Film Festivals Failed to Highlight More Movies From Female Directors in 2021-22, Study Finds

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”

Manori Ravindran International Editor Musicals aren’t for everyone, but “Roald Dahl’s Matilda the Musical” seemed to be right on tune for the BFI London Film Festival. The Netflix movie adaptation of the stage musical, which debuted in the West End in 2012, opened the 66th edition of the festival on Wednesday night, where despite starting 45 minutes late, it found an appreciative audience in the Royal Festival Hall crowd, which included a number of revolting children. The Netflix and TriStar Pictures pic stars Emma Thompson as psychotic headmistress Miss Trunchbull, Lashana Lynch as Miss Honey, Stephen Graham and Andrea Riseborough as Matilda’s parents and Sindhu Vee as confidante Mrs. Phelps.

Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.

‘Power Of The Dog’ Producer Tanya Seghatchian To Lead London Film Festival Jury

Tricia Tuttle will step down as BFI Festivals Director following this year’s London Film Festival, the BFI announced today. She will remain in post through to early 2023 while the BFI recruits a replacement. 

William Earl The Gotham Film & Media Institute (The Gotham) announced today the launch of The Gotham/Variety Audio Honors, presented by Wondery, a groundbreaking initiative dedicated to recognizing the boldest voices in the ever-expanding world of audio storytelling. The honorees have been selected in recognition of their innovations in audio storytelling by a committee of distinguished audio industry professionals, chaired by award-winning podcast creator, producer and new host of NPR’s “It’s Been a Minute,” Brittany Luse. The Gotham/Variety Audio Honors are set to take place in person as a luncheon and a staged presentation in New York City on Friday, Oct. 14. “As an organization dedicated to celebrating and nurturing independent creators, we are proud to recognize these brilliant, innovative, and groundbreaking audio storytellers,” said Jeffrey Sharp, Executive Director of The Gotham Film & Media Institute. “As audio content reaches a pivotal point of engagement and innovation, it is crucial that we launch new platforms of recognition, such as The Gotham/Variety Audio Honors, to celebrate the most daring creators in our industry.”

Andrew Barker Senior Features Writer In September 1963, the first ever New York Film Festival was held in Manhattan’s Lincoln Center, and it counted as something of an experiment, an early test case as to whether the sort of serious, artistically inclined fests that were quickly becoming established in Europe could find real purchase stateside. The inaugural lineup included Luis Buñuel’s “Exterminating Angel,” Roman Polanski’s debut, “Knife in the Water,” and Yasujirō Ozu’s swan song “An Autumn Afternoon.” According to a Film Comment report at the time, the inaugural fest sold more than 20,000 tickets before a single film had unspooled. Not bad for a first time out.

As we are seeing this film festival season return to what we all knew and loved pre-pandemic, we are so excited to have one of the longest-running U.S.-based film festivals return for its 60th year (yes, 60!!).

When September rolls around, it means one thing for many of the top filmmakers in the world – time to hit the road. Venice, Telluride and Toronto come in rapid succession, to the point of overlapping. But for documentary filmmakers eager to showcase their work, there’s another important stop to make in September: the Camden International Film Festival in mid-coast Maine.

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Clayton Davis “Glass Onion: A Knives Out Story,” “White Noise” and “The Whale” are among the first films announced for this year’s Middleburg Film Festival in Virginia, celebrating its tenth anniversary. “Everything Everywhere All at Once” breakout star Stephanie Hsu will be given the Rising Star Award, for her incredible performance in The Daniels’ critically-acclaimed dramedy, which has generated awards buzz. The fest will also hold a special screening of the movie after its huge success, becoming A24’s first film to surpass $100 million. The entire festival will be held in person with screenings, conversations and events from Oct. 13-16. Opening the fest on Thursday is Netflix’s “White Noise” starring Adam Driver. Writer and director Noah Baumbach will return after bringing “Marriage Story” (2019), to accept the 10th Anniversary Spotlight Filmmaker Award.

Naman Ramachandran Joachim Back’s “Corner Office,” featuring “Mad Men” star John Hamm, will open the 30th edition of London’s Raindance Film Festival (Oct. 26-Nov. 5). Austin Bragg and Meredith Bragg’s “Pinball: The Man Who Saved the Game” will close the festival. To mark its 30th anniversary, Raindance will screen iconic independent films that had their U.K. premieres at the festival, including “Pulp Fiction,” “Memento,” “The Blair Witch Project” and “Oldboy.” Special screenings of new films include the world premiere of Stephen Moyer’s “A Bit of Light” (U.K.), starring Anna Paquin and Ray Winstone; director Moshe Rosenthal will take part in a Raindance masterclass and present the U.K. premiere of “Karaoke” (Israel); and the world premiere of Dilshad Husain’s British Asian feature “Banglatown.”

Documentaries entered into high-profile U.S. film festivals in 2021-22 employed a much higher percentage of women in key behind-the-scenes jobs than did feature films, according to the latest “Indie Women” report from Dr. Martha Lauzen, executive director of the Center for the Study of Women in Television and Film at San Diego State University.

Olivia Wilde is looking stunning on the red carpet!

Olivia Wilde had a warm greeting while arriving in Spain for the 2022 San Sebastian Film Festival!

Want to know why the Toronto International Film Festival is so special?

Asghar Farhadi will preside over the jury for the International Feature Film Competition at this year’s Zurich Film Festival.

Leo Barraclough International Features Editor Iran’s Asghar Farhadi, who directed the Oscar winners “A Separation” and “The Salesman,” U.S. producer Christine Vachon, whose credits includes Oscar winner “Boys Don’t Cry,” and Oscar nominees “Far from Heaven” and “Carol,” and Romania’s Alexander Nanau, the director of the Oscar nominated “Collective,” are among the jury members at the 18th edition of the Zurich Film Festival, which takes place from Sept. 22 to Oct. 2.  Farhadi will head the jury for the International Feature Film Competition. He is joined by the U.K.’s Clio Barnard, who directed the BAFTA nominated “The Arbor,” “The Selfish Giant” and “Ali & Ava”; L.A.-based Brazilian Daniel Dreifuss, a producer on the Oscar nominated “No” and “All Quiet on the Western Front,” Germany’s Oscar entry; Swiss/Italian screenwriter and director Petra Volpe, whose credits include Tribeca prizewinner “The Divine Order”; and  Sweden’s Peter “Piodor” Gustafsson, the producer of Ali Abbassi’s “Border,” which won the main award in the Un Certain Regard section at Cannes.

Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.