‘Game of Thrones’ Stunt Performer Sues Over Battle of Winterfell Injury (EXCLUSIVE)

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Game of Thrones stunt performer is suing the show over injuries they sustained during filming in 2018.Casey Michaels was shooting scenes for the eighth and final season of the HBO series when she suffered a “serious fracture dislocation to her left ankle”.Michaels has filed her claim against the UK-based Fire & Blood Productions, which is owned by HBO.According to court documents (via Variety), Michaels’ claim, which was made in 2021, is worth almost $5million (£4.04million).The stunt performer sustained her injuries while filming a scene in episode three, in which she was dressed as a Wight (a zombie-like being controlled by the White Walkers) and was required to walk off the edge of a sloped castle roof.According to court documents, a group of 28 stunt performers were instructed to walk off the 12 feet high roof  “as if unaware of the drop, in keeping with the zombie-like nature of the Wights.”Michaels landed feet-first onto a box rig below, which was comprised of cardboard boxes and crash mats.“By their nature, however, the cardboard boxes are not durable and become damaged as each stunt performer lands on the box rig and also as each stunt performer climbs off of the box rig after landing,” Michaels alleges in her claim.Michaels has since undergone multiple surgeries on her left foot, with the need for a plate and screws to be inserted.

Variety.The lawsuit, which was originally filed in January 2021, names Fire & Blood Productions, an HBO-owned subsidiary based in London. HBO did not immediately respond to TheWrap’s request for comment.

As the world has been hit by a heavy crisis in which a part of Europe finds itself in a state of war, the Festival de Cannes wishes to extend all its support to the people of Ukraine and all those who are in its territory.However modest as it is, we join our voices with those who oppose this unacceptable situation and denounce the attitude of Russia and its leaders.Our thoughts go out in particular to the Ukrainian artists and film industry professionals, as well as their families whose lives are now in danger. There are those whom we’ve never met, and those whom we’ve come to know and welcomed to Cannes, who came with works that say much about Ukraine’s history and the present.During this winter of 2022, the Festival de Cannes and the Marché du Film have entered their preparation phase.