How CPH:DOX Became One of the Most Influential Documentary Events of the Year

Doja Cat was the first award winner of the night at the 2023 iHeartRadio Music Awards!

CPH:DOX, the international nonfiction film festival in Copenhagen, isn’t shy about stating its ambitions.

Motherland, a “dark and monumental” film about neo-nationalism in Belarus, earned the top prize tonight at the prestigious CPH:DOX festival in Copenhagen.

Leo Barraclough International Features Editor Documentary specialist Autlook Filmsales closed a raft of sales at a vibrant market during the Copenhagen documentary festival CPH:DOX. “Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s SVT, Denmark’s DR, Norway’s NRK, Norway’s VGTV, The Netherlands’ VPRO, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K. “Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”

Leo Barraclough International Features Editor Swiss sales agency Lightdox has acquired the international rights to feature documentary “On the Edge” by Nicolas Peduzzi, which just had its world premiere at Copenhagen documentary festival CPH:DOX in the DOX:AWARD competition, and received a Special Mention from the jury, who said the film “gripped us, and took us on a journey through the labyrinth of a human mind.” The film centers on Jamal Abdel Kader, who is the only psychiatrist in a 400-bed state hospital on the outskirts of Paris. Dedicated to his patients, he does his utmost to soothe their pain, listen to their words, and protect them from their own demons. However, the public health service is doing badly. There isn’t enough time, the caregivers are under severe strain as the institution is understaffed and underfunded. Yet Jamal and his colleagues keep striving to fulfil their mission: to heal bodies and souls.

Lise Pedersen The top Dox:Award at CPH:DOX, the Copenhagen documentary festival, has gone to “Motherland” by Ukrainian-Belarussian director Alexander Mihalkovich (“My Granny From Mars”) and Ukrainian director Hanna Badziaka. Described by Variety as “an ominous portrait of the oppressive culture of cruelty in post-Soviet Belarus,” the film follows Svetlana, whose son died during his military service as the result of violent abuse, in her quest to expose and prosecute those responsible for his death. Dedicating the award to “all the Ukrainians fighting Russian aggression and to Belarussian political prisoners,” the directing duo thanked all those who helped them make the film, in particular the protagonists, “who were brave to stand in front of the camera and patient with us as it was a long journey of four years.”

World class climber Jimmy Chin met his future wife, filmmaker Chai Vasarhelyi, over a mountain – of footage.

Addie Morfoot Contributor Three projects pitched at CPH:FORUM – the industry program of CPH:DOX, the Copenhagen-based documentary festival – have been awarded cash prizes. They are Robin Petré’s “Only on Earth,” Iryna Tsilyk’s “Red Zone” and Yegor Troyanovsky’s “Cuba & Alaska.” The filmmakers were awarded at a ceremony in the Danish capital on Thursday. Petré’s “Only on Earth” garnered the Eurimages Co-Production Development Award worth €20,000 for best pitch. The docu, produced by Signe Skov Thomsen, and Malene Flindt Pedersen, depicts a journey deep into one of Europe’s hottest fire zones, Galicia, where wild horses roam the mountains under the watch of local cowboys. These horses are excellent at fire prevention, but now they are vanishing in the clash between humans and nature.

Oscar winner and Academy member Roger Ross Williams is saying publicly what many in the documentary community have stewed over privately – that the sums of money being spent on Oscar documentary campaigns has “gotten insane.” And Williams, a former Academy Governor representing the Doc Branch, says something may be done about it.

Addie Morfoot Contributor During a talk at Copenhagen’s CPH:DOX on Wednesday, Oscar-winning director Roger Ross Williams spoke about a wide variety of topics, including his latest documentary, “Love to Love You, Donna Summer,” how insanely expensive it is to garner a doc Oscar nomination, and why the racial reckoning that occurred in the nonfiction community after George Floyd’s murder is over. Despite celebrity-driven docs being all the rage, Williams admitted that he usually rejects them. “I have so many celebrities who come to me about making a documentary (about their life),” the helmer told moderator Thom Powers. “It’s never worked out because if they are a living celebrity, who is very popular, they are all about control. It’s a piece of propaganda about their image and their career. It’s not a documentary.”

Lise Pedersen Paris-based CAT&Docs has come onboard as sales agent for Italian-Swedish director Erik Gandini’s “After Work,” which had its world premiere in the main competition at CPH:DOX, the Copenhagen Intl. Documentary Film Festival. Variety speaks to the director at the festival. In this stunningly cinematic doc, lensed by Ruben Östlund’s long-time DOP Fredrik Wenzel and shot in the U.S., Italy, South Korea and Kuwait, Gandini explores the notion of work in the 21st century, as automation and technology free up time, and asks what the future could be like in a work-free society. One of the inspirations for the film, Gandini says, was Swedish sociologist Roland Paulsen’s writings on the ideology of work, which is rooted in the notion of a work ethic developed some 350 years ago.

Whenever the Iranian regime feels threatened by public protest its reflex is to go after two groups: demonstrators, most assuredly, but also artists – especially filmmakers.

Lise Pedersen Los Angeles non-profit The Film Collaborative has boarded Swedish director Tove Pils’ debut feature “Labor,” which is competing in the Nordic:Dox section at the Copenhagen Intl. Documentary Film Festival, CPH:DOX. The film follows Hanna, who leaves her family and girlfriend behind in her small Swedish hometown and travels to San Francisco to explore her sexuality in the city’s vibrant queer scene. She soon meets Chloe, a professional dominatrix, and Cyd, a trans man who works as an escort for gay men. Together with her new friends, she embarks on a journey that takes her further and further away from her life in Sweden. “Labor” was shot over more than a decade, and one of the reasons it took them so long to put the film together was their concern for the protagonists’ anonymity and the effect it might have on their lives, Pils explains to Variety.

A new study is revealing which women have the most influential style!

Leo Barraclough International Features Editor Fremantle’s Documentaries division has launched Undeniable, a label dedicated to producing premium feature documentaries and series, in partnership with high-profile talent and international commissioners, Mandy Chang, Fremantle’s global head of documentaries, revealed Tuesday at CPH:DOX in Copenhagen. The label is already developing several international projects and partnerships with high-profile filmmakers, including Amy Berg (“Deliver Us From Evil,” “Phoenix Rising”), Chris Smith (“Tiger King,” “Bad Vegan”), and Penny Lane and Gabriel Sedgwick (“Hail Satan?,” “Listening to Kenny G”). Chang said: “The launch of Undeniable further underlines our commitment and ambition to build Fremantle’s documentary output on the premium side. Working with the very best filmmakers and emerging talent, the label will provide editorial and production expertise and support in multiple genres. Importantly, it will provide a platform and freedom for creative talent to unlock and explore important issues and stories to be told.”

Imagine not only believing the world is coming to an end, but wanting it to happen. Eagerly. Then, take it a step further and imagine people with such a mentality engineering American politics and foreign policy to bring about the very thing they seek — the apocalypse.

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EXCLUSIVE: Michael Jordan, Tom Brady, Nick Faldo, and Aaron Judge are among the elite professional athletes who have benefitted from working with a sports psychologist. Now some esports stars are catching onto the idea.

Addie Morfoot Contributor Don’t expect to see Roger Stone at the CPH:DOX premiere of “A Storm Foretold.” In the documentary, directed by Danish filmmaker Christoffer Guldbrandsen, Stone’s efforts to aid former President Donald Trump’s attempt to overturn the 2020 election are captured. “(Roger) has threatened us with a $25 million lawsuit, and he’s called me fat,” says Guldbrandsen. “Right now, we are communicating through our lawyers.” “A Storm Foretold” along with “Praying for Armageddon” and “Victim/Suspect” are three films screening at CPH:DOX that explore America’s political, legal and cultural underbelly.

Lise Pedersen Swiss sales agent Lightdox has acquired international rights for “The Other Profile” by French director Armel Hostiou (“Day,” “Stubborn,” “The Invisible Pyramid”), which is nominated for the Copenhagen International Documentary Film Festival’s top Dox:Award. The film’s starting point is when he discovers the existence of a Facebook doppelganger whose friends are mostly women based in Kinshasa, the capital of the Democratic Republic of Congo. This other Facebook profile organizes auditions for an upcoming film to be shot in the DRC. After notifying Facebook about what clearly seems to be identity theft, Hostiou receives an answer informing him that it is not a fake profile and cannot be shut down, leading to what he describes as a “Kafkaesque” situation.