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Can ‘Halloween Ends’ Turn Jamie Lee Curtis’ Last Stand Into a Big Box Office Run? - thewrap.com - Beyond
thewrap.com
12.10.2022 / 23:56

Can ‘Halloween Ends’ Turn Jamie Lee Curtis’ Last Stand Into a Big Box Office Run?

$49.4 million last year and finished with a $92 million domestic total, and pre-release projections for “Ends” have it matching that opening mark with a $50 million opening. By contrast, the first installment in this “Halloween” revival in 2018 opened to $76 million on the way to a $159 million domestic total and $255 million worldwide, buoyed before its release by strong reviews from critics praising Jamie Lee Curtis’ return to her debut role, Laurie Strode, that expanded interest beyond the series’ most devoted fans. “Kills,” on the other hand, got much poorer reviews, with critics slamming the sequel for sidelining Laurie in the hospital instead of having her take the murderous Michael Myers head-on like she did in the first film.

‘Smile’ Beams Past $100M Global Box Office Amid Scary Strong Holds - deadline.com - Australia - Britain - France - Mexico - Germany
deadline.com
12.10.2022 / 21:41

‘Smile’ Beams Past $100M Global Box Office Amid Scary Strong Holds

Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. 

Box Office: ‘Halloween Ends’ Targets Big $50 Million-Plus Debut Even With Hybrid Release on Peacock - variety.com - USA
variety.com
12.10.2022 / 18:47

Box Office: ‘Halloween Ends’ Targets Big $50 Million-Plus Debut Even With Hybrid Release on Peacock

Rebecca Rubin Film and Media Reporter Laurie Strode is going out with a bang. “Halloween Ends,” the supposed finale to Universal’s long-running slasher series (are we ever going to be able to quit Michael Myers?) is targeting a healthy $50 million to $55 million in its opening weekend even with its hybrid release on Peacock. If those estimates hold, it’ll be the first movie since “Thor: Love and Thunder” in July to open to at least $50 million. “Halloween Ends” is the rare day-and-date release with a proper point of comparison since its predecessor also launched on streaming during the pandemic. “Halloween Kills” opened to $49 million last October while landing simultaneously on the NBCUniversal-owned Peacock — a bloody-good result given the COVID-era limitations in 2021. “Halloween Ends,” which is playing in 3,800 North American theaters, has the added benefit of monopolizing the entire Imax and premium large format footprint.

Irish Oscar Entry ‘The Quiet Girl’ Breaks UK & Ireland Box Office Record - deadline.com - Britain - Ireland
deadline.com
10.10.2022 / 21:11

Irish Oscar Entry ‘The Quiet Girl’ Breaks UK & Ireland Box Office Record

Colm Bairéad’s The Quiet Girl, which is Ireland’s entry in the Best International Film Oscar race this year, has punched through the €1m ($971,000) box office ceiling in a record-breaking performance for an Irish-language feature.

‘Smile’ Widens With Huge Overseas Increase As It Nears $100M Global – International Box Office - deadline.com - Australia - Britain - Spain - France - Mexico - Italy - Germany - county Roberts - Hungary - city Lost
deadline.com
09.10.2022 / 23:27

‘Smile’ Widens With Huge Overseas Increase As It Nears $100M Global – International Box Office

Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date.

Julia Roberts & George Clooney Have ‘Ticket’ To New Milestone: Duo’s Big-Screen Pairings Top $1B Global Box Office - deadline.com - city Lost
deadline.com
09.10.2022 / 21:17

Julia Roberts & George Clooney Have ‘Ticket’ To New Milestone: Duo’s Big-Screen Pairings Top $1B Global Box Office

Universal/Working Title’s Ticket to Paradise, the latest big-screen collaboration for Julia Roberts and George Clooney, has led the duo to a new milestone. Five films in which the mega-stars worked together have now grossed a combined $1B at the global box office. 

‘Smile’ Giddy With $37M Global Bow, China Returns At $60M Local ‘Home Coming’; Keep A Bag Packed For ‘Ticket To Paradise’ – International Box Office - deadline.com - Australia - Britain - Spain - France - China - Hollywood - Mexico - Italy - South Africa - Germany - Vietnam
deadline.com
02.10.2022 / 22:25

‘Smile’ Giddy With $37M Global Bow, China Returns At $60M Local ‘Home Coming’; Keep A Bag Packed For ‘Ticket To Paradise’ – International Box Office

It was a varied offering at the international box office this weekend with newcomers from Hollywood and offshore markets, as well as notable holds, as we inch closer to full-on action later in October. 

There was something to ‘Smile’ about at this weekend’s box office - nypost.com - USA
nypost.com
01.10.2022 / 23:33

There was something to ‘Smile’ about at this weekend’s box office

according to IMDB’s Box Office Mojo.The feature film debut from writer and director Parker Finn was called a film with a “highly effective creep factor,” by Variety.It is predicted to be grinning all the way to a $19 million dollar opening weekend,” according to Deadline.Moving down a notch to second place from the top slot last week was “Don’t Worry Darling,” with $2.4 million in sales. The firm, which cost $35 million to make, according to Forbes, has netted $27.9 million domestically and $11 million internationally.Directed by Olivia Wilde, the 1950s-set thriller was “mid to poorly reviewed,” and is forecast to bring in just $7.2 million on its second weekend in theaters, according to Collider.

Brad Pitt’s ‘Bullet Train’ Hits $100 Million at Domestic Box Office - variety.com - Jordan
variety.com
01.10.2022 / 18:49

Brad Pitt’s ‘Bullet Train’ Hits $100 Million at Domestic Box Office

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

Box Office: ‘Smile’ Chomping Into $19 Million, Billy Eichner’s ‘Bros’ Debuting at No. 4 - variety.com
variety.com
01.10.2022 / 18:49

Box Office: ‘Smile’ Chomping Into $19 Million, Billy Eichner’s ‘Bros’ Debuting at No. 4

J. Kim Murphy “Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the genre film, which carries a modest $17 million production budget. Compared to other original horror entries this year, Universal’s supernatural kidnap thriller “The Black Phone” kicked off with $23 million while 20th Century Studios’ “Barbarian” opened to $10 million. “Smile” landed a mildly positive “B-” grade through research firm Cinema Score, though such a figure is standard for a horror release. The film has drawn good buzz with solid reviews, scoring a 79% from top critics on review aggregation website Rotten Tomatoes. Variety‘s chief film critic Owen Gleiberman praised the film in his review, writing that it “sets up nearly everything — its highly effective creep factor, its well-executed if familiar shock tactics, its interlaced theme of trauma and suicide — before the opening credits.”

‘Smile’ Scores $19 Million at Box Office While ‘Bros’ Is A Bust With $4.7 Million - thewrap.com
thewrap.com
01.10.2022 / 17:51

‘Smile’ Scores $19 Million at Box Office While ‘Bros’ Is A Bust With $4.7 Million

“Smile” is opening on the upper end of pre-release independent projections with $8.2 million earned on Friday from 3,645 locations and an estimated $19 million opening, which would be the third straight weekend that a No. 1 film has earned that amount.

‘Smile’ Sees $2M In Previews, ‘Don’t Worry Darling’ Ends First Week With $25.5M+ – Box Office - deadline.com
deadline.com
30.09.2022 / 18:59

‘Smile’ Sees $2M In Previews, ‘Don’t Worry Darling’ Ends First Week With $25.5M+ – Box Office

Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June.

Watch Joe Alwyn and Margaret Qualley in Steamy Trailer for Erotic Thriller 'Stars at Noon' - www.etonline.com - France - USA - Nicaragua
etonline.com
29.09.2022 / 23:47

Watch Joe Alwyn and Margaret Qualley in Steamy Trailer for Erotic Thriller 'Stars at Noon'

Joe Alwyn stars opposite Margaret Qualley in the forthcoming film, , from director Claire Denis and A24. On Thursday, the steamy first trailer was released and promises an «erotic tale of sex, lies and intrigue.» Based in Nicaragua,  is the film adaptation of Denis Johnson's 1986 novel of the same name.

Paramount Looking To Put ‘Smile’ On Moviegoers’ Faces This Weekend – Box Office Preview - deadline.com - Texas
deadline.com
29.09.2022 / 03:29

Paramount Looking To Put ‘Smile’ On Moviegoers’ Faces This Weekend – Box Office Preview

There might be a box office surprise this weekend in Paramount’s horror movie Smile.

A Bow To Bowie As Arthouse Film Biz Faces Reckoning – Specialty Box Office - deadline.com
deadline.com
25.09.2022 / 23:11

A Bow To Bowie As Arthouse Film Biz Faces Reckoning – Specialty Box Office

Brett Morgen’s Moonage Daydream swept up a cool $922,000 at the domestic box office this weekend, while an impressive array of top industry players took Saturday to mull the global future of arthouse film. The real test — of specialty’s core adult audience willingness to return to cinemas — starts this fall, according to execs at the Zurich Summit, an in-person event straddling the Zurich Film Festival.

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