Indian Media World Shaken By Hostile Takeover Bid For NDTV; Venice Announces Ukrainian Day On September 8; Busan Sets New Currents, Kim Jiseok Award Juries – Global Briefs

Standing between Steve Buscemi’s newest directorial effort, “The Listener,” and his last time on the director’s chair for the Sienna Miller-starring drama “Interview” is a whopping 15 years. Buscemi has been open about his desire to direct again, but nothing seemed to work out until Oscar-nominated writer Alessandro Camon knocked on his door, script in hand.

Nick Vivarelli International Correspondent With “Chiara,” Susanna Nicchiarelli’s portrait of Saint Clare of Assisi – the 13th century saint born into a wealthy family who at age 18 became a nun after hearing St. Francis preach – the Italian director completes her trilogy of female biopics, segueing from “Nico, 1988” and “Miss Marx,” which both launched from Venice’s Horizons section. With “Chiara,” she makes the leap into the main Venice competition. Nicchiarelli spoke to Variety about what drew her to portraying this prototypical feminist and directing “My Brilliant Friend” star Margherita Mazzucco in the pic’s titular role. Excerpts. What drove you to want to tell us this story about St. Clare?Well, first of all, I was always passionate about Saint Francis. I have a very strong memory when I first saw Franco Zeffirelli’s “Brother Sun, Sister Moon.” I was at school when they showed it to us and this boy, this man, taking his clothes off in front of the Bishop. That was a very strong image. Francis’ battle speaks to us just as much today because it’s a battle for poverty, against social injustice. It’s about being on the side of the poor, of those who are different, and the injustices of a society in which very few have everything and then most have nothing. So, this was their battle. The medieval society was like that. It’s not so different from the way it is now.

Nicolas Winding Refn says that the characters in his upcoming Netflix series Copenhagen Cowboy, are a “female evolution” of characters from previous projects such as Valhalla Rising, Drive and Only God Forgives.

EXCLUSIVE: Iranian-British director and artist Mehdi Norowzian has just wrapped the Iran shoot of his new drama A Time In Eternity starring Venice 2022 jury member Leila Hatami, best known for her roles in A Separation, The Pig and Imagine.

EXCLUSIVE: Nancy Buirski, director of feature doc Desperate Souls, Dark City and the Legend of Midnight Cowboy, which just premiered at the Venice Film Festival, has signed a development deal with Cineflix Productions.

Nick Vivarelli International Correspondent On July 26, the day the Venice lineup was announced, my 14-year-old daughter Emma started hounding me that I had to take her on the red carpet to see Timothée Chalamet. Eventually, I relented, even though I thought the movie, “Bones and All” — about two cannibals who fall in love — would be too gory for her. So we struck a compromise: We’d try to meet Chalamet (or “Timmy,” as he’s called) without going inside to see the film. So there we were — Emma; her friend Nina, 13; and me — on a balmy late afternoon in a small reserved spot for journalists behind the red carpet, opposite the fans, waiting for our A-list sighting. And for a while it was pretty boring. The girls spotted “Outer Banks” star Chase Stokes; YouTuber Emma Chamberlain; Simone Ashley, whom they known from “Bridgerton,” and Italy’s Luca Argentero who stars in the local medical procedural “Doc.” For me the most exciting thing was seeing Venice chief Alberto Barbera’s gorgeous newborn baby daughter Thea, brought out on the red carpet by a nanny to get her first taste of stratospheric stardust, just like Emma.

Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.

EXCLUSIVE: Bankside Films has boarded international sales for Steve Buscemi-directed Venice Film Festival drama The Listener, starring Tessa Thompson (Creed).

Clayton Davis In a world where politicians use mental health as mere talking points when discussing gun violence and suicide rates, Steve Buscemi’s “The Listener” addresses the crisis head-on. Written by Alessandro Camon, the Oscar-nominated scribe of “The Messenger” (2009), the film follows a helpline volunteer named Beth, played by Tessa Thompson, who is an integral part of the small army of counselors who field calls from all kinds of people who feel lonely and broken. The film unspools at the Venice Festival’s Giornate degli Autori and is the closing film of Venice Days on Sept. 9. Buscemi can sympathize with anyone who feels lost and broken, especially as he is still reeling from losing his wife Jo Andres in January 2019; they had been married for over 30 years. While in pre-production, the director and producer called a helpline number. “At first, it was in the name of research,” Buscemi told Variety. “I had these dreams in the night involving my late wife, and it was reason enough for me to call. I had an amazing 15-minute talk with this person. I’ll never know who she was, and I never told her who I was. I just talked about Jo, and it was important.”

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with RAI Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period. 

Mad Cool Sunset festival has announced it will no longer take place next month after not being able to find a “suitable” replacement for Rage Against The Machine. See the announcement below.The inaugural live event was set to take place in Madrid on September 10, with a one-day line-up featuring Biffy Clyro, Glass Animals, Stereophonics, Run The Jewels and more.RATM were to be the main act of Mad Cool Sunset, but the band recently cancelled their forthcoming UK and European tour dates after a July 1 performance that saw frontman Zack de la Rocha injuring his leg on stage.On August 11 the band shared that due to “medical guidance”, de la Rocha had been advised not to proceed with performing.

The Venice Film Festival has announced two new initiatives in collaboration with The International Coalition for Filmmakers at Risk to support and raise awareness about directors, filmmakers, and artists who have been arrested or imprisoned around the world during the past year.

Nick Vivarelli International Correspondent The Venice Film Festival is launching two initiatives to support directors, filmmakers and artists who have been arrested or imprisoned around the world during the past year. In tandem with the International Coalition Filmmakers at Risk (ICFR), a panel will be held on Sept. 3 at the Palazzo del Casinò press conference room titled: “Filmmakers Under Attack:Taking Stock, Taking Action.” Panelists will include fest chiefs Alberto Barbera (Venice);  Vanja Kalurdjercic (Rotterdam); Orwa Nyrabia (Amsterdam Documentary Film Festival); Turkish producer Nadir Öperli; European Film Academy president Mike Downey and an unspecified Iranian director. 

Naman Ramachandran On Aug. 24, Ukraine independence day, the Venice Film Festival has revealed that it will host a Ukrainian Day on Sept. 8, as part of the festival’s Venice Production Bridge initiative. The day will kick off with a panel discussion introduced by the president of the Biennale, Roberto Cicutto, and the artistic director of the 79th festival, Alberto Barbera. Panelists include the Ambassador of Ukraine to Italy, Yaroslav Melnyk; the head of the National Cinema Institution of Ukraine, Marina Kuderchuk; the director of the film “Luxembourg, Luxembourg” (which will screen in competition in the festival’s Horizons strand), Antonio Lukich; the director of the film “Freedom on Fire: Ukraine’s Fight for Freedom” (screening out of competition), Evgeny Afineevsky; the exhibiting artist in the Ukrainian Pavilion at the 59th Biennale Arte, Pavlo Makov; the curator of the Ukrainian Pavilion at the 59th Biennale Arte, Boris Filonenko; the representative of Ukraine’s Council for State Support of Cinematography, Polina Tolmacheva; the Cultural Attaché of Ukraine, the actor and filmmaker Daria Tregubova; and the producer and head of civic organization Andriy Nogin. The panel will be moderated by Volodymyr Ostapchuk.

Naman Ramachandran Indian billionaire Gautam Adani, chair of the $240 billion Adani Group, is in the process of making a hostile takeover bid for New Delhi Television (NDTV), one of the country’s most trusted news sources. On Tuesday, Adani’s AMG Media Networks Limited (AMNL) acquired some 29% of NDTV indirectly, by buying out loans to the company. The value of the transaction was not disclosed. AMNL also made an open offer to acquire a further 26% of NDTV, but at INR294 ($3.68) per share, a discount of 20%  on the company’s existing share value. NDTV said in a statement that the loan buyout “was executed without any input from, conversation with, or consent of the NDTV founders, who, like NDTV, have been made aware of this exercise of rights only today. As recently as yesterday, NDTV had informed the stock exchanges that there was no change in the shareholding of its founders.”

A column chronicling conversations and events on the awards circuit.