Inquest opens into death of ex-rugby league player Ricky Bibey found 'unresponsive' in Italian hotel

The Manchester Food and Drink Festival is moving its opening date in line with the period of mourning following the death of Queen Elizabeth II. Following official guidance from Manchester City Council, it will now start on September 22 and end on October 2.

Had Manchester City's plans for the summer of 2021 come together successfully, then the Etihad Stadium might never have come to witness the goalscoring prowess of Erling Haaland.

A prisoner died after being found unresponsive in his Strangeways cell by an inmate, an inquest hears.

An inquest has opened into the death of Tyson Fury's cousin Rico Burton. The 31-year-old was fatally stabbed outside a bar in the Goose Green area of Altrincham in the early hours of Sunday, August 21.

The inquest into the death of a beloved teen who got into difficulty as she played in the water with her friends has opened.

Even before the title flashes up for Venice Film Festival competition entry L’Immensita, we know that Penelope Cruz is the most fun mom – most likely the only fun mom – in town. She doesn’t just set the table for dinner; she puts on music, leads the kids in a choreographed dance and singalong as they pass plates and cutlery, emoting into a passing fork as if it were a microphone. Adults bore her. At a birthday dinner for an ancient relative, she slips under the table to join her children in removing and mixing up everyone’s shoes. “I want to play!” she says, eyes gleaming.

Irina Shayk and Stella Maxwell are looking so chic on the red carpet!

What a knotty task, to detach instinctive overtures of motherly love from the traditional structures that perpetuate the restraining of gender roles, offering love freely without conforming.

Penelope Cruz turned heads in two amazing looks at the 2022 Venice Film Festival this weekend!

Here are your Manchester City evening headlines for Sunday, September 4

Guy Lodge Film Critic “L’Immensità” is director Emanuele Crialese’s first feature film in 11 years, and only his fifth in a quarter-century: The gifted Italian, best known to international audiences for his splendid, richly felt Ellis Island immigrant saga “Golden Door,” has never been one for unconsidered or impersonal projects. At first glance, then, one might wonder what drew him out of hibernation for a film that, with its trim runtime and small-scale domestic narrative, belies a title that translates as “immensity.” This 1970s-set story of a 12-year-old navigating his gender identity while his mother battles mental health demons is too palpably pained and heartfelt to be called slight, but it’s sensitive and peculiar in ways that feel fragile — occasionally splintered and swamped by an elaborate setpiece, or the outsize star magnetism of arguably its secondary lead, one Penélope Cruz. 

Nick Vivarelli International Correspondent In Italian director Emanuele Crialese’s new drama “L’Immensità,” which is set in 1970s Rome, Penélope Cruz plays a mother of three who, while contending with a violent Italian husband, winds up in a psychiatric institution. “I don’t think my character is crazy at all,” Cruz said. “She is trapped in her family. Trapped in her home, in her body. In the situation in which she finds herself living. She doesn’t have a plan B. There is no escape,” she added. “She’s not crazy at all. She’s oppressed in many different ways. And she simply can’t take it anymore.

Emanuele Crialese put in a buoyant performance at the Venice Film Festival Sunday, during which he discussed how his identity informed his Golden Lion contender L’immensità.

Mario Gianani, CEO of Fremantle’s Rome-based The Young Pope and My Brilliant Friend production powerhouse Wildside, is enjoying a high-profile time on the international film festival circuit this year.

Drag Race UK legend Tayce opened up about homophobia still being "rife" across the country, claiming she was blocked from having gay friends visit her hotel rooms while on tour by "judgey" reception staff.

Nick Vivarelli International Correspondent Italian director Andrea Pallaoro is back on the Lido with English-language drama “Monica,” starring transgender actor Trace Lysette (“Transparent”) as a woman who returns home to the Midwest to care for her dying mother, played by Patricia Clarkson. His sophomore feature, “Hannah,” premiered at Venice with star Charlotte Rampling winning the festival’s Coppa Volpi for the best actress in 2017. Pallaoro, who lives in L.A., spoke to Variety about making a film that is not about “transitioning per se,” he says, but about the title character’s rapport with the world long after the transition has occurred. What drew you to the subject matter?

John Hopewell Chief International Correspondent Directing Penélope Cruz in Venice competition title “L’immensità,” Italy’s Emanuele Crialese is teaming with Argentina’s Nicolás Gil Lavedra to produce “Rona,” the second feature by Emiliano Torres, writer-director of San Sebastian Special Jury Prize winner “The Winter.” Produced by Crialese’s Italy-based Now and Buenos Aires Gamán Cine, set up by Lavedra and Torres, “Rona” is being structured as a majority European production and will shoot mainly in English. Lavedra, whose recent production credits include Paz Encina’s Rotterdam Tiger Award winner “Eami,” will oversee production.  “Rona” is one of the highest-profile of 14 titles at this year’s San Sebastian Europe-Latin America Co-Production Forum, one of the Spanish festival’s centrepiece industry events.