feel like an anthology, but it was all part of an organic whole.) You can feel Anderson invigorated by the possibility of the anthology format, and he certainly maximizes that possibility – the movie shifts from black and white to color (and back again) and frequently hopscotches between aspect ratios, with detours into both stop-motion animation and 2D animation (undoubtedly computer-generated, but with the charm of more traditional, hand-drawn animation).