International Box Office Outlook: Hope Springs For 2022 Overseas, But Will China Ever Forgive Marvel?

Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home scaled fresh heights this session as it reached an amazing new milestone by crossing the $1B mark at the international box office. The offshore cume through Sunday is an estimated $1.003B for a global total of $1.74B.

Spider-Man: No Way Home isn’t slowing down.

Scream” back to the number two spot.

Winter Storm Kenan, which meteorologists are describing as a “bomb cyclone,” is dominating the Northeast from as far south as Delaware into New Jersey, up the Eastern seaboard to the top of Maine.

J. Kim Murphy Another weekend, another easy No.

Refresh for chart and more analysis No one can complain that nobody went to the movies this weekend, because the major studios didn’t really give them a reason to come out. That’s because there aren’t any new wide releases as the majors became fearful about Omicron’s impact coupled with a historically lackluster domestic box office period. This weekend with roughly $34.7M for all movies is the lowest since Sept. 24-26; that’s when Shang-Chi was in its 4th weekend with $13M and Universal’s Dear Evan Hansen died with a $7.4M opening, amounting to a $38.8M weekend for all titles. Next weekend, Lionsgate hopes to lure people out with Roland Emmerich’s Moonfall and Paramount’s Jackass Forever, both looking at double low-to-mid teen digits, that is before their final week media blitz ensues.

Paramount/Nickelodeon/Spin Master’s Paw Patrol: The Movie has sauntered across the $100M threshold at the international box office. The Cal Brunker-directed animated action adventure now counts $100.3M to date overseas, and over $140M global.

More bragging rights for Sony, the studio dedicated to the theatrical window and distributor of the highest grossing movie of the pandemic, Spider-Man: No Way Home; their Marvel sequel Venom: Let There Be Carnage now counts $213.517M at the domestic box office, clicking past the 2018 first title’s $213.515M.

Broadway continued its winter freeze last week, with box office dropping 11% to a slim $16,494,289 for its meager 21-show roster. Attendance for the week ending Jan. 23 was 152,135, a slip of 6% from the previous week.

Mark Schilling Japan CorrespondentCinema admissions in Japan increased by 8% over 2020, to 115 million. Box office grosses improved by  13% to $1.42 billion in the same period, according to figures released on Wednesday by the Motion Picture Producers Association of Japan (Eiren).But compared to earnings of $2.29 billion on admissions of 195 million in the pre-pandemic era, last year was still way behind.

Patrick Frater Asia Bureau Chief“The Matrix: Resurrections” fell out of the top five chart positions at the mainland Chinese box office over the latest weekend. The top spots were reclaimed by local, holdover titles.China Film Co.’s patriotic pandemic drama “Embrace Again” was the top film over the latest Friday to Sunday weekend, with a weekend score of $5.3 million, according to data from consultancy firm Artisan Gateway. Since Dec.

Rebecca Rubin Film and Media ReporterAdd another notch on “Spider-Man: No Way Home’s” long list of box office achievements.Over the weekend, Sony’s comic book adventure became the sixth-highest grossing movie in history with $1.69 billion at the global box office (not adjusted for inflation). It passed “Jurassic World” ($1.67 billion) and “The Lion King” ($1.66 billion) to secure that spot.Now in its sixth weekend of release, “Spider-Man: No Way Home” returned to the No.

Refresh for latest…: With an amazing $1.69B worldwide cume through Sunday, Sony/Marvel’s Spider-Man: No Way Home has become the No. 6 film ever globally, passing Jurassic World ($1.67B) and The Lion King ($1.662B) to get there. This includes a running $970.1M from the international box office, which should portend an eventual $1B overseas gross — and without a China bump. Domestic is at $721M+.

horror reboot has grossed $42.6 million, according to IMDB’s Box Office Mojo database.“Spider-Man: No Way Home” remained in second place, after “Scream” knocked it from the top spot on its opening night last week, pulling in $3.5 million in sales on Friday and $710 million to date.Romance flick, “Redeeming Love,” based on a 1991 novel, took third, with $1.5 million in ticket sales on Friday, its opening day.

J. Kim Murphy After one weekend outside of the No. 1 slot, “Spider-Man: No Way Home” could be surging ahead to lead the domestic box office once again.

Refresh for chart and more analysis Some studio distribution bosses use to say that moviegoing is a 52-week business. Well, that’s not the philosophy this weekend, and it’s even grimmer next weekend as most of the majors figured in the wake of MLK weekend, and a traditional box office dead zone like January with Omicron flying around, that it wasn’t worth the P&A spend to put any kind of movie out there. Back in the good ole days, and we’re talking five years ago, post MLK was the time when Universal turned M. Night Shyamalan’s Blumhouse horror movie Split into an event with a $40M start, and Paramount settled for second on their Vin Diesel sequel xXx: Return of Xander Cage for $20.1M.

Refresh for latest…: In its fifth weekend, Sony/Marvel’s Spider-Man: No Way Home swung past the $900M mark at the international box office to weave a $926.3M running cume after a $33.4M session in 63 markets. The worldwide total through Sunday is an Electro-fying $1.625B.

EXCLUSIVE: TikTok’s grip on young audiences is a well-established fact, but the social network has just released a new report detailing how that defining trait has made it increasingly attractive to Hollywood.

Refresh for latest…: Arachnomania continues to grip the globe as Sony/Marvel’s Spider-Man: No Way Home has increased its worldwide cume to $1.53B through four weekends. Tom Holland’s Peter Parker now fronts the No. 8 movie on the all-time global chart with No Way Home leaping past Marvel’s The Avengers, Furious 7, Frozen II and Avengers: Age Of Ultron across the frame.

Given the ongoing pandemic with regard to global box office, it’s tempting to say “The more things change, the more things stay the same.” To wit: Disney still leads all studios worldwide, piracy remains a major concern, and many markets are still in Covid-induced flux. But when looking back over 2021 versus 2020, there are some key differences and highlights. Thank heavens, or at least, thank the Toretto family, Godzilla and Kong, James Bond and phenom Spider-Man to name a few headliners who proved that when product is available in cinemas, audiences will embrace the communal experience.