How to Watch ‘The Beatles: Get Back’: Streaming Details and More

D’oh! The Simpsons is nearly 35 years old — but it feels like only yesterday that we met the cartoon family.

Roy Trakin “Let It Be” director Michael Lindsay-Hogg couldn’t be happier with Peter Jackson’s “Get Back,” the three-part, nearly eight-hour miniseries made up of outtakes from his original Beatles documentary, which arrived on Disney Plus two weeks ago to much fanfare.Now 81, living in Hudson, NY, with his wife and three dogs, and mostly painting, Lindsay-Hogg is hoping Apple Corps will make good on its promise to re-release “in some form” his oft-misunderstood original, which had always been

American Idol,” and David Archuleta had just closed the Feb. 28, 2008, episode with John Lennon’s “Imagine.” The performance — a master class in immaculate pop vocal precision — earned the then-17-year-old wild screams from the tween and teen girls in the studio audience and instant raves from the judges.

Meredith Woerner Deputy Editor, Variety.comThere were several hurdles Peter Jackson’s “Get Back” had to mount before the eight-hour documentary could premiere on Disney Plus, including persuading the surviving members of the Beatles to OK this pursuit, and sifting through 150 hours of audio and 60 hours of vintage footage and then restoring that delicate footage into crystal-clear quality.

“The Beatles: Get Back” has viewers buzzing from the level of intimate access the footage provides, and if you’re wondering what other documentaries are out there that might deliver similarly, we’ve got you covered.Peter Jackson’s three-part “The Beatles: Get Back” assembles candid footage from the band writing and rehearsing what would eventually become the album “Let It Be,” all while tensions slowly simmer underneath.

Chances are that you had a few extra guests over the Thanksgiving holiday – namely John Lennon, Paul McCartney, Ringo Starr and George Harrison. Peter Jackson’s “The Beatles: Get Back,” was a three-night Thanksgiving event on Disney+, one that featured previously unseen material from the lead-up to their last-ever live public performance, is astounding and eye-opening, an intimate portrait of larger-than-life creative titans.

The Beatles’ Get Back three-part docuseries was almost a little different, as Disney wanted to remove the swearing in it.

For the last couple of years, filmmaker Peter Jackson had assured Beatles fans who have waited over 50 years for a “Let It Be” reboot that his version was going to be more about the joy and camaraderie, and less about the in-fighting and tensions that were eating away at the Fab Four during the January 1969 recording of the group’s final studio album. But there were conflicts, and that’s what makes Jackson’s seven-hour-plus homage into a historical event worth watching. Classic conflicts that

Peter Jackson has defended the hefty runtime of his new documentary series The Beatles: Get Back, admitting he wanted to include everything “important”.The newly-released three-part Disney+ series saw the Lord Of The Rings director wade through 60 hours of footage from Michael Lindsay-Hogg’s 1970 film Let It Be, which covers the making of the band’s final studio album.However, each episode of the documentary still comes in at between two and three hours long, with the whole series running at 468

Disney wanted to remove all swearing from his The Beatles: Get Back documentary, but were convinced otherwise by Ringo Starr and Paul McCartney.The director’s three-part film charts the making of the band’s penultimate studio album ‘Let It Be’, and shows their final concert on London’s Savile Row rooftop in its entirety.Speaking to NME, Jackson recalled Starr and McCartney’s first reactions to the documentary, who, to the director’s surprise, didn’t ask for any changes to be made.“When they got

Let’s get this out of the way quickly: no matter how boring, predictable, rote and maybe Dad-rock-y it may sound to some, The Beatles remain one of the greatest bands of all time. The group was a towering collection of musicians who wrote the blueprint for almost all of the modern rock and pop genre, bold experimentalists and one of the first bands to use the studio as an artistic instrument.

Owen Gleiberman Chief Film CriticHow does anyone, especially a Beatle, write a melody? The answer may be as simple as it is mysterious. In “The Beatles: Get Back,” Peter Jackson’s sprawling and revelatory fly-on-the-studio-wall documentary, there’s a great moment when we get to see it happen.

NEW YORK -- For 50 years, the fixed narrative had the Beatles' “Let it Be” recording session as a miserable experience with a band where members were sick of each other, sick of their work and in the process of breaking up.The nearly 8-hour, Peter Jackson-produced documentary culled from film and recording outtakes of those sessions instead reveal a self-aware band with a rare connection and work ethic that still knew how to have fun — yet was also in the process of breaking up.The “Get Back”

Peter Jackson, contains never before seen footage and previously unheard audio of the iconic band while they were working to create their final album, . After over a year of delays due to the pandemic, what began as a film has now been transformed into a three-part series. With a reported run time of nearly eight hours, will premiere on Disney+ across three consecutive days, starting this Thanksgiving, Nov.

It’s not quite as arduous as Hobbits venturing to Mordor to destroy Sauron’s ring, but Peter Jackson’s immersed himself four years to bring to life the end of the long and winding road of The Beatles. The result is the 7-hour The Beatles: Get Back, which Jackson culled and restored from 60 hours of studio sessions and a rooftop concert.

The Beatles, Get Back, saying it will make the legendary band “seem young again”.The three part film, which is coming to Disney+ this week (November 25), focuses on the making of the band’s penultimate studio album ‘Let It Be’ and showcases their final concert as a band, on London’s Savile Row rooftop, in its entirety.The film has been cut from 55 hours of unseen footage, filmed by Michael Lindsay-Hogg in 1969, and 140 hours of mostly unheard audio from the recording sessions.