer in the Iranian city of Mashhad who murdered 16 sex workers, claiming that he was cleansing the holy city of sinners and corruption in the name of Islam.

Elizabeth Wagmeister Senior CorrespondentIn 1996, Olivier Assayas debuted his film “Irma Vep” at the Cannes Film Festival. 26 years later, the French filmmaker is back at the festival with the same project — but this time, revisited as a HBO series that stars Alicia Vikander.Vikander plays the starring role of a disillusioned actress in the upcoming television show.

Alicia Vikander stuns on the red carpet in a metallic cooper dress at the premiere of Irma Vep during the 2022 Cannes Film Festival held at Palais des Festivals on Sunday (May 22) in Cannes, France.

EXCLUSIVE: Holy Spider, the Ali Abbasi-directed Iranian serial killer thriller, is nearing a deal for U.S. rights with Utopia, the U.S. sales and distribution firm owned by Robert Schwartzman and Cole Harper. The provocative Cannes Competition film premiered today on the Croisette to strong applause.

Cannes film festival at Palais des Festival. Swedish native Alicia, 33, pulled out all the stops as she cut a glamorous figure in a unique Louis Vuitton ensemble.  Alicia wowed in the gladiator inspired metallic co-ord which featured a floor length skirt and cross front halter neck top from the French luxury fashion house.

Ramin Setoodeh Executive Editor“Holy Spider,” a gritty drama about a real-life Iranian serial killer, stunned the Cannes Film Festival at its premiere on Sunday afternoon, earning a thunderous seven-minute standing ovation and bringing a jolt of electricity to what’s been a sleepy festival so far.The film, from Iranian-Danish director Ali Abbasi (“Border”), chronicles a killing spree in the streets of the religious city of Mashhad, where 16 prostitutes were found dead from 2000 to 2001.  A local journalist, Rahimi (Zar Amir-Ebrahimi), is trying to crack the case as she grows frustrated by the police’s apathy toward finding the murderer. But in one of many twists in this drama, the identity of the serial killer is revealed early on — he’s a war veteran named Saeed (Mehdi Bajestani), a seemingly normal family man who spends his nights picking up women on his motorcycle and brutally strangling them in his home as a religious cleansing ritual.