Houman Seyyedi’s darkly comic drama World War III has been named as Iran’s entry for Best International Feature at the 95th Academy Awards, taking place at the Dolby Theatre in Los Angeles on March 12th, 2023.
31.08.2022 - 12:53 / msn.com
Mikhail Gorbachev in 1984, when he led a Russian parliamentary delegation to Britain. She hosted him at Chequers, and the tense atmosphere led Gorbachev to tell Thatcher he had no intentions of trying to recruit her to the Communist Party of the Soviet Union. She broke into a fit of laughter, in Gorbachev's retelling, and the pair soon found that they could engage in "real political dialogue" despite their opposing views.
It was following this meeting, months before Gorbachev succeeded Konstantin Chernenko as Soviet leader, that Thatcher was to make her pronouncement. Gorbachev would later describe the pair's friendship as a catalyst for the tearing down of the Iron Curtain. “We gradually developed personal relations that became increasingly friendly,” he said following her death in 2013.
“In the end, we were able to achieve mutual understanding, and this contributed to a change in the atmosphere between our country and the West and to the end of the Cold War. ”It was Thatcher's "we can do business together" comment, he said, that helped him forge a "mutual understanding" with President Ronald Reagan and other world leaders. Gorbachev did not appear to have the same respect for Reagan.
Declassified documents show that after the US-Soviet summit at Reykjavik in 1986, Gorbachev complained of Reagan's “extreme primitivism, a caveman cast of mind and intellectual feebleness”. By contrast, Gorbachev and Thatcher found a shared enjoyment in their vigorous debates, sometimes arguing, as he once put it, "until we were red in the face". The former Soviet leader was also known to value Thatcher's scrupulous attention to detail and ability to work long hours with little sleep, traits she shared with himself.
Houman Seyyedi’s darkly comic drama World War III has been named as Iran’s entry for Best International Feature at the 95th Academy Awards, taking place at the Dolby Theatre in Los Angeles on March 12th, 2023.
Loose Women panellist Janet Street Porter has shared that she once attended an “extraordinary lunch” with the late Queen Elizabeth II , former Prime Minister Margaret Thatcher, and model Kate Moss . The broadcaster and journalist says that in 2004 she was invited to the Queen’s first ever all women luncheon.
Venice jury head Julianne Moore joined activists from the International Coalition Filmmakers at Risk (ICFR) in a flash mob on the Venice red carpet Friday evening to call for the release of Jafar Panahi, the Iranian director who was detained in Tehran in July.
Jessica Kiang Nobody emerges unscathed — least of all the audience — from Vahid Jalilvand’s highly effective, deeply unpleasant “Beyond the Wall,” a morbidly violent allegory for the effects of state-sponsored trauma on the individual that places contemporary Iranian society somewhere on the map between the sixth and seventh circles of hell. A strange combination of intricate, almost sci-fi-inflected psychological thriller, splenetic social-breakdown broadside and two-hander (torture) chamber drama, it is an exercise in bravura filmmaking applied to a story so relentlessly grim you might wish it were a little less well-made, giving you an excuse to look away. In his 2017 film “No Date No Signature” (which won Best Director and Best Actor in Venice’s Horizons sidebar), Jalilvand pictured a stratified society teetering on the edge of legality and morality; here, however, it has toppled entirely into the abyss. The only way is down, and the filmmaker is bringing you with it.
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Korea’s Busan International Film Festival (October 5-14) has announced its full line-up, including opening film Scent Of Wind, directed by Iran’s Hadi Mohaghegh, while Hong Kong actor Tony Leung Chiu-Wai will be honoured as Asian Filmmaker Of The Year.
Anna Tatarska Arian Vazirdaftari, whose debut feature “Without Her” (“Bi roya”) was picked up by Berlin-based sales company Picture Tree Intl. and is screening as part of Venice Film Festival’s Horizons Extra section, is no stranger to international festivals. He was a part of Berlinale Talent Campus and his short films screened in Busan, Brussels and Cannes among many others. “I started as a self-taught filmmaker and only landed in film school many years later,” Vazirdaftari says. “My international experiences really helped. I got to know a more professional atmosphere globally, learned about what’s going on in film festivals, how films are selected and distributed.
Nick Vivarelli International Correspondent Iranian cinema is having a great year despite the many impediments film directors face there, including being jailed. Reflecting this burst of irrepressible cinematic energy, after strong showing of Iranian cinema at Berlin, Cannes and Karlovy Vary, Venice has five films from the country, two of which are in competition. Also, Leila Hatami, star of Cannes festival jurist Asghar Farhadi’s “A Separation,” is a member of Venice’s main jury panel. “We have never received so many submissions from Iran, and many of them are good,” says Venice chief Alberto Barbera. He notes that “the paradox is that this is happening at a time when the Iranian regime is among the most rigidly conservative and repressive in the world,” and is responding to uprisings sparked by the country’s harsh economic conditions by re-incarcerating directors such as Jafar Panahi, whose latest film “No Bears” launches from Venice, fellow dissident filmmaker Mohammad Rasoulof, and others “who try to freely express their opposing points of view.”
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detained by the Iranian government last month. Rasoulof, who is the director of the Berlin Golden Bear winner “There Is No Evil,” was arrested alongside fellow filmmaker Mostafa Aleahmad for posting on social media and participating in protests over a building that had collapsed in the city of Abadan in May.
Manori Ravindran International Editor In a new statement shared with the Venice Film Festival, imprisoned Iranian filmmakers Jafar Panahi and Mohammad Rosoulof have said the “hope of creating again” is a “reason for existence.” In the joint statement, distributed to journalists at a Saturday press conference, the directors said: “We are filmmakers. We are part of Iranian independent cinema. For us, to live is to create. We create works that are not commissioned. Therefore, those in power see us as criminals. Independent cinema reflects its own times. It draws inspiration from society. And cannot be indifferent to it. “The history of Iranian cinema witnesses the constant and active presence of independent directors who have struggled to push back censorship and to ensure the survival of this art. While on this path, some were banned from making films, others were forced into exile or reduced to isolation. And yet, the hope of creating again is a reason for existence. No matter where, when, or under what circumstances, an independent filmmaker is either creating or thinking about creation. We are filmmakers, independent one.”
Elsa Keslassy International Correspondent Paris-based company Indie Sales has boarded Emad Aleebrahim Dehkordi’s feature debut “A Tale of Shemroon” which is set to premiere in the New Directors competition at San Sebastian. Set in the north of Tehran, “A Tale of Shemroon” follows Iman and his younger brother Payar who live with their father. After the death of their mother, Iman starts a business thanks to his connections with the city’s affluent youth, but these new opportunities bring him on a dangerous path affecting his family’s destiny. “We are proud to be a part of San Sebastian’s New Directors competition with this new voice from Iranian cinema,” said Nicolas Eschbach at Indie Sales. “Emad (Aleebrahim Dehkordi) depicts the reality of the Iranian youth living in parts of Tehran that have seldom been seen before,” Eschbach continued.
Bindi Irwin has shared a heart-warming video of her daughter, Grace, admiring her grandmother 'Bunny' Terri and late grandfather, 'The Crocodile Hunter' Steve Irwin.READ: Bindi Irwin mourns loss of 'beautiful family member' as fans send supportThe 24-year-old zookeeper got her - almost 5 million - followers in the feels when she posted the video on her Instagram.Bindi Irwin & Chandler Powell play Hello/GoodbyeThe emotional video sees one-year-old Grace trot to the photo mural of her grandparents with a koala in their arms. Bindi can be heard in the video, saying: "Oh it's koala.
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