Industry Heavyweights Mull Future of Web3: ‘This Is Not a Fad, it’s a Technology’ – FilMart

Donald Glover has plenty of projects in the works!

Zack Sharf Digital News Director Malia Obama is staying in the Donald Glover business. As part of a new GQ cover story on the “Atlanta” creator, Glover revealed that his newly-created production company, Gilga, is developing a short film with Malia Obama, the eldest daughter of Barack and Michelle Obama. GQ confirmed Malia is “creating” the short film. It’s unconfirmed at this time if Malia will direct the project. Malia already has experience working with Glover as part of the writer’s room of his buzzy Amazon Prime Video series “Swarm,” which debuted March 17 on the streaming platform. Malia had a writing credit on the show’s fifth episode, “Girl Bye,” alongside series co-creator Janine Nabers.

A Scottish surgeon raced to Malawi to treat the wounded after the country was battered by Cyclone Freddy.

Official trailer for Big Jake starring John WayneDionne Warwick performs Heartbreaker on TOTP in 1982Official trailer for The FabelmansTomorrow Never Dies: Pierce Brosnan stars in trailer for 1997 filmElvis Presley's 1962 Lockheed Jet goes up for auctionPeter Pan & Wendy | Official TrailerITV Good Morning Britain: Andy Serkis on being a villain in the new Luther movie2022 celebrity deaths: Olivia Newton-John, Meat Loaf and moreLive Aid: Freddie Mercury warms up the crowd in 1985Tony N' Tina's Wedding: Mila Kunis stars in 2004 filmScream VI: Paramount Pictures releases trailer for slasher filmThe Politician: Bette Midler stars in exciting season two trailerStagecoach: John Wayne stars in trailer for 1939 filmFA confirm Gareth Southgate to stay on as England managerBAFTAs: Behind-the-scenes at 2023 awards showGMB: Michael Rosen looks back on his battle with coronavirusJohn Wayne was seen as a bastion of conservative values, especially in the latter stages of his career. But when his career went stratospheric in the 1940 he was (behind closed doors) a well-known "hell-raiser" according to his daughter Aissa.

Although Filmart felt quiet on its first morning, with many attendees glued to their phones watching the Oscars, it soon turned into a reasonably vibrant market, with sales companies locked in back-to-back meetings, new project announcements and a few star appearances to liven up proceedings. 

Patrick Frater Asia Bureau Chief The Hong Kong Trade Development Council said Thursday that 7,300 executives from 41 countries had attended its FilMart and Entertainment Pulse events this week (March 13-16). “The revived physical marketplace was as vibrant and active as in the past,” organizers claimed. In 2019, the last year that FilMart was held as an in-person event, the TDC reported “close to 9,000 visitors from 52 countries and regions.” For 2023, it reported “over 700 exhibitors from 30 countries and regions,” including a record Mainland China exhibitor tally exceeding 330. Those numbers compared with 888 exhibitors from 35 countries and regions in 2019, including 264 exhibitors from China.

“Birth/ Rebirth” Mali Elfman became a producer almost by accident: after co-writing her first film, “Do Not Disturb,” as an acting vehicle for herself. The former entertainment journalist realized there were a few jobs on set she didn’t want after all — and others she did.

Marcus Lim Chinese TV producer Linmon Media struck a decidedly international tone during the presentation of its 2023-24 slate at FilMart, with presenters speaking about their Chinese-language projects in only English and Korean, and handing out sleek project literature in multiple languages. Apart from a slate of romance, medical and crime dramas targeted at domestic audiences, the studio is actively remaking its hit female-led contemporary drama “Nothing but Thirty” in Thailand, Indonesia and Hong Kong, having previously licensed the remake rights to Korean pay TV network JTBC. The drama, which follows the lives of three women as they transition from their 20s into their 30s, is emblematic of the Linmon slate, which is heavy on female-centric contemporary romance dramas.

Naman Ramachandran Singapore-based media and entertainment company mm2 Asia and Taiwan’s Man Man Er are starting development on series ”Tales of Mystery” (working title), a series borne from the strategic partnership of the pair with Taiwanese intellectual property company Million Star (Huaxing) Entertainment, which was revealed in December 2022. The series was announced at Hong Kong’s ongoing FilMart market. The project is adapted from the bestselling supernatural book series of the same name by popular Taiwanese writer Teensy, who is also the author and creator of “Agent From Above,” which has been adapted into a series for Netflix by mm2.

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Good Move Media has added Japanese music drama “Plastic” to its FilMart slate. The film is directed by Miyazaki Daisuke, the Japanese helmer behind “Yamato (California),” which had festival play in 2016, and 2019 slacker youth title “Tourism” in 2019. The new picture is the story of teenagers Juna and Ibuki, who set out to find the psychedelic rock band Exne Kedy. Exne Kedy is a fictional creation from musician Ide Kensuke, who previously released punky album “Kensuke Ide With His Mothership — Contact From Exne Kedy and the Poltergeists,” but the band is actually credited as performing and providing part of the music track in the film. “Plastic” is recently completed and headed for a theatrical release in Japan in July.

EXCLUSIVE: MakerVille, the recently launched entertainment subsidiary of Hong Kong media group PCCW, is set to make a splash at Filmart, unveiling an ambitious slate of movies and premium series, following its debut feature Mad Fate, which had its world premiere at Berlin film festival. 

Marcus Lim Africa is turning out to be an unlikely market for Chinese television producers, according to one production executive. Hou Hong Liang, chairman of Chinese television production company Daylight Entertainment revealed his amazement at meeting African fans of Chinese television stars in a recent trip to the continent, even as he bemoaned the lower profitability of the region. “We had African fans coming to the airport to meet the cast for one of our recent productions. I was amazed to see we had fans in Africa. I thought they wouldn’t understand our culture, but they did. I don’t think Africa is a true market yet, our IP is not valued as much. We have to nurture the audience, so we sell our IP at a lower price to African broadcasters.”

Top executives from Asian media companies including CJ ENM, Zee Entertainment Enterprises, BEC World and Bona Film Group discussed Asia’s changing media landscape on the first day of Hong Kong’s Filmart. 

Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, told Variety. “This support will increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution, television, everything,” he added.

Patrick Frater Asia Bureau Chief Despite a barnstorming address celebrating the re-opening of Hong Kong and China by Bona Film Group COO Jiang De Fu, it is clear that the film industry in China is still suffering its own version of long-COVID, with box office tracking at around half of 2018 levels. “The Chinese box office was RMB60.7 billion ($8.89 billion at current rates of exchange) in 2018. And 83 films made over RMB100 million. 16 films that made over RMB1 billion. Post-pandemic, in 2022, China’s box office was RMB29.9 billion. [Just] 41 films made over RMB100 million. [And] 8 films made over RMB1 billion. We are now only at 50% of the level in 2018,” said Jiang aty a presentation on the first day of Hong Kong’s FilMart.

Patrick Frater Asia Bureau Chief Singapore’s Mocha Chai Laboratories and Emissary Pictures, a company that straddles New Zealand, Australia and Indonesia, have announced a strategic partnership for the development and production of cross-cultural films, series and content in Asia. The venture will have offices in all four countries and will identify, develop and produce content across genres and formats, including films, television series, documentaries and digital content. The agreement was announced in Hong Kong on the first day of the FilMart rights market. The pair say that they have scripted and unscripted projects in development and production. Slate details, however, remain under wraps as do distribution plans.

Naman Ramachandran Asian content heavyweights revealed their thoughts on several subjects at a panel called “The Asian Wave in 2023 and Beyond” on March 13, the opening day of FilMart in Hong Kong. The lively session, moderated by Variety‘s Asia editor Patrick Frater, featured Sebastian Kim, director of international content sales and acquisition at Korea’s CJ ENM, Sanmesh Thakur, executive VP and territory head, Asia Pacific, at India’s Zee Entertainment Enterprises and Ziraviss Vindhanapisuth, VP, international business at Thailand’s BEC World Public Company. The evergreen topic of co-production was discussed in some depth. Kim said: “We’ve been looking for this formula for decades and for now, we find that the best formula of co-production is more like an adaptation of the original — A place to B place production — that’s how we’ve been doing it.”

Marta Balaga European Film Promotion (EFP), an international network of film promotion institutes from 37 countries, is heading back to Hong Kong’s FilMart for its in-person return. “It wasn’t clear if the reopening of the market [post-pandemic] will immediately lead to business, but people want to reconnect with local companies,” observes deputy managing director Jo Mühlberger. This year, 28 sales companies from five European countries will be joining EFP’s Europe! Umbrella (22 onsite and six online). Most of them hail from France, as Unifrance won’t have its own stand, explains Mühlberger.

Patrick Frater Asia Bureau Chief After three editions that were canceled due to a combination of COVID and bad timing, Hong Kong’s FilMart film rights market may have finally had some things go its way. It opens March 13 with many factors now moving in its favor. Not least of these are the moves by the Hong Kong government to end its previously harsh and persistent disease-control measures. The city wound down its disruptive quarantine and tracking measures at the end of 2022, opened its borders in January and finally dropped its mask mandate in the last 10 days. “We saw an immediate jump in interest from buyers and sellers after Chinese New Year’s border opening and there were no more restrictions on the food and beverage sector,” says Gloria Chan, section head for the entertainment industry at FilMart organizer, the Hong Kong Trade Development Council.

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Autumn Sun comes to FilMart with a bulging slate of new film titles from around Asia — including two animated features from mainland China. Autumn Sun, headed by sales veteran Elliot Tong, is giving a market premiere to “Planet Cat,” an animated feature by Song Yuefeng (“Ping Pong Rabbit,” “Throne of Elves”) about a chance meeting between a stray cat and a girl in a city at night. The film is produced by Nuctopus Studio and Dreamers Studio and previously won a development prize at the Beijing International Film Festival. The feature is now in post-production and a promo reel is being screened at the market.