How to Watch ‘The Invitation': Is the Horror Movie Streaming or in Theaters?

This fall, Disney+ will host its third annual “Hallowstream” celebration, which will include fan-favorite Halloween movies on Disney+ like “Hocus Pocus,” “The Nightmare Before Christmas,” “Halloweentown,” “Muppets Haunted Mansion,” and “Zombies 3.” More creepy classics include “Twitches,” “Just Beyond” and “Frankenweenie.” Shocking shorts include “Growing Fangs,” “Zombies: Addison’s Moonstone Mystery,” “Trick or Treat” and “Toy Story of Terror!” There are also eerie episodes of “WandaVision,” “Glee,” “Even Stevens,” “grown-ish,” “Kim Possible,” “Cars on the Road” and Marvel Studios’ “What If…?” to watch for shorter scary experiences. Brand new Halloween releases on Disney+ will include the frightfully anticipated “Hocus Pocus 2” and Marvel Studios’ special “Werewolf by Night.” Special sing-along editions of beloved films include “The Nightmare Before Christmas Sing-Along” and “Into the Woods Sing-Along.” Frightful favorite films and tv shows available for viewing now include “Zombies 3,” LEGO Star Wars Terrifying Tales,” “The Simpsons Treehouse of Horror I-XXXII,” “Once Upon a Time,” “Parallels,” “Secrets of Sulphur Springs” and “Gargoyles.”Hallowstream fans in Los Angeles can check out some of the collection’s most wicked offerings on the big screen at one of LA’s oldest cemeteries – the legendary Hollywood Forever Cemetery – with fan-favorite screenings on Friday, October 7 and Saturday, October 8.

Writer/Director Paul Weitz wrote the sublime road comedy Grandma for Lily Tomlin, and now at the suggestion of Tomlin he wrote a new film for both Lily and Jane Fonda, one with characters unrecognizable from the pair they played for seven years on the Netflix sitcom, Grace And Frankie, in a story tinged with a dark side, as well as some pungent commentary on the effect of sexual trauma, even nearly a half century later. This is the kind of movie I love, independently made, using great actors in a unexpected kinds of roles, running a tight no-fat 85 minutes, and being thoroughly entertaining with something to say as well.

**This review may contain some potential unavoidable spoilers about the basics of “Biosphere,’ spoilerphobes, please beware and return after you have seen the movie.** A film like “Biosphere” poses a genuine conundrum for the film critic, who is tasked with the job of describing, in some detail, a film that counts among its best qualities the element of absurdist surprise. Its only plot description at the time of this writing, on the TIFF website (where it was added, quite close to the festival, as a “special surprise screening”), reads simply, “In the not-too-distant future, the last two men on earth must adapt and evolve to save humanity.” Well, that sounds like any number of science fiction pictures, while “in the not-too-distant future” recalls “Mystery Science Theater 3000.” The film itself falls somewhere in between.

“Pinocchio” comes from director Robert Zemeckis. The Academy Award-winning director guides his live-action retelling of a wooden puppet who wishes to become a real boy. The original tale was written by Carlo Collodi in the late 19th century and was, of course, famously adapted by Disney in animated form in 1940.Guillermo del Toro also has an animated version of “Pinocchio” coming to Netflix at the end of this year, with Ewan McGregor voicing Jiminy Cricket.Fans of Zemeckis or the story may be wondering how to watch Disney’s new live-action remake of “Pinocchio.” We have the details below.The 2022 reimagined story from Zemeckis arrives Sept.

EXCLUSIVE: One of the hottest acquisition titles at this year’s Toronto International Film Festival which starts in earnest tonight happens to star a couple of certifiable show business legends, both now in their 80’s, both working all the time – much of it together lately – and both proving age is just a number.

William Earl WME veterans Christian Muirhead and Richard Weitz have been promoted to co-chairmen of the powerful talent agency that is a cornerstone of Endeavor. The pair will succeed Lloyd Braun, who will step down from the WME chairman role at year’s end. “The appointment of Richard and Christian marks a truly transformative day for WME, which continues to be the inspirational core of Endeavor,” said Endeavor president Mark Shapiro. “I’ve seen first-hand their innate ability to lead, to build meaningful relationships, and to leverage the broader Endeavor network in service to our clients’ aspirations. Coupled with their deep understanding of the entertainment landscape, I can say with certainty that there are no better or more complementary individuals to now lead the agency.”

WME announced Thursday that executives Richard Weitz and Christian Muirhead will replace Lloyd Braun as co-chairmen. Braun will exit the role he served for three years at the end of 2022.“I would like to thank Lloyd for his leadership over these past three years, navigating WME through the pandemic and setting the agency on course for its best financial year on record,” said Mark Shapiro, president of WME’s parent company Endeavor.

Richard Weitz and Christian Muirhead have been upped to co-chairmen of Endeavor’s WME talent agency, succeeding Lloyd Braun who will step down as chairman at the end of 2022 when his contract is up. Both are agency veterans, having come from the two companies that formed WME, Endeavor (Weitz) and WMA (Muirhead), and also come from different backgrounds, agenting and corporate communications, respectively. Ari Greenburg remains WME president and will now report to Weitz an Muirhead.

Outlander is one of the most iconic romance fantasy shows of recent years, skyrocketing the careers of leads Caitriona Balfe and Sam Heughan and creating a global fanbase.

Zack Sharf “The Flash” is not the only upcoming movie starring Ezra Miller that is being forced to contend with the actor’s recent controversies. The upcoming Toronto International Film Festival will close with the premiere of Mary Harron’s “Dalíland,” which features Miller in a small supporting role as a young Salvador Dalí. Ben Kingsley stars in the film more prominently as an adult Dalí. Harron confirmed to Vanity Fair that Miller is not being cut out of the film. “The film was completely finished and wrapped,” Harron said. “It might have been different, especially if we were shooting, if there had been bad behavior during that. But this all happened after the film was not only filmed, but edited and mixed and done. I also felt like everybody shot all those things in good faith. Nothing bad happened during our filming, and the film is the film.”

Rebecca Rubin Film and Media Reporter If three new movies debut in theaters, but nobody goes to see them… That is how Sony’s creepy thriller “The Invitation” managed to top box office charts with a paltry $7 million. Its win comes with some pretty weak bragging rights; it’s the lowest first-place finish since May 2021, when COVID was keeping people at home. Now, it’s not the pandemic that’s preventing audiences from going to theaters, it’s the lack of appealing options. Overall, the domestic box office generated just $54 million over the weekend, the worst collective result in months. And the bad times are expected to continue until at least late September or early October, when “Don’t Worry Darling” (Sept. 23), “Halloween Ends” (Oct. 14) and the comic book adaptation “Black Adam” (Oct. 21) open in theaters. It’s a disappointing finale to an otherwise strong summer at the movies, which fielded plenty of box office hits including “Top Gun: Maverick,” “Minions: The Rise of Gru,” “Thor: Love and Thunder” and “Elvis.”

Batman — our favorite caped vigilante — first appeared on the big screen in 1966. Since then, many actors have taken on the role, some more adored than others.

“The Invitation” stars Nathalie Emmanuel and Thomas Doherty know how tough it can be to make a horror movie – the long nights, constant state of fear and, surprisingly, the pressure to deliver a spot-on American accent.Emmanuel stars in “The Invitation” as a young woman named Evie, who takes a trip to Europe and soon discovers that she is being wooed – not to be someone’s wife but to be one of the wives … of Dracula himself (Thomas Doherty). (Don’t you hate it when that happens?) What makes “The Invitation” so refreshing is that it reinvents Bram Stoker’s Dracula mythology through the lens of one of his wives, who are mostly seen (in other adaptations) as sexy femme fatales, usually occupying some musty pit in Dracula’s castle.TheWrap sat down with Emmanuel and Doherty to talk about the film, where they revealed their favorite Dracula adaptations (“Bram Stoker’s Dracula” from Francis Ford Coppola rightfully gets a hearty endorsement) and Emmanuel lets us in on how she crafted a flawless American accent.

J. Kim Murphy In a summer that’s often seen only one new wide release in a weekend, a whopping three new films hit theaters on Friday: Sony’s horror-thriller “The Invitation,” George Miller’s “Three Thousand Years of Longing” and bank heist movie “Breaking,” starring John Boyega. However, none of them seem to be making much of an impact, as the total box office projects a sum in the $50 million to $60 million range. That wouldn’t just be the worst weekend of the summer, but also the worst since February. “The Invitation” is tracking ahead of the other two, as it looks to claim the weekend’s top spot with a meagre $6 million to $7 million gross from 3,114 locations in its opening. Critics didn’t really care for the movie — it landed a 40% approval rating from review aggregate website Rotten Tomatoes — and audiences were perhaps more unenthused. The film holds a “C” grade from research firm Cinema Score, indicating a rather snoozy reception from general consumers.

Never count Sylvester Stallone out.The 76-year-old actor, who rose to prominence in movies like “Rocky” and “First Blood,” has an uncanny knack for reinvention. And his latest career refresh begins today, with the release of “Samaritan,” a riff on the typical superhero story.

“The Invitation,” a gothic horror film from Sony’s Screen Gems, made $775,000 at the box office in its Thursday night preview screenings from 2,739 locations and showings that started at 4 p.m. The film opens on more than 3,000 screens this weekend. “The Invitation” opens in a quiet week at the end of the summer and is projected for a $6 million-$7 million opening against a $10 million budget.

If the mostly by-the-numbers plot of “The Invitation,” and its eventual ridiculous twist, is tolerable at all, it’s due to the effortless effervescence that star Nathalie Emmanuel lends to this modern-day horror with gothic embellishments, as a mix-raced woman barely getting by in NYC who gets to live a British royal fantasy until it turns into a literal bloody mess. Invoking “Twilight” and “Beauty and the Beast” with watered-down hints of “Crimson Peak,” the new feature from director Jessica M. Thompson (“The Light of the Moon”) opens with a suicide scene that insinuates the timelessness of its story.

Joe Leydon Film Critic Despite some ambitious efforts by director Jessica M. Thompson and screenwriter Blair Butler to revitalize hoary horror movie tropes with allegorical commentary on race, class and male privilege, “The Invitation” is too wearyingly hackneyed for too much of its running time, and too often laugh-out-loud funny as its plot relies on the age-old convention of a smart yet naive heroine who makes one bad decision after another. It would not be at all surprising if, at some screenings, exasperated members of the audience shout rude things at the screen each time the endangered protagonist fails to act in her own self-interest. Evelyn (Nathalie Emmanuel of “Game of Thrones”) is a free-spirited twentysomething New Yorker who insists that everyone, even total strangers, call her Evie — and she insists quite frequently, just so we don’t miss the fact that she is indeed a free spirit — and scrapes by as wait staff at catered affairs while trying to fulfill her artistic ambitions creating ceramics. When she helps herself to a swag bag at a swanky affair for Find Yourself (evidently an upscale version of Ancestry.com), she finds a DNA test among the goodies and opts to investigate her family tree. This, of course, is the first of many mistakes.

Parks and Recreation actress Aubrey Plaza has found her next starring role in Hollywood legend Francis Ford Coppola's new movie Megalopolis. The highly-anticipated project is independently financed by Coppola from his own script and will follow an architect trying to rebuild New York City as his idealistic utopia in the wake of a tragic disaster. Deadline reports it is unclear precisely what role Plaza will play in the movie, but she joins a star-studded cast that includes Adam Driver, Forest Whitaker, Nathalie Emmanuel, Jon Voight and Laurence Fishburne.