‘Hatching’ Film Review: Finnish Horror Unleashes a Teenage Girl’s Rebelliously Monstrous Side

Marta Balaga Finland’s Mikko Myllylahti returns to Cannes’ Critics Week with his feature debut as a director “The Woodcutter Story.” His short “Tiger” premiered in the same section in 2018, while “The Happiest Day in the Life of Olli Mäki,” which he co-wrote with Juho Kuosmanen, won Un Certain Regard back in 2016.“It’s a very strange film,” he tells Variety about his dark fairytale about the ever-optimistic Pepe, whose world – confined to a small, snowbound town – is slowly crumbling around him. Admitting that after “Olli Mäki,” based on a true story of a boxer preparing for his big break in the 1960s, he needed to “get away from reality.” “I was fascinated by old tales and in Finland, they can be quite cruel,” he says.

wildly entertaining rock ‘n’ roll fantasia “Leto.”The two films both show that Serebrennikov has strong ideas about how to use music, but otherwise they’re worlds apart. “Tchaikovsky’s Wife” begins with Miliukova (Alyona Mikhaylova) dressed in widow’s black and trying to choose the right words for her funeral wreath; but when she arrives in the room where her husband’s corpse is laid out, Tchaikovsky (Odin Biron, full of quiet Peter Sarsgaard smarm) rouses himself, stands up and asks, “Why is the wife here? Who invited her?”The scene is enough to tell you that this will be Miliukova’s story, and that it won’t be a straight period piece, even though it re-creates 1893 St.

When the photo of the three surfaces online — and speculation about Olivia and Vincent’s relationship threatens the box office of her new film “Earhart” and his relationship with his purse-string holding wife Kathryn (Betsy Brandt) — Vincent tracks down Antonio and makes him a cash offer to pretend to be Olivia’s new boyfriend. Antonio takes him up on it, thinking that the cash will help him win back his ex-wife Isabel (Marisol Nichols).The relationship between The Actress and The Valet, staged in front of paparazzi cameras, is a hit.

Originally planned to open the Sundance Film Festival earlier this year before the worsening Covid situation forced the festival to again go virtual, Oscar-winning writer-director Michel Hazanavicius made the right decision in insisting his comedy Final Cut (Coupez!), about the making of a low-budget bad zombie movie, should be presented with a full house in a theatre, thankfully not to be watched on your computer at a prestigious film festival. In holding out for the real thing he scored big as it was chosen as the opening-night out-of-competition film of the 75th Cannes Film Festival.

This review of “Lux Aeterna” was first published on May 20, 2019, after its premiere at the Cannes Film Festival.Cinematic provocateurs have flourished at the Cannes Film Festival for years, with everyone from Jean-Luc Godard to Lars von Trier coming to the Croisette with works designed to provoke, confront or even annoy an audience. At this year’s festival, you could say that some of the extreme sections of Nicolas Winding Refn’s “Too Old to Die Young” have been designed to test an audience’s limits and make viewers uncomfortable.But nobody does provocation these days quite like Gaspar Noe does.

is a supernatural thriller that digs much deeper than it first appears: On the surface, Laura (Christina Ricci) is simply a mother looking to restart her life in a new town with her young son Cody (Santino Barnard, “8-Bit Christmas”). Considering the 1950s setting, a time when it might be unusual for a woman to raise a child alone in a town unfamiliar to her, it’s almost immediately clear that something is up with Laura. Figuring out what that is, however, is what fuels the mystery.Making matters more curious, Laura and Cody’s new home is remote and near a pond.

Chris Willman Senior Music Writer and Chief Music CriticSocial justice got nearly equal time with branding at the 2022 Clio Awards, as music exec Jason Flom got a special award for his work on criminal justice reform, and a public service spot that married the message of Sandy Hook Promise and Katy Perry’s “Teenage Dream” won a Clio in the “social good” category.Six-time Grammy nominee Yola hosted the event, which was being held during the Music Biz conference in Nashville for the first time, at the Mercy Lounge in Nashville. Organizers further took advantage of the locale to book country music artists Breland and Lily Rose as guest performers.Mary J.

Top Gun: Maverick” are warned at one point about a steep aerial climb that will subject them to massive G-force. Their bodies will feel like they weigh 2000 pounds, they are told, with their skulls crushing their spines, and breathing will feel like an elephant is on their chests pressing down on their lungs.It’s a sensation not unlike the film’s relentless onslaught in its mission to entertain, delight and move audiences; “Top Gun: Maverick” resembles an amusement-park ride in all the worst ways, in that every second feels designed to provoke a response.

Leo Barraclough International Features EditorCannes Critics’ Week film “The Woodcutter Story” has debuted its trailer. It’s the feature film directorial debut from Mikko Myllylahti, the writer of Cannes Un Certain Regard winner “The Happiest Day in the Life of Olli Makki.” The film is being sold by French sales outfit Totem Films.“The Woodcutter Story” centers on Pepe, a woodcutter in an idyllic small town in Finland.

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Elsa Keslassy International CorrespondentNetflix has unveiled the young cast of its first Finnish series, “Dance Brothers,” which is currently filming in Helsinki with Samuel Kujala (“Lakeside Murders”) and Roderick Kabanga (“Gravedigger and the Random People”) playing the lead roles.The young adult drama series is a co-production between Netflix and Yle, and is created and produced by Max Malka at Banijay’s Endemol Shine Finland. The Finnish language series will launch globally on Netflix in 2023 and will later also be available on Yle.

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.MOVIES— The suppressed emotions and anxieties of a seemingly flawless 12-year-old girl gather monstrous proportions in Hanna Bergholm’s “Hatching,” a Finnish body horror fairy tale that begins streaming Friday on Hulu. In the film, young Tinja (Siiri Solalinna), whose mother runs the artificially upbeat video blog “Lovely Everyday Life,” hides a dead bird’s egg in her bedroom that grows unusually large and hatches a very metaphorical beaked beast.