Gerhard Zeiler Reassures Asia on Warner Bros Discovery’s Post-Merger, Growth Strategy

Patrick Frater Asia Bureau Chief Singapore has banned the release of “#LookAtMe,” a feature film by local director Ken Kwek. The InfoComm Media Development Authority said that the film exceeds film classification guidelines because it denigrates a religious community. Supposedly based in true events, the film depicts a man who is offended by a pastor who preaches against homosexuality, but whose behavior contradicts his teachings. The protagonist’s viral video about the aberrant priest lands him in jail, causing the man’s gay identical twin to fight for justice. “#LookAtMe,” premiered at the New York Asian Film Festival and local media report that the film has been selected for next month’s Singapore International Film Festival. But the IMDA ruling means that it cannot now be shown in any form in Singapore unless Kwek is successful with an appeal.

Patrick Frater Asia Bureau Chief Australia’s SLR Productions has announced production on season two of the award-winning original CGI animated series, “Space Nova” for ABC ME. The 15 x 22-minute season has received significant production funding from both Screen Australia and the Australian Children’s Television Foundation as well as development funding from ABC ME and Create NSW. “Space Nova” will be co-produced with Giggle Garage in Malaysia and distributed internationally by ZDF Studios, with ACTF representing the series across Australia and New Zealand. Targeting a six- to ten-year-old global audience, the first season sold to broadcasters or streamers in Germany, the U.K., Norway, Finland, Sweden, Poland, the U.S, Singapore, East Asia, Indonesia, and Brazil.

Patrick Frater Asia Bureau Chief European-Australian firm Flying Bark Productions has been appointed as the animator of the first of three untitled ‘Avatar’ films from Paramount Animation and Nickelodeon Animation. The film series, derived from the “Avatar: The Last Airbender” and “The Legend of Korra “animated series, originally created for Nickelodeon by Bryan Konietzko and Michael DiMartino, was announced earlier this year. The first feature will be directed by Lauren Montgomery, with Bryan Konietzko and Michael DiMartino producing. Flying Bark, which is based in Belgium and has major facilities in Sydney, Australia, describes the film series as “[pushing] the style and boundaries of hybrid animation [..] it will couple traditional 2D animation with substantial CG elements.

Patrick Frater Asia Bureau Chief Chinese filmmaker, Bi Gan, best-known for his single-take feature “Long Day’s Journey Into Night” has seen his “A Short Story” picked up by Kino Lorber for distribution in North America. A fairy tale that follows the relationship between man and cat, the film had its world premiere in competition at the 2022 Cannes Film Festival and now has its North American premiere in the Currents section of the New York Film Festival. Kino Lorber plans to qualify “A Short Story” for the 96th Academy Awards, showing it theatrically nationwide in early 2023 in tandem with a theatrical re-release of “Long Day’s Journey Into Night.” “Kino Lorber rarely acquires short films, but Bi Gan has packed more cinematic delight into the fifteen minutes of ‘A Short Story’ than many feature length films deliver in two hours,” said Kino Lorber SVP Wendy Lidell. The deal was brokered by Les Films du Losange.

Patrick Frater Asia Bureau Chief Kamila Andini’s “Before Now and Then” (aka “Nana”) topped the nominations for the Asia Pacific Screen Awards, with nods in four categories including best film and best director. The film, about a gentlewoman’s memories of escaping from a Communist purge, narrowly headed three films with three nominations each: “Poet” (aka “Akyn”) by Kazakhstan’s Darezhan Omirbayev; “This Is What I Remember” (aka “Esimde”) by Kyrgyzstan’s Aktan Arym Kubat; and Philippines director Lav Diaz’s “When The Waves Are Gone” (“Kapag Wala Nang Mga Alon”). APSA casts its net wide, seeking honors for cinematic excellence from 78 countries and territories defined as Asia Pacific. The awards will be presented at a ceremony at HOTA on Australia’s Gold Coast on Nov. 11, 2022.

Patrick Frater Asia Bureau Chief “Future Laobans,” a project directed by Maung Sun and produced by Maung Sun and Ma Aeint, claimed the Busan Prize, the top award at the Asian Project Market, on Tuesday. The awards were made at an event held at the Paradise Hotel in Busan’s Haeundae district at the end of three days of quick-fire meetings between producers and directors and an array of potential co-producers, financiers and distributors. Organizers said that they put together 705 such one-on-one meetings. The CJ ENM Award went to Indonesia’ “Gaspar,” to be directed by Yosep Anggi Noen and produced by Yulia Evina Bhara and Cristian Imanueli.

Patrick Frater Asia Bureau Chief Rithy Panh, director of “Rice People” and “S21 The Khmer Rouge Killing Machine” is an icon of art-house cinema, at once political, unique, and charming. The iconic image may be another of his confections – a palatable work built on uncomfortable facts. On the incomplete evidence of a 50-minute on-stage dialog at the Busan International Film Festival on Sunday, Panh comes across as simultaneously contrarian and principled. A curmudgeonly veteran and yet a filmmaker still curious to learn. “If there were no Khmer Rouge maybe I would not be a filmmaker,” he said of the Communist insurgents, who won the Cambodian civil war in 1975 and whose brutality and atrocities he has spent a lifetime documenting and exposing.

Patrick Frater Asia Bureau Chief Paramount has ordered a series of ‘Taskmaster Australia’ to be produced by Avalon Television with Kevin & Co for Network 10. Set to air in 2023, the show will be hosted by Tom Gleeson and Tom Cashman. The production in Australia joins a growing list of countries with local adaptations of Alex Horne’s BAFTA and National Comedy Award winning “Taskmaster” format. The show involves an all-powerful Taskmaster who, with the help of his loyal assistant, sets out to test the wiles, wit and wisdom of five comedians through a series of strange and surreal challenges.

Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.

Patrick Frater Asia Bureau Chief Fresh from a chaotic Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-TV broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand.

Patrick Frater Asia Bureau Chief KC Global Media, which operates a string of channels across Asia including AXN, anime channel Animax, South Korea’s ONE and Japanese entertainment channel GEM, has unveiled its first script development of a sci-fi live action series, “Jonesy.” The show is a sci-fi fantasy thriller action-comedy series set in the year 2029, with eight episodes of 15-20 minutes each. Production will be with Singapore-based production agency, Monochromatic Pictures, while development is supported through the Capability Partnership Programme (CPP) operated by the country’s Infocomm Media Development Authority. The show sees an internet crazy shut-in man driven to extremes by violent weather systems which carry with them supernatural beasts intent on devouring humankind. With his imaginary friend, the man learns to navigate the new world alone, confront his fears, battle colorful foes, and become humanity’s new hope when he kills one of the monsters during a livestream.

Patrick Frater Asia Bureau Chief Further media industry upheaval is on the cards, as the world exits from COVID and heads towards possible recession, warned financier and media advisor Joe Ravitch. “A lot of trends are now being reversed,” said Ravitch, partner and co-founder of Raine group. He was speaking at the APOS conference in Singapore, where U.S.-based Raine has recently opened a local office. Where the pandemic kept people indoors and online, since the loosening of health restrictions theatrical cinema, theme parks, concerts, gyms and in-person sport and music events have rebounded. People’s online behavior has also been altered.

Patrick Frater Asia Bureau Chief Asian streaming firm Viu is approaching profitability by staying its lane and sticking with the business principles that have made it a regional success story – Asian content, AVOD and SVOD models under one roof, and resistance to over-expansion. “The industry for streaming has matured very rapidly [in part due to COVID],” said CEO Janice Lee, speaking Wednesday at the APOS convention in Singapore. “But what makes Asia different is that Asia has not yet reached mature market status.” After some six years in business Viu is now EBITDA positive. “We always been focused on monetization. Our AVOD-SVOD mix remains the sustainable model,” said Lee, who also confirmed the company has been able to raise subscription prices in selected markets. The launch of advertising-supported models is now a direction being embraced by the sector giants Netflix and Disney.

Patrick Frater Asia Bureau Chief Kevin Mayer says that the investment strategy at Candle Media, the hard-charging entertainment startup that he heads with Tom Staggs, is product of his career time at Disney and TikTok. While those two companies are behemoths and Candle Media a newcomer, the claim is not as outlandish as it seems. At Disney, Mayer was largely responsible the launch of the direct-to-consumer streaming businesses that became Disney+. And as Disney, Pixar and other group content was made exclusive and contained within a walled garden, it stoked demand for premium independently-made content. Candle Media sets its sights on becoming just such a supplier.

Soto said in an interview with NPR focusing on Latino superheroes. Studio execs assured Soto who added, “They told me not to worry, the film has their full support.”“Cobra Kai” breakout Xolo Maridueña is set to star in the lead role of Jaime Reyes in “Blue Beetle.”In the same interview with NPR, Maridueña added that he is a combination of both a DC and Marvel superhero.“He’s kind of like a fusion of Green Lantern and Iron Man,” Maridueña said.

Patrick Frater Asia Bureau Chief Online video is taking up the role of growth engine for the Asia Pacific video industry as free-TV in the region moves into long-term decline, says a new report. The video sector is forecast to remain robust this year, but recession could deal a blow to sector performance in 2023. Video sector revenues – defined as subscription fees and advertising generated by free TV, pay-TV and online video platforms – in 14 Asia-Pacific markets are forecast to will grow by 6.4% in the current year to reach $143 billion, according to Media Partners Asia.

K.J. Yossman Warner Bros. Discovery Intl President Gerhard Zeiler has set out the company’s post-merger strategy, re-iterating his belief in cinema as well as his commitment to “local stories,” despite the fact that HBO Max recently halted local original programming across a number of European territories, including in the Nordics, Central Europe, the Netherlands and Turkey. “If you want to be a global player, you have to have relevant local stories,” Zeiler said at the Royal Television Society’s (RTS) annual convention in London on Tuesday morning. “I mean don’t misunderstand me, the big kids will always be the Batmans, the Elvises, the Black Adams, which premieres next month here in the U.K.” He also pointed out that WBD invests in local films, citing productions in Japan and Germany, as well as streaming content.

Gerhard Zeiler has talked up the “development of franchises” including Harry Potter, DC and Game of Thrones as the key priority for the merged entity six months after he was handed the top international role.

Patrick Frater Asia Bureau Chief Singapore-based production group Beach House Pictures has teamed up with executive Raghav Khanna to launch new unit Riverland Entertainment in Mumbai, India. The newly-formed production company will develop a slate of unscripted series and documentaries from India. It will do so by partnering with local Indian talent to create content intended for global and Indian audiences, while also leveraging Beach House Pictures’ international expertise and reach, and with access to Beach House’s post-production facility, Space Lion Studios. Khanna, who is a former head of Netflix’s documentary production in Asia-Pacific, is set as MD of the new operation. He will work closely with Beach House Pictures founders Donovan Chan and Jocelyn Little. 

Patrick Frater Asia Bureau Chief Veteran film executive Kylie Munnich has joined leading Australian independent producer Goalpost Pictures as its CEO. She takes up the newly-created position from Nov. 1, 2022, after recently departing from Screen Queensland, which she headed for the past three years. Prior to Screen Queensland, Kylie worked as a scripted sales and co-production executive for Seven Studios, Australia. Before that, she was senior VP for distribution Asia-Pacific for Sonar Entertainment overseeing sales for premium drama series such as Tom Hardy’s “Taboo” and Pierce Brosnan’s “The Son.”