Li Ruijun’s arthouse hit Return To Dust has been dropped from theatrical release and streaming platforms in China, without any reason being given to the producers or distributors of the film.
15.09.2022 - 01:02 / deadline.com
Imax just cut a deal for six new big-screen installations in China this year — “a very positive development,” according to CEO Rich Gelfond. The company is a big player in the Chinese market, which is still strained by Covid lockdowns and in limbo for Western theatrical releases.
He noted the new contract during a Goldman Sachs media conference Q&A but with no details since it hasn’t been formally announced. Imax has 788 theaters in China and another 198 pending out of 1,694 globally.
Imax has been in China for over 20 years. Gelfond said he’s made 57 trips, and that he has reason to hope the government’s tough stance on both Covid and U.S films will ease after next month’s meeting of the National Congress of the Chinese Communist Party. President Xi Jinping is poised to secure an historic third term at the momentous event held every five years.
“The way the politics work in China, until that’s finalized, the bureaucracy is very conservative, so people are really afraid to go out on a limb and make a mistake. And I think that has a lot to do with the lack of Western product being there. Because I think just no one wants to tip the apple cart while that’s going on,” he said.”
“I think it’s really easy to have a ‘recency bias’ and say exactly what is happening today will happen tomorrow. But I don’t think that’s the case, and I think following the election, and hopefully Avatar (Way of Water) getting in, I do think there is going to be a return to normalcy on both the Covid policy as well the importation of Western films. I mean you look at the economic data coming out of China, and I just don’t believe that’s where they want to be long term. So I think there is every incentive for that to happen… A lot of the legitimacy of
Li Ruijun’s arthouse hit Return To Dust has been dropped from theatrical release and streaming platforms in China, without any reason being given to the producers or distributors of the film.
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Todd Spangler NY Digital Editor Kickstarter announced that marketing exec and entrepreneur Everette Taylor has been named CEO of the crowdfunding platform company. Taylor most recently served as chief marketing officer for Artsy, an online marketplace for buying and selling fine art. He takes over as CEO of Kickstarter from COO Sean Leow, who served as interim CEO since former chief exec Aziz Hasan announced earlier this year that he was stepping down after three years at the helm. “I am humbled to take on the role of CEO of Kickstarter at a very transformative time for the company,” Taylor said in a statement. “Kickstarter has made such a positive impact on the world, and I’m honored to continue the mission of bringing creative projects to life and support amazing creators across the globe.”
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Lise Pedersen French kids entertainment company Millimages has announced it is renewing with Netflix for Seasons 2, 3 and 4 of its hit series “Molang”, already picked up by co-producers TF1 and Canal+. “Molang” will be rolling out in all territories except Scandinavia and China from Nov. 1, said Millimages general manager Marina Narishkin, adding that the deal bore testimony to the fluffy character’s popularity with audiences of all ages and from all continents. “‘Molang’ is not just watched by children, our target audience is 15 to 30-year olds, the young co-parents. We’re not making packaged goods for children. “Molang” supports kindness, it’s a character that is non gender specific: That’s really important, and it was done way back, not just because it’s the fashion,” she added.
Pablo Sandoval Set to be unveiled at this week’s San Sebastian Europe-Latin America Co-Production Forum, “Bajo el Mismo Sol” has secured a first co-production deal ahead of the festival. Argentina’ Pucará Cine has boarded the project, reteaming with lead producer Wooden Boat Productions in the Dominican Republican on director Ulises Porra’s third feature. Both production companies co-produced Porra’s most recent movie, “Carajita” (2021), co-directed by Silvina Schnicer, which won the New Directors award at last year’s San Sebastián, swept Guadalajara, and collected hardware at Argentina’s Mar del Plata and the Miami Film Festival.
Brett Morgen’s kaleidoscopic ode to David Bowie landed at no 10 in North America this weekend, singing up $1.225 million on 170 screens – exclusively Imax (159 U.S. locations, 11 in Canada).
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Patrick Frater Asia Bureau Chief Jack Neo, who is by far Singapore’s most commercially successful filmmaker, has begun production on “King of Musang King,” a comedy that he envisages being ready for release at Chinese New Year in January. The narrative gives prominent position to durians, the smelly Southeast Asian fruit that most people either love or hate. Neo (“Money No Enough,” the “Ah Boys to Men” franchise) will co-star, direct and produce through his J Team Productions. The film will be presented by J Team, mm2 Entertainment and Cathay Cineplexes. The story revolves around a man (played by Mark Lee), his abandoned Malaysian wife (played by Yeo Yann Yann), and childhood friend Mao Shan (played by Jack Neo).
Patrick Frater Asia Bureau Chief Family comedy “Table For Six” has set an opening day local record for a comedy film in Hong Kong, to the relief of producers who were forced to digest a releasing delay of six months. The Sunny Chan-directed film opened Wednesday in Hong Kong and Macau at 61 theatres, playing a total of 608 sessions. That gave it an accumulated box office of HK$1,986,701 ($255,000). “Table for Six,” which chronicles a family’s holiday gathering where food, love, friendship, jealousy and relationships are on the menu, had originally been planned as a dish to be served at Chinese New Year, in February. And producers had assembled a cast of major Hong Kong and regional talents, including Dayo Wong, Stephy Tang, Louise Cheung, Ivana Wong, Lin Min-Chen and Chan Charm Man.