Clayton Davis Could Sarah Polley join the ranks of Jane Campion, Chloe Zhao and Kathryn Bigelow by becoming only the fourth female filmmaker to win an Oscar for directing? Based on the rapturous reception that “Women Talking” received at the Telluride Film Festival on Friday, it certainly seems possible. Even if that doesn’t happen, the ambitious film, a drama about a group of women in a tight-knit religious community grappling with a legacy of abuse, has put a stake in the ground as the festival’s first slam dunk best picture candidate. In fact, I think it’s going to be a contender across the board. In a Telluride lineup that is heavy on documentaries and Cannes titles, Polley’s film is one of only four World Premieres for narrative features. But what a launching pad Telluride is shaping up to be for the film and its director, a critical favorite for her work in front of the camera in “The Sweet Hereafter” and behind with the likes of “Away From Her.” The premiere for “Women Talking” kicked off with a tribute to Polley, who was presented with the Silver Medallion by Frances McDormand, who produced and stars in “Women Talking.”