BritBox presented its upcoming series on Tuesday at the 2022 virtual edition of the Television Critics Association winter press tour, including a new series written and directed by Hugh Laurie.
23.01.2022 - 05:03 / theplaylist.net
The complexities of female sexuality are still frustratingly misrepresented in mainstream cinema. In one corner, we have the eruptive rise of a certain type of one-dimensional badass feminism, featuring often straight, go-getting women who can win a fistfight, have it their way and enjoy great, consequence-free sex.
On the other, there’s been a discernible decline in overall on-screen sexuality, with everything in popular film seemingly downgraded to PG-level eroticism. In both senses, women lose.
BritBox presented its upcoming series on Tuesday at the 2022 virtual edition of the Television Critics Association winter press tour, including a new series written and directed by Hugh Laurie.
Hugh Laurie is stepping behind the camera to bring a new adaptation of the 1934 Agatha Christie novel,, to BritBox. The limited-run series, written and directed by the former star, tells the story of two amateur detectives who get in over their heads investigating a murder. It also features an all-star cast, which ET has an exclusive sneak peek of in the video above.
Netflix is more than ready to keep fans entertained this year, thanks to their star-studded slate of upcoming films!
sequel.In the quick clip towards the end of the promo, Daniel Craig's Detective Benoit Blanc is seen boarding a boat in the Mediterranean, along with some of new A-list cast members, like Kate Hudson, Kathryn Hahn, Leslie Odom Jr. and more.
The UK’s Culture Department is planning to carry out a colossal review into creative industries in the nation, incorporating film and TV.
Directed by Paula Eislet and Tonya Lewis Lee (Spike Lee’s producer and partner), the documentary “Aftershock” chronicles the dismal maternal mortality rate that women of color face in the United States medical system. The statistics are shameful, pointing to a systemic racist indifference, and the documentary chronicles the staggering number of times that expectant mothers entering into hospitals simply do not come out alive due to a lack of care and sensitivity.
In 1973, at the age of 23, Korean immigrant Chol Soo Lee was arrested. An outsider within San Francisco’s Chinatown, Lee was charged with first-degree murder after being accused of shooting a Chinese gang member in the back at point-blank range.
At first glance, actor-writer-director Cooper Raiff’s “Cha Cha Real Smooth” might look like your typical cutesy and whimsical Sundance dramedy, about a twenty-something college graduate learning a valuable life lesson and experiencing a bit of a delayed coming of age. While that’s not an inaccurate description of Raiff’s disarmingly lovely film (programmed in this year’s US Dramatic Competition), what feels miraculous about “Cha Cha” is: it doesn’t come with even an ounce of that cringe-inducing Sundance fancifulness, a brand that many love to hate.
reportedly sold in a competitive situation in the range of $7.5 million. Thompson in “Leo Grande” plays Nancy Stokes, a retired school teacher yearning for some adventure, but most importantly, some good sex.
EXCLUSIVE: Searchlight Pictures has closed a deal around $7.5 million for U.S. rights to Good Luck To You, Leo Grande. the Sophie Hyde-directed film that stars Emma Thompson and Daryl McCormack (The Wheel of Time & Peaky Blinders). Deadline reported yesterday that Searchlight was poised to win the film that was bid on by several distributors, and the plan is to wage an awards season campaign for Thompson in a standout turn. Searchlight will release through Hulu, in a deal similar to the preemptive one it made for another Sundance film, Fresh. Hyde directed 52 Tuesdays and Animals. The film is scripted by Katy Brand, whose credits include Nanny McPhee Returns, which starred Thompson, and Walking On Sunshine.
EXCLUSIVE: Searchlight Pictures has emerged as the favorite to acquire Good Luck To You, Leo Grande, the Sophie Hyde-directed drama that stars Emma Thompson as a widow who decides to seek out something that has eluded her over a 31-year marriage: a proper, mind-blowing, toe-curling orgasm. Negotiations are underway and will hopefully climax into the first narrative film deal at 2022 Sundance, after a weekend of foreplay but no consummation beyond the docu Fire of Love.
Emma Thompson finds the fad around cosmetic surgery in Hollywood very odd.
$25 million Apple paid for “CODA,” the $15 million Netflix paid for “Passing” or documentary-record $15 million Searchlight/Hulu paid for “Summer of Soul.” There’s still plenty of time for dealmaking, but not much time for new films to grab the spotlight: All of the festival’s movies were programmed to launch in the first five days, with Monday’s lineup – which included “Emily the Criminal,” “The American Dream and Other Fairy Tales,” “Dos Estaciones,” “The Janes” and “Am I OK?” – scheduled as the last of this year’s premieres.
Emma Thompson is baring it all in her new film, . Thompson spoke about going nude for her role in the film at the movie's Sundance Film Festival premiere on Saturday.«It's very challenging to be nude at 62,» Thompson said during a Cinema Café discussion, before revealing that her character completely disrobes in one scene.
Attempting to remake a classic film is never an easy assignment. Especially when said classic is as revered as Akira Kurosawa’s 1952 drama “Ikiru.” Director Oliver Hermanus and screenwriter Kazuo Ishiguro could have placed the story in contemporary times, making a new version more palatable for some critics, but instead, set it in the exact same era only interchanging London for Tokyo.
Stripping down in her sixties. Emma Thompson got real about embracing nude scenes for her new movie, Good Luck to You, Leo Grande.
told Entertainment Weekly.“I don’t think I could’ve done it before the age that I am,” Thompson said of a scene that sees her drop her bath robe in front of a mirror to reveal her full form. “And yet, of course, the age that I am makes it extremely challenging because we aren’t used to seeing untreated bodies on the screen.”“Nothing has changed in the dreadful demands made upon women in the real world but also in acting,” she added.