Sky and Peacock are forging a TV adaptation of Frederick Forsyth’s The Day of the Jackal with Top Boy showrunner Ronan Bennett attached.
24.10.2022 - 07:19 / deadline.com
SPOILER ALERT: This story contains details about the season one finale of House of the Dragon.
HBO’s prequel to the Game of Thrones ended its 10-episode run Sunday. Here, showrunner Ryan Condal talks about the meaning behind Daemon’s (Matt Smith) aggressive behavior toward Rhaenyra (Emma D’Arcy), why so many episodes looked so dark on our TV screens, and what we can expect from future episodes.
DEADLINE Was it always plan to bookend the season with, ahem, dead Targaryen infants?
RYAN CONDAL No. I mean there’s a lot of beautiful symmetry in this season. It also began with a dragon ride and ended with a dragon ride. There’s a lot of symbolism to take from it. But yes, I think we realized in the domino-ing of events that happened in the final episode, one aspect was linking the horrific birth that goes terribly wrong in the pilot with another horrific birth that goes wrong in the finale. It’s mother and daughter. It’s the daughter of the woman who died in the pilot now having this very difficult birth. That was always her fear, birth is a battlefield and now Rhaenyra finds herself at war and this is her going through her own battle. She’s having a miscarriage, She knows she’s not far enough along in her term that she’s going to have a viable infant. It’s medieval times. There is no premature baby unit in the maester’s hospital. It’s a nice piece of symmetry that we did not see at the outset.
Doesn’t Alicent’s son fulfill the song of ice and fire prophecy because he has Targaryen blood? Why is Rhaenyra so worried about it?
CONDAL It’s not as easy and clear cut as that. I think what Rhaenyra is struggling with is this idea that her father has entrusted this charge with her, and that she is the named heir, and the other
Sky and Peacock are forging a TV adaptation of Frederick Forsyth’s The Day of the Jackal with Top Boy showrunner Ronan Bennett attached.
House of the Dragon has smashed HBO’s SVoD ratings records in Europe, Warner Bros Discovery has claimed.
SPOILER ALERT: This story contains details from the season finale of House of the Dragon.
The House of the Dragon bosses are promising the second season will deliver more of the thrills and spills familiar to the millions of Thrones fans tuning in, along with more humour along the lines of the original series.
Italian director and screenwriter Saverio Costanzo has just wrapped his upcoming film Finalemente L’Alba, starring newcomer Rebecca Antonaci alongside international cast Lily James, Joe Keery, Willem Dafoe and Rachel Sennott.
Marta Balaga Melissa George’s Margot is looking for a way out in the “twisty” second season of “The Mosquito Coast.” “This couple has been together for 15 years. They’ve got these two kids [played by Logan Polish and Gabriel Bateman]. But they separated when the children were young, for a very good reason. There was an incident, which we will reveal in the first episode,” she tells Variety at Mipcom. “It’s going to hit the ground running. We are going to say exactly what happened and why this family is on the run.” A Fremantle production for Apple TV+ – based on Paul Theroux’s novel and created by Neil Cross – it follows Allie Fox (Justin Theroux), who uproots his family to find refuge from the U.S. government, cartels and hitmen. Now, they will venture into the Guatemalan jungle to meet an old friend and her community of refugees.
*Warning: Contains spoilers for House of the Dragon episode 9*House of the Dragon episode 9, entitled The Green Council, saw half of the Game of Thrones prequel’s cast missing from action. With Princess Rhaenyra (Emma D’Arcy) and Daemon Targaryen both away on Dragonstone, they were locked out of the events in the latest installment of the Sky Atlantic drama. Alicent (Olivia Cooke) and Otto Hightower (Rhys Ifans) both want to keep the news of King Viserys’ death under wraps, but for different reasons.
Leo Barraclough International Features Editor Six-time Primetime Emmy award-winner Frank Doelger, whose credits include “Game of Thrones,” “The Swarm,” “John Adams” and “Rome,” and Intaglio Films, a joint venture between Beta Film and ZDF Studios, have started production on surveillance drama thriller “Concordia,” set in an experimental utopian community. ZDF, MBC, France Télévisions and Hulu Japan have signed up as partners for the six-part series, shot in English and directed by Barbara Eder (“The Swarm,” “Barbarians,” “Cop Stories”). Doelger helms as executive producer and showrunner, alongside the executive producers Ute Leonhardt, Rafferty Thwaites, Jan Wünschmann and Robert Franke. Shooting takes place at various locations in Rome, Northern Italy, and Leipzig in Germany.
Marta Balaga Following the success of Emmy-nominated “Tindler Swindler,” director Felicity Morris is already at work on Netflix’s miniseries “All American Nightmare,” she said at Rome’s MIA. Morris, previously at Raw TV, started her own company Ladywell Films with “Tinder Swindler” producer Bernadette Higgins. “It felt like the right time to do my own thing,” she said. “All American Nightmare,” clocking in at three episodes, will be completed next summer. Raw TV is also on board.
, Ryan Murphy’s historical anthology, is finally back with season 2. After a five-year gap, the FX series returns with an all-new, star-studded installment called, with the focus on the falling out between notorious writer Truman Capote and several of his female friends, including Ann Woodward, Babe Paley, CZ Guest, Gloria Guinness, Joanne Carson and Slim Keith. “It’s such a great lineup of extraordinary women [and] great roles,” Naomi Watts tells ET about the series, in which she’ll portray Paley.
Academy Award and Golden Globe-nominated actress Adriana Barraza (“Blue Beetle”) has joined Jean Reno in the family film “The Penguin and the Fisherman,” TheWrap has exclusively learned.“The Penguin and the Fisherman,” directed by David Schurmann, and co-written by Kristen Lazarain & Paulina Lagudi Ulrich and cinematography by Anthony Dod Mantle (“Slumdog Millionaire,” “127 Hours”) is based on the incredible true story of Joao Perei de Souza (Jean Reno), a Brazilian fisherman, who rescues a penguin (DinDim) covered in oil, near death, and far from his Patagonian home; washed up on a remote island beach off of Brazil. After DinDim returns to the wild, Joao is heartbroken…until a year later when DinDim returns.
“House of the Dragon” distinguishes itself from the original “Game of Thrones” series is its more diverse cast. Despite the accolades and acclaim that came to “Thrones,” the HBO series was largely dominated by white cast members. In crafting a prequel series, “House of the Dragon” co-creator and showrunner Ryan Condal found a smart way to bring a more representative ensemble to Westeros while still keeping in line with George R.R.
Hollywood no longer holds the same allure for top Italian film and TV talent as a result of Italy’s recent renaissance as a production hub, Fremantle exec Andrea Scrosati told a panel at Rome’s MIA market on Tuesday.
House of the Dragon moves at an extremely different pace than Game of Thrones and George R.R. Martin is giving his take on the infamous time jumps and how long he thinks the new HBO series should last.
Eli Roth is best known as director of such horror hits and “Hostel” and “The Last Exorcism”, and for starring opposite Brad Pitt in Quentin Tarantino’s “Inglourious Basterds”, but he’s also been making a mark in television.
Nick Vivarelli International Correspondent Rome’s innovative MIA market dedicated to international TV series, feature films, and documentaries kicks off its eighth edition Tuesday, headed by new chief Gaia Tridente, who has added an animation section and been busy raising the curated mart’s international profile. The Oct. 11-15 MIA mart – its acronym stands for the Mercato Internazionale Audiovisivo or International Audiovisual Market – this year is positioned prior to the Mipcom content market and conference that runs Oct. 17-20 in Cannes, since Mipcom has shifted its dates back. But this non-voluntary repositioning has not impacted the number of registered MIA attendees, which is up more than 12% compared with past editions. More than 900 international industry execs are registered for the boutique event being held in central Rome’s Palazzo Barberini, which is Italy’s National Ancient Art gallery that during MIA doubles as the market’s hub where company stands are set up amid Renaissance and Baroque masterpieces. Screenings are held in a nearby state-of-the-art multiplex.