‘I Came By’ Review: High Bonneville & George Mackay Star In Babak Anvar’s Bloated Thriller

Friends that matter. Maci Bookout has Amber Portwood’s back when it comes to her custody drama.

Korean director Park Chan-wook is back with a new thriller “Decision To Leave”, and ET Canada has your exclusive first look at the trailer.

Richard Kuipers Romantic comedies have never gone away, but mainstream examples with A-list stars have been pretty thin on the ground since the glory days of the ’90s and early 2000s, when “Pretty Woman,” “Notting Hill,” “Love Actually” and “Bridget Jones’s Diary” ruled at the box office. Bucking the trend is “Ticket to Paradise,” a glossy piece of fluff starring Hollywood royalty Julia Roberts and George Clooney as a divorced couple whose passion reignites in Bali during their hare-brained attempt to prevent their daughter from marrying a guy she’s only just met. While far from a classic of its kind, this is likely to be just the “Ticket” for general viewers relishing the chance to watch Roberts and Clooney trade poisonous barbs, before being struck by Cupid’s arrow all over again.  

EXCLUSIVE: Anonymous Content and Impact Partners have teamed to produce a new doc on a China-based “mistress dispeller,” to be directed and produced by award-winning filmmaker Elizabeth Lo (Stray). Plans for a scripted adaptation of the documentary are also in the works.

Earlier today it was announced that Jacob Elordi and Cailee Spaeny are set to star in the newest Elvis and Priscilla Presley focused movie, titled Priscilla.

The problem with Michael Ritchie’s 1985 film “Fletch” is that it’s a perfectly good ’80s Chevy Chase action-comedy and a very bad adaptation of Gregory McDonald’s Edgar-award-winning mystery novel. It’s a dichotomy that becomes clear if you’re one of the many, many ’80s kids (hello) who watched “Fletch” on video and HBO so many times we memorized it and then went to read the book – and its ten (ten!) follow-ups – and discovered they were something different altogether.

Toronto International Film Festival.Bri (Jamila C. Gray), a 16-year-old aspiring rapper, rises from late-night rap battles at an underground venue called the Ring in her fictional hometown of Garden Heights to having the most-played song on the radio. Running time: 115 minutes.

Surprisingly, Nuclear is not one of Oliver Stone’s “devil’s advocate” documentaries, the spate of films he started making in the early 2000s that seemed to troll liberals everywhere by spending time with notorious human-rights abusers such as Fidel Castro, Hugo Chavez and Vladimir Putin. In the real world right now, nuclear power is about as toxic as those three men put together, but this intelligent and surprising film is an investigation into how that PR damage came about, which makes it arguably more of a piece with his famous conspiracy thriller JFK than any of those. At nearly two hours, it’s a hard watch, being dominated by Stone’s dense, monotonous voice-over and featuring scientists with next to no screen presence (this explains a lot about Adam McKay’s decision to shoot Don’t Look Up with A-listers). Nevertheless, it puts forward a lot of unexpected proposals about nuclear energy, debunking powerful myths along the way.

lot, “Rocketman” set out to be true not in a literal sense but only in an emotional one (and was all the better for making its fakery transparent), and “Elvis” was a freewheeling mixture of semi-reality and extravagant fantasy.So if it’s the case that regular rock biopics are weird, what of one whose title begins with the word weird? It certainly doesn’t figure to be one for the nitpickers (which at times have definitely included me) who point out that a song is in the wrong place chronologically or that this character is a composite or that so-and-so never did such-and-such.Questions like that don’t mean a damn thing when it comes to “Weird: The Al Yankovic Story,” a churning and very entertaining load of poppycock that makes not the slightest pretense of being an accurate retelling of the story of everybody’s favorite song parodist, Weird Al Yankovic.In fact, the whole point is that it isn’t accurate, that it’s a whacked-out alternate reality in which young Al got his first accordion after his father beat a door-to-door accordion salesman to a bloody pulp, Michael Jackson’s “Beat It” was a parody of Weird Al’s “Eat It” and Madonna (played by Evan Rachel Wood with gum-snapping zest) was both Al’s girlfriend and a murderous psychopath.The film, directed by Eric Appel, produced by Funny or Die and distributed by Roku, takes Weird Al’s approach to music – take a well-known song and change the words to make them funnier – and applies it to the rock biopic.

Pete Davidson and Kaley Cuoco star in the upcoming movie Meet Cute, and the trailer is finally here!

Trinidad Barleycorn “Downton Abbey” actor Hugh Bonneville takes the viewers on a grand tour of the architectural landmarks of Europe in the international version of “The Wonders of Europe” (“L’Europe des Merveilles”), the new documentary series from Studiocanal. Watching the Acropolis being built before your very eyes or Versailles being enlarged by order of Louis XIV to become one of the most beautiful palaces in the world with its 73-meter long Hall of Mirrors and sumptuous gardens are just a couple of the time travel trips that Chengyu Prod.’s show takes you on. Directed by Claire Benhaim, Angèle Berland, Christophe Widemann, Marine Suzzoni and Nicolas Bozino, the new high-end docu-series focusing on European cultural heritage and architecture was unveiled at Unifrance Rendez-Vous in Biarritz, the international market entirely dedicated to French TV programs.

The show must go on…until it simply cannot.

Jessica Kiang Spoken English evolved such useful phrases as “blah blah blah” and “yada yada yada” so that in conversation we don’t have to suffer through numbingly repetitive descriptions of the perfectly obvious. Sadly, no such shorthand exists in the “After” universe, which, now on its fourth instalment, seems dedicated to spinning the already vanishingly wispy romance between good-girl Tessa and bad-boy Hardin, YA fiction’s most colossally boring golden couple, into ever thinner straw. After a placeholder second film (“After We Collided”) and a wheel-spinning third (“After We Fell”) the new episode — which itself ramps up to a face-palming “to be continued” — can’t even charitably be said to be blah. It’s the space between the blahs. 

Carson Burton Amiah Miller and Bill Heck are rounding out the cast of Searchlight Pictures’ upcoming horror thriller film “Dust.” The film stars Sarah Paulson of “American Horror Story,” Annaleigh Ashford and Ebon Moss-Bachrach in a story set in 1930s Oklahoma. It follows a woman who, during the region’s increasingly perilous dust storms, is convinced that a sinister presence is threatening her family. The film is directed by Will Joines and Karrie Crouse, and Crouse penned the script. “Dust” commenced principal photography this week in Santa Fe, New Mexico. Miller previously starred as Nova in the 2017 film from 20th Century Studios “War for the Planet of the Apes” alongside Andy Serkis, Woody Harrelson and Steve Zahn. In 2020, she was also seen in David Oyelowo’s feature directorial debut “The Water Man.”

cannon never gets tired of blasting off.On the red carpet at the 2022 VMAs Sunday, “Wild ‘N Out” siren Justina Valentine spoke candidly about the show’s fertile frontman Nick Cannon, who announced the impending birth of his tenth child last week.“One thing about Nick, he doesn’t vacation and neither does his junk,” Valentine, 35, told The Post after jokingly being asked if Cannon, 41, planned to launch a “Wild ‘N Out” day-care center for his brood.On Thursday, Cannon and former beauty pageant queen Brittany Bell, 34, revealed on Instagram that they are expecting their third child, which will be his tenth, together.The pair already have a 5-year-old son, Golden, and a 1-year-old daughter, Powerful Queen.“He’s a hard-working man, across the board,” Valentine added with a chuckle. And she isn’t the only lady in Cannon’s life to poke fun at his rampant fruitfulness.  Abby De La Rosa — who gave birth to his most recent set of twins, Zion and Zillion Cannon, in June 2021 and is currently pregnant with their third child — joked that the “Love Don’t Cost a Thing” star is siring an entire generation. “Move over Kardashians, ‘Gen C’ is taking over baby,” penned De La Rosa, 32, as the in-text caption of an Instagram Story following Cannon and Bell’s virtual pregnancy announcement. She re-posted a clip from comedian Brian Moller, who wisecracked that Cannon’s 10 (and counting) kids might eventually “take on the Kardashians for world supremacy.”“And they said millennials aren’t having kids,” quipped Moller. “They’re not, Nick’s having them all!”Cannon’s incessant seed-spilling notwithstanding, he seems to be making an effort to spend quality time with his growing gaggle of little ones.

Tessa Thompson (Westworld) and Joseph Gordon-Levitt (Super Pumped) are are attached to star in the sci-fi thriller Ash, which the Grammy-winning musician and filmmaker Flying Lotus — otherwise known as Steven Ellison — will direct as his sophomore feature, as we first reported in January. Neill Blomkamp (District 9) has since then come aboard to exec produce the pic, which its financier XYZ Films will rep for worldwide sales at the upcoming Toronto Film Festival.