International Insider: Period Of Mourning; TIFF Back To Life; Jean-Luc Godard Remembered; San Seb & French Oscar Picks

Good afternoon Insiders, Max Goldbart here. Our crack team of reporters and editors brought you the news from Zurich to Singapore to London this week, and I’m here to help you digest. Read away.

Kelly Ripa has been good friends with David Muir for years and the pair's friendship is incredibly solid. In fact, the Live with Kelly and Ryan star has paid a heartfelt tribute to David in her book, Live Wire.An extract from the book - which is released on 27 September - was posted on Kelly's Instagram Stories over the weekend, and the message is included on a page of acknowledgements.It read: "To David Muir, you are the backbone and moral compass I need sometimes." David has been hugely supportive about Kelly's book and even took it out with him when he went for dinner the other night.VIDEO: Kelly Ripa's love story with Mark ConsuelosHe took to his Instagram Stories to share a photograph of himself out enjoying dinner, and in his hand was Kelly's book.

Come in quickly, Insiders. It’s getting colder out there. Jesse Whittock here with a rundown of this week’s top news and analysis, coming to you from across Europe.

EXCLUSIVE: Good Girls star Retta and the series’ creator/executive producer/co-showrunner Jenna Bans and executive producer/co-showrunner Bill Krebs are re-teaming for Murder By the Book, a new NBC hourlong crime drama, which has received a put pilot commitment by NBC. The project comes from Universal Television, a division of Universal Studio Group, where Bans and Krebs are under overall deals, and also stems from Retta’s talent holding deal with NBCUniversal TV & Streaming.

Juliette Binoche has admitted "it wasn't easy" working with late director Jean-Luc Godard on 1985's Hail Mary. The Breathless director passed away at his home in Rolle, Switzerland on 13 September at the age of 91. During a press conference at the San Sebastian Film Festival in Spain on Sunday, his Hail Mary star was asked about working with the French-Swiss filmmaker.

Liza Foreman “You have to know how to reject roles so as not to enter into a system in which women are only seen in a certain way,” said French actor Juliette Binoche on Sunday. Binoche spoke up for women whilst answering questions from the press at the San Sebastián Film Festival where she is a recipient this year of the festival’s Donostia Award, as a tribute to her career. “The English Patient” star is a go-to actress for a slew of auteur directors, including Krzysztof Kieślowski and Claire Denis. Denis joined her on stage to discuss “Both Sides of the Blade,” a love triangle film co-starring Binoche, which will screen at the festival before the award’s presentation.

Juliette Binoche spoke about what she described as the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian film festival.

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

As you’re probably aware at this point, acclaimed filmmaker Jean-Luc Godard passed away earlier this week at the age of 91. The exact details of his passing have been kept private, but it is being reported that he used assisted suicide to end his own life.

passed away on Tuesday (September 13) at the age of 91.Now, his long-time legal adviser, Patrick Jeanneret, has confirmed that the director died by assisted suicide, having suffered from “multiple disabling pathologies”.“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret told The New York Times, noting that assisted suicide is both legal and tightly regulated in Switzerland.He went on to explain that Godard wanted to die with dignity, and “that was exactly what he did”.The Franco-Swiss director was known for movies such as Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.His films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.Also known for his witticisms, Godard famously once observed that “a film consists of a beginning, a middle and an end, though not necessarily in that order.”Pulp Fiction and Reservoir Dogs director Quentin Tarantino was said to be heavily influenced by the late filmmaker, having been initiated by Godard and his Paris-based contemporaries.Other filmmakers have since taken to social media to pay tribute to Godard, with Edgar Wright (Hot Fuzz, Baby Driver) recently describing him as “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting,” he wrote.Director Asif Kapadia, who has helmed films and documentaries including Senna, Amy and Diego Maradona, also paid tribute to the late filmmaker, simply writing: “The King is Dead.”

died Tuesday at age 91. The Franco-Swiss director, who helped usher in a new era of cinema with titles like “Breathless” (1960) and “A Woman is a Woman” (1961), was mourned and celebrated across social media by scores of fans and fellow artists.Edgar Wright called Godard “one of the most influential, iconoclastic film-makers of them all,” recalling the “Breathless/Godard” spoofs he made while he was in college.

Tributes to Jean-Luc Godard, a pioneering leader of French cinema, began to flood in immediately after it was reported that the director died today, aged 91, with figures from the world of cinema, politics, and beyond remembering the director for his powerful, singular work.

confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured unlinear narrative, improvisational choreography and rapid editing.

Elsa Keslassy International Correspondent Immediately after news of French New Wave icon Jean-Luc Godard’s death broke on Tuesday (Sept. 13), tributes have started pouring in from world leaders, fellow filmmakers, artists and cinephiles around the world. French president Emmanuel Macron was among the first to paid tribute to Godard on Twitter, describing Godard as “the most iconoclastic of New Wave filmmakers, had invented a resolutely modern, intensely free art. We are losing a national treasure, a look of genius.” Ce fut comme une apparition dans le cinéma français. Puis il en devint un maître. Jean-Luc Godard, le plus iconoclaste des cinéastes de la Nouvelle Vague, avait inventé un art résolument moderne, intensément libre. Nous perdons un trésor national, un regard de génie. pic.twitter.com/bQneeqp8on Godard, who was internationally revered and whose work paved the way for many filmmakers, was also celebrated by Edgar Wright, the writer-director of “Last Night in Soho,” who wrote on social media that Godard was “one of the most influential, iconoclastic film-makers of them all.”

Related: Jean-Luc Godard: ‘Film is over. What to do?’ Born in Paris in 1930, Godard grew up and went to school in Nyon, on the banks of Lake Geneva in Switzerland.

Elsa Keslassy International Correspondent Franco-Swiss director and New Wave linchpin Jean-Luc Godard, who revolutionized world cinema with his ground-breaking debut, “Breathless,” and never stopped pushing the envelope of his creativity, has died. He was 91. The news was first reported in Liberation.

Liberation reports that people close to the Franco-Swiss director have confirmed that he died today (September 13).The filmmaker is known for movies including Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.Godard’s films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.As Reuters writes, Pulp Fiction and Reservoir Dogs filmmaker Quentin Tarantino is often cited as one of a more recent generation of pioneering directors who were initiated by Godard and his Paris-based contemporaries.Godard was born into a Franco-Swiss family on December 3, 1930 in Paris’s plush Seventh Arrondissement. His father was a doctor, his mother the daughter of a Swiss man who founded Banque Paribas, then an illustrious investment bank.Edgar Wright (Hot Fuzz, Baby Driver) has paid tribute the late filmmaker, saying that he was “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting.”RIP Jean-Luc Godard, one of the most influential, iconoclastic film-makers of them all.