Harrison Ford Gets Emotional Talking About an Indiana Jones ‘With the Weight of Life on Him’

Arnold Schwarzenegger is addressing what he has deemed a major failure in his life. In his upcoming Netflix docuseries, , out Wednesday, the 75-year-old blockbuster star revisited the moment he was confronted by his ex-wife, Maria Shriver, about fathering a child with their former housekeeper, Mildred Baena. As he recalled the events in an episode of the series, Arnold and Maria were in a weekly counseling session when their counselor told Arnold that Maria wanted to know if he was the father of Joseph Baena, now 25.

Prince Harry and Meghan Markle are "nowhere near done" speaking out about their experience within the royal family, experts told Fox News Digital. Kinsey Schofield, host of the "To Di For Daily" podcast, told Fox News Digital that Prince Harry is possibly shopping around the film rights to his memoir, "Spare." The Duke of Sussex is also interested in making a documentary about his mother, the late Princess Diana, a source told the royal commentator.

Harrison Ford makes his fifth and final appearance as swashbuckling archeologist Indiana Jones in “Indiana Jones and the Dial of Destiny”.

Zack Sharf Digital News Director Harrison Ford revealed in a new interview with Esquire magazine that the most common question “Star Wars” fans ask him is who would win a fight: Han Solo or Indiana Jones? It’s a question that has provided fodder for many Reddit discussions and social media debates, but it’s not one Ford ever wants to entertain. As Ford said about his fans: “Well, they usually ask me, ‘If there was a fight between Han Solo and Indiana Jones, who would fuckin’ win?’ And I say [voice rising, fingers drumming], ‘Me, asshole! I don’t want to fucking make shit up like that. I mean, what are you asking me that crap for?’” Ford has played Indiana Jones in five movies, including the upcoming “Indiana Jones and the Dial of Destiny,” while his filmography with Han Solo also consists of five movies, including an uncredited cameo appearance in 2019’s “Star Wars: The Rise of Skywalker.” That film marked the end of his Han Solo run, while “Dial of Destiny” will mark the same for Indiana Jones. Despite these iconic characters, Ford often stresses to fans that he is Harrison Ford and not Han Solo or Indiana Jones.

Terry Crews proved there's more to Hot Wheels than fast cars.In an exclusive clip from NBC's latest show,, the host appears as guest judge and gets emotional as he sees the work one of the competitors put into honoring his father when reimaging a car for the competition.«I never really had a good relationship with my dad,» Crews says as he eyes well up. «And when I see the emotion, the joy in honoring him in this way, this is what the whole Hot Wheels tradition is all about.

A Hollywood icon and philanthropist! Michael J. Fox gained worldwide recognition beginning in 1982 on the NBC sitcom Family Ties and continued his skyrocket to fame for the next four decades.

Bruce Willis is surrounded by love. The 68-year-old actor's wife, Emma Heming Willis, took to Instagram to share a beautiful story about how the couple's 9-year-old daughter, Evelyn, is offering her support amid her dad's battle with frontotemporal dementia. «So I have to tell you this story, and I'm going to try and do it without crying,» Emma said in a series of videos on Monday. «Because when Evelyn told me this story, I was an absolute puddle.» Emma, who also shares 11-year-old daughter Mabel Willis with thestar, relayed that Evelyn had approached her to ask if she was aware that people with dementia «can become severely dehydrated.» When asked how she knew about that issue, Evelyn said that she had used her free time in school to research «fun facts about dementia.» «Now, that's not funny, but it's kind of funny,» Emma noted.

Harrison Ford looked emotional as he received a five-minute standing ovation at this year’s Cannes Film Festival on Thursday.

Clayton Davis Senior Awards Editor Fun fact that Hollywood actors hate to admit… people get older. The natural progression of life, Hollywood has engaged in de-aging effects for older actors to play younger versions of their characters, whether it’s in a franchise or standalone film — such as Robert DeNiro in “The Irishman,” Samuel L. Jackson in “Captain Marvel” and most recently, Harrison Ford in “Indiana Jones and the Dial of Destiny.” Like most new technology that comes into the industry, it takes some getting used to. However, with more than two dozen high-profile experiments thus far, the misfires greatly outweigh the successes. De-aging effects in Hollywood still need to be fine-tuned, and Hollywood should only use it once we can perfect the technique.

Clayton Davis Senior Awards Editor Throughout his career, James Mangold has adopted the old-school filmmaking style of American auteurs that invigorated the movie landscape, like Francis Ford Coppola, Michael Mann and Sidney Lumet. Barreling toward 30 years in the industry, Mangold has worn many different hats in Hollywood, serving as a director, writer and producer.

James Stewart once remarked that if you’re any good as a movie actor then audiences will follow you because what you’re doing is giving them “little moments of time that they’ll never forget.”

Harrison Ford was moved to the verge of tears while receiving a lifetime achievement award at this year’s Cannes Film Festival.The 80-year-old actor was attending the prestigious ceremony in celebration of his latest film, Indiana Jones And The Dial Of Destiny – the fifth and final instalment of the adventure franchise.It was here that he was awarded the honorary Palme d’Or award for lifetime achievement, and greeted with thunderous applause as he arrived. Taking place last night (May 18), the acting veteran was also shown a compilation of some of the biggest performances from across his career, and seen getting visibly emotional by the footage.“They say when you’re about to die, you see your life flash before your eyes,” Ford said.

Asked about the WGA strike at the Cannes Film Festival press conference Friday for Indiana Jones and the Dial of Destiny, director James Mangold said, “No movie happens without a great script, and no great script happens without writers.”

Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.The latest offering marks the fifth and final instalment of the Indiana Jones franchise, and sees acting legend Harrison Ford return to the role of the daring adventurer at the age of 80.With the first part of the movie being set in 1944, Dial Of Destiny kicks off with the whip-cracking archaeologist looking to retrieve one half of the Antikythera – an ancient dial built by Archimedes – from a Nazi scientist (played by Mads Mikkelsen). The remainder of the film ventures forward to 1969, where Jones partners up with his goddaughter Helena (Phoebe Waller-Bridge) to locate and retrieve the other half, and potentially alter the course of history.Over four decades since the original Raiders Of The Lost Ark film hit the silver screen, the latest instalment is the first of the sequels not to be directed by Steven Spielberg – with James Mangold now taking the reins.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

first reactions on social media were more positive. Per usual for Cannes premieres it did receive ovations, but they were reserved for Harrison Ford himself rather than the James Mangold-directed film.

It was a great night for Disney as Indiana Jones And The Dial Of Destiny had a smash debut in its World Premiere Thursday evening at the Cannes Film Festival where the June 30th release received a warm 5 minute standing ovation, especially for Harrison Ford in his swan song in the title role he started playing 40 + years ago. There noticeably to witness the French love and affection was none other than Disney boss Bob Iger attending his first-ever Cannes Festival (believe it or not) and even taking his own photos during the ovation for the movie. At the Carlton Beach after party I told him Deadline had just been the first to post its review, a rave (from our colleague Stephanie Bunbury) and you could see the absolute relief on his face. “You have made me very happy to hear that, ” he told me, and he meant it. All this came on the same day Disney took another shot at Florida Governor Ron DeSantis by announcing the cancellation of a plan to move several thousand California employees to Florida. The Cannes respite must have been nice.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.

Cannes Film Festival, is about the years and the mileage. Then it’s about the years some more because the semi-supernatural twist this time around involves time travel.The film is full of action, stunts and escapes from Nazis, because that’s what “Indiana Jones” movies are. It relies heavily on the charm and charisma of Harrison Ford because of course it does.

There must be 50 ways to escape a Nazi. Over the 2 hours and 22 minutes of Indiana Jones and the Dial of Destiny, we see Indy and his ragtag entourage drive planes, trains and automobiles through the streets of New York, Tangiers and somewhere picturesque in Sicily, hijack two getaway tuk-tuks, ride a horse at full pelt through the New York subway tunnels, and fly a vintage plane through a “time fissure” to land right in the middle of – well, we can’t say too much, but the kind of place and time that would be Indy’s idea of Shangri-la. “Too many Nazis!” growls Indy, just before he leaps from a speeding train hundreds of yards down into a churning river. Sometimes, the essence of being an adventuring hero is to know when to put the bullwhip down and get out of Dodge.