on Netflix. There must be a French term that encapsulates all of that.
24.01.2022 - 19:22 / deadline.com
A long-gestating, hot-button move to revamp France’s arcane windowing system reached an important stage today as a new agreement between TV channels, streamers and the film industry was signed by Culture Minister Roselyne Bachelot.
Key among the new measures is that Netflix will have access to films 15 months after their theatrical release, versus the market’s long-held 36-month SVOD waiting period. The streamer has committed to producing at least 10 local films per year, investing about 40M euros ($45M).
A Netflix spokesperson said, “This agreement is a significant first step towards the modernization of the media chronology. It reflects both our constructive contribution to the negotiation process and our commitment to contribute to the French cinema industry.” The new rules will go into effect from February 15, and it is understood there is the possibility Netflix sees the 15-month release window reduced to 12 months when the situation is looked at again next year.
As for other major streamers, while Disney and Amazon are not among the signatories of today’s agreement, their window will be fixed at 17 months.
Canal Plus for its part had already reached a new agreement with French film industry organizations back in early December, as the pay-TV group committed to invest more than 600M euros ($679M) in local and European film across the next three years. The deal also notably advanced the window for Canal, allowing it to offer films six months after their release in theaters, contrary to the previous eight-month delay.
Canal, long the biggest financial contributor to French film production, today said it was pleased to take part in the new media chronology and noted that the agreement provides for a two-month advancement as
on Netflix. There must be a French term that encapsulates all of that.
Elsa Keslassy International CorrespondentOrange Studio has signed a two-year distribution deal with the aggregation company Under The Milky Way. The pact will allow the outfit to handle the distribution of titles from Orange Studio’s library across English-speaking territories as well as Latin America on transactional VOD services such as Amazon, PlutoTV, Roku and Tubi.
EXCLUSIVE: Lydia Leonard (the English Call My Agent remake), Timothy Spall (Mr. Turner) and Sverrir Gudnason (Borg Vs. McEnroe) are leading the cast of Hafsteinn Gunnar Sigurdsson’s first English language feature Northern Comfort.
All Of Us Are Dead has become the fifth most popular Non-English language series on Netflix.According to a report by Variety, the zombie thriller series debuted on the streaming service’s top 10 most popular TV (Non-English) shows of all time yesterday (February 8). The list ranks titles based on the number of hours a series has been viewed on its first 28 days on Netflix.Data from Netflix shows that All Of Us Are Dead logged 361million hours viewed following its premiere on January 28.
Congrats to the happy (and sneaky) couple! Bling Empire stars Cherie Chan and Jessey Lee revealed they secretly got married months ago during an interview E! News’ Daily Pop on Tuesday, Feb. 8. They admitted they tied the knot on September 8 in the most luxurious way possible at Château de Saran castle in Champagne, France. Keep in mind, they had gotten engaged on August 30 which means they tied the knot just one week after Jessey had popped the question at the Jacquemart-André Museum.
Nick Vivarelli International CorrespondentEuropean cinema admissions rose an estimated 38% in 2021, with over 590 million total tickets sold, generating a 42% rise in box office to €3.7 billion ($4.2 billion) compared with the all-time low year of 2020.The preliminary figures were released on Monday by the International Union of Cinemas (UNIC), the trade org representing European cinema associations. It comprises cinema exhibitors and their national trade associations across 39 European territories, some of which do not belong to the European Union.At a EU level — which covers the U.K.
It’s her party! Kanye West helped Julia Fox ring in her 32nd birthday with a New York City soiree.
Louis Hofmann (Dark, Land of Mine) is set as the male lead opposite Aria Mia Loberti in Netflix’s All The Light We Cannot See, a four-part limited series adaptation of Anthony Doerr’s Pulitzer Prize-winning bestseller, from Shawn Levy and Steven Knight. Also cast in the series Lars Eidinger (White Noise, Irma Vep) and newcomer Nell Sutton.
EXCLUSIVE: The production company behind Netflix’s The Kissing Booth franchise is developing a TV drama series inspired by the real life exploits of notorious French opera singer Julie Maupin.
Katie McGlynn was just a stone's throw away from Weatherfield as she headed for a night at the theatre in Salford.
“We would like to extend our deep thanks to Cameron for his important contributions to the organization. During his time at the studio, he led the regional marketing and distribution teams and delivered a number of successful international campaigns for our hit movies.
Gigi Hadid is taking on a new gig at Netflix!
Paramount Pictures EVP of International Marketing & Distribution, Cameron Saunders, is leaving the studio to pursue other opportunities.
Martin Dale ContributorOn average French films allocate under 3% of their total budget on VFX, according to a report on employment in the French VFX sector presented at PIDS Enghien in Paris by the French film and TV agency CNC.The report, produced with market research firm Audiens, found that for films budgeted at over €15 million ($17 million), the VFX spend rises to an average 11.8% of budget.The data suggests that the number of French films using VFX has increased over the past decade. In 2020, 108 of 131 French feature films had recourse to VFX expenses in their overall budget.
Julia Child knew her way around a sauce the way Leonard Bernstein knew his way around a sympathy, the way Patrick Mahomes knows his way through a defense. That is to say, with panache.
Welcome to this week’s International Insider. Max Goldbart here bringing you the latest in what’s been a busy seven days in the world of international TV and film.
Ozark returned for the first installment of its fourth season and immediately went in to number one of Netflix’s weekly top ten list.