Fleet Foxes Frontman Robin Pecknold On Creating The Music For Amazon’s Documentary ‘Wildcat’ – Sound & Screen

Did Tarzan find his Jane? Jill Chin and Jacob Rapini’s relationship on Bachelor in Paradise was rocky, but the two members of Bachelor Nation were able to connect off screen.

SPOILER ALERT: This post contains plot details for the Season 3 finale of Dead to Me.

Leaving his own mark on the industry. Ahead of his New Artist of the Year nomination at the 2022 American Music Awards, Steve Lacy made a name for himself with his music and fashion.

EXCLUSIVE: Cinema Guild has picked up U.S. rights to the documentary Sansón and Me, directed by Rodrigo Reyes (499), which won Best Film at Sheffield DocFest in June after world premiering in Tribeca. The film has been slated for release in theaters next year, beginning with a run at the Brooklyn Academy of Music on March 3.

Deadline’s Sound & Screen Film award-season event last week showcased the music and scores from nine buzzy awards-season movies, with composers and songwriters performing their work with the help of a 60-piece orchestra in front of an live audience at UCLA’s Royce Hall.

IDFA is going wild for Wildcat.

The loss of Chadwick Boseman was felt by creatives working on both sides of the camera including Ludwig Göransson, the Oscar-winning Black Panther composer tasked with bringing Disney and Marvel’s sequel, Black Panther: Wakanda Forever, to life musically following Boseman’s tragic death.

Apple Original Films’ upcoming holiday film Spirited required the hands and talents of multiple creatives behind the scenes including Ian Eisendrath, who served as the musical comedy’s executive music producer. After his performance of an original song at Deadline’s Sound & Screen event, he revealed the elements of his job that kept him busy amid the singing talents of the cast that includes Ryan Reynolds, Will Ferrell and Octavia Spencer among others.

Composing the score for the Oliver Hermanus-directed drama Living began with a very simple question: Is it really necessary to write only sad music for a story about a man facing his mortality?

How do you write music for a wandering donkey in EO? Composer Pawel Mykietyn didn’t take the responsibility lightly.

Diane Warren’s songwriting job for Tell It Like a Woman was simple: create a hymn for female empowerment.

To compose the music for Ron Howard’s Thirteen Lives — the true story of the global effort to rescue a Thai soccer team — composer Benjamin Wallfisch (Blade Runner 2049, the It movies) had hoped to traverse all of northern Thailand to absorb the culture, knock on doors and ask folks if they wanted to play something for him.

Jordan Peele’s Nope marked the third time the filmmaker has collaborated with composer Michael Abels, who brought his music from the sci-fi horror feature to life at Deadline’s Sound & Screen award-season event.

Alexandre Desplat opened Deadline’s Sound & Stage awards-season event representing the music from his latest project, Guillermo del Toro’s Pinocchio. The Netflix animated film currently available to stream and is the duo’s second collaboration following Best Picture Oscar winner The Shape of Water.

The latest edition of Deadline’s Sound & Screen is officially underway Thursday night in Los Angeles, showcasing genre-defying and moving original music from some of the film industry’s most respected talents who are making waves during awards season.

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Ho, ho, holy smokes is it hot. Tim Allen’s return to the North Pole in The Santa Clauses wasn’t as chilly as one would expect.