From ‘Blonde’ to ‘Bones and All,’ Get to Know These Must-Listen Audiobooks Before the Films Come Out

When it comes to biopics, they don’t get much more intensely intimate than Andrew Dominik‘s “Blonde.” And the film’s world premiere at the Venice Film Festival earlier this month confirmed that Ana de Armas expertly channels Marilyn Monroe in her performance. In fact, de Armas got so close to Monroe during the film’s production the actress attempted to contact the deceased starlet, in a way.

in 2009, James Cameron’s epic sci-fi franchise about a humanoid species called the Na'vi is finally back with the first of several sequels. After a 13-year gap, the saga will pick up with in December before continuing on with what are currently being dubbed, and in 2024, 2026 and 2028, respectively. Stars Sam Worthington, Zoe Saldaña, Sigourney Weaver and others look back on the original while teasing what’s to come as picks up on their story over a decade later.“It’s been about 10 years,” Weaver tells ET of the time she’s committed to the franchise since starring in the first one.

Ana de Armas is attracting all kinds of attention for her acting chops lately, having skyrocketed to general acclaim ever since her star-making turn in 2019's Knives Out.MORE: Did you notice Ana de Armas' tribute to Marilyn Monroe at Venice Film Festival?The actress is particularly gaining significant traction for her portrayal of Marilyn Monroe in the upcoming Blonde, which received the longest standing ovation at the Venice Film Festival.VIDEO: Ana de Armas is Bond girl stunning in fragrance advertHowever, another aspect of her life which has been receiving quite a bit more attention is her relationship, as she prefers to keep that side a bit more private.The star has been linked to Tinder executive Paul Boukadakis, with several pictures having emerged of the two together, although neither have confirmed the romance.The two have been spotted together on a few occasions in New York and Los Angeles since they were first reportedly set up in June of 2021.MORE: Ana de Armas nailed end of summer dressing in shorts suit at Venice Film FestivalPictures of the two were even shared by DailyMail which saw them take in the sights of the beautiful city by the water.Their relationship was seemingly confirmed when they were first spotted together in New York in September of 2021 in pictures published by Extra.

Liz Truss was told of the Queen's condition before she delivered a speech on Thursday on freezing energy prices for two years.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.

Ana de Armas channeled Old Hollywood glamour at the Venice Film Festival premiere on Thursday, honoring her onscreen character, Marilyn Monroe, with an elegant pink gown and understated white jewelry. The film is a nearly three-hour adaptation of Joyce Carol Oates' 700-page novel of the same name. De Armas told this week that the film «changed my life,» adding that «I did this movie to push myself, because I thought it was a gift.» De Armas floated down the carpet in a flowing coral pink dress with a deep neckline and tie at the waist.

Sophie Monks Kaufman of IndieWire writes that Dominik doesn’t quite give enough effort in saying or showing something about the pop culture icon. “The film is Dominik’s finger pointed at everyone who had a hand traumatizing his leading lady, from her mother trying to drown her in the bath aged 7 to her death from an overdose of barbiturates at 36 after being used and abused by the Hollywood machine,” Kaufman adds.Vanity Fair’s Richard Lawson also points out the exploitation employed in the movie, noting the “boldly and complexly mounted” technique “could actually be in service of something far simpler and more base.”“‘Blonde’is a film partly about exploitation that might be exploitative itself. If the film is aware of that meta function, then there’s something interesting happening in it,” Lawson’s review continued.

Forget Seberg, forget Mank, forget Judy — Andrew Dominik’s Venice Film Festival competition entry Blonde takes a blowtorch to the entire concept of the Hollywood biopic and arrives at something almost without precedent.

No film at the Venice Film Festival not called “Don’t Worry Darling” has attracted such morbid fascination as Andrew Dominik’s Marilyn Monroe not-a-biopic, “Blonde.” Turns out that “morbid” qualifier is soft, to say the least: to call “Blonde” relentless would be about as immense an understatement as one can conjure of a movie that subjects its lead, Ana de Armas’ fictionalized Monroe, to two hours and forty-seven minutes of unending sexual torture, leering voyeurism, and devastating dehumanization.  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch Much has already been made about the X-ratedness of it all, but god, this is — by design — soul-sapping stuff, leaving you bloodied and brutalized.

Casey Affleck heaped praise on Andrew Dominik’s forthcoming Marilyn Monroe biopic Blonde during a press conference for his latest film Dreamin’ Wild at the Venice Film Festival Wednesday.

Christopher Vourlias The pursuit of justice in the wake of unspeakable war crimes is at the heart of Ukrainian documentary filmmaker Sergei Loznitsa’s timely new feature, “The Kiev Trial.” Produced by Atoms & Void for the Babyn Yar Holocaust Memorial Center, the film had its world premiere out of competition at the Venice Film Festival. The trailer can be viewed below. Held in January 1946 in the former Soviet Union, the film’s titular trial was among the first court cases to hold Nazis and their collaborators accountable for atrocities committed during World War II — acts that would come to be known as “crimes against humanity” during the historic tribunals held in Nuremberg, Germany.

Ana de Armas keeps it casual while arriving in Venice, Italy on Monday (September 5).

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Nick Vivarelli International Correspondent British director Joe Wright, who helmed Winston Churchill drama “Darkest Hour” – which earned Gary Oldman an Oscar for his portrayal as the British prime minister – is set to change historical sides and direct TV drama “M,” which chronicles Benito Mussolini’s rise to power. The high-end series, which is based on Antonio Scurati’s Premio Strega-winning and international bestselling novel “M. Son of the Century,” traces the birth of Fascism in Italy and Mussolini’s ascent with an innovative approach that has sparked debate about the Fascist dictator’s legacy in Italy and abroad. “The writer understood and put on paper, with facts and documents and everything, that Mussolini is the guy – him and only him – who created what we now know as populism and Fascism,” said the show’s producer Lorenzo Mieli, speaking in Venice, where he is among producers of Luca Guadagnino’s “Bones and All.”

This year’s Venice Film Festival has several highly anticipated films in competition for the Golden Lion. But the festival’s most anticipated movie may arguably be Andrew Dominik’s “Blonde.” Based on Joyce Carol Oates’s 2000 novel of the same name, “Blonde” may be the biopic to end all biopics.

There’s always a great selection of films competing at the Venice Film Festival every year for the coveted Golden Lion. However, the competition at the festival’s 79th edition looks especially fierce.

Leo Barraclough International Features Editor The Zurich Film Festival will honor Italian director and screenwriter Luca Guadagnino at its 18th edition, which runs Sept. 22-Oct. 2. He will receive its “A Tribute To…” award on Sept. 30 before the screening of his latest film “Bones and All,” which plays in the Gala Premiere section, and will hold a public masterclass on Oct. 1. The film world premieres in Venice tomorrow. Guadagnino, born in Palermo in 1971, has been one of the most internationally sought-after directors since the success of “Call Me By Your Name” in 2017, which Guadagnino presented in person at the Zurich fest.