Eurovision Winners Maneskin to Feature on Baz Luhrmann’s ‘Elvis’ Soundtrack

Måneskin have shared their feelings about being associated with The X Factor, despite the derision some people have for the show.The Italian band, who won the Eurovision Song Contest in 2021, got their start on The X Factor in their home country in 2017, on which they came second.Speaking to NME for the latest Big Read cover story, Måneskin explained the reasoning behind their decision to go on the programme and discussed changing attitudes to talent shows. “Basically, we were sick of carrying instruments and amplifiers on our fucking shoulders,” frontman Damiano David said of the move.

Måneskin have spoken about their love of playing covers and riling up rock purists with their takes on pop hits.The Italian band won the Eurovision Song Contest in 2021 with their own song ‘Zitti e buoni’, but have had their rise to fame accelerated with the help of covers of songs including The Four Seasons’ ‘Beggin’’, The Killers’ ‘Somebody Told Me’ and Franz Ferdinand’s ‘Take Me Out’. A live recording of the former was released on Spotify in 2021 and recently reached one billion streams on the platform, while it has also gone viral on TikTok.Speaking to NME for the latest Big Read cover story, frontman Damiano David said the group will likely “always do covers” in their live sets. “It’s one of the coolest things you can do,” he explained.

Måneskin have released a brand new video for their latest single, ‘Supermodel’ – you can check it out below.Produced by Max Martin, the Italian band’s first new music of 2022 is loosely based on characters they met during their time in LA.“We wrote ‘Supermodel’ after spending the best few months in LA,” Måneskin said in a statement about their new single. “At times we were surprised yet intrigued to find how people cared so much about the idea of ‘celebrity’ and status, obsessing over their looks and connections.”Elaborating on the song some more during a chat with NME for the latest Big Read, frontman Damiano David said: “We always have this portrait of the US as ‘the coolest place in the world where dreams come true and everyone has opportunities!’ That’s true, but then on the other side there’s a lot of injustice, unfairness, homeless people and racist shit.“At these parties, everyone was a fucking fashion icon.

Måneskin have responded to Mick Jagger’s comments about the state of rock’n’roll, disputing the idea that young artists are keeping the genre alive.The Italian band were speaking to NME for the latest Big Read cover story ahead of a huge homecoming gig in Verona when they shared their thoughts on The Rolling Stones frontman’s views.Last month, Jagger praised the likes of Yungblud and Machine Gun Kelly in an interview with a Swedish radio station, saying the artists made him “think there is still a bit of life in rock’n’roll”.Asked about their perspective on those remarks, Måneskin singer Damiano David assessed the rock icon’s views as “a very old-fashioned way to see it”. “Nobody is ‘keeping rock’n’roll alive’,” he continued. “It’s just impossible to kill.“In my head what we’re doing is very different to what MGK is doing, which is very far from what Yungblud is doing, which is very far from what Willow Smith is doing, but a lot of artists are bringing back that kind of sound and energy: distorted guitars and real drums, to fucking play with a band with real analogue sounds, stage-diving – all the rock’n’roll shit.

Måneskin have spoken to NME about their huge popularity in the US, and how they were recently invited round to have breakfast with Coldplay‘s Chris Martin and Dakota Johnson.The Italian Eurovision winners were talking to NME for this week’s Big Read cover story, ahead of a huge homecoming gig in Verona and shortly after being one of the most talked about acts at Coachella 2022, on a line-up largely dominated by pop and solo acts including Billie Eilish, Harry Styles and Megan Thee Stallion. In our interview, they opened up about why they stand out in the States.“Everyone who came to our gigs was saying: ‘We’ve seen no bands like this’,” bassist Victoria De Angelis told NME.

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

Måneskin frontman Damiano David has revealed that he “fucking regrets” his decision to “shut down” speculation that he took cocaine on the set of Eurovision 2021, joking that it would have made for a a “legend”.NME flew out to Verona to interview the Italian rock sensation for this week’s Big Read cover story. This week marks one year since the band were crowned victors of the 2021 Eurovision Song Contest, shortly before they made headlines when viewers thought they caught David snorting cocaine off a table in the green room.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

“When we made this, we wanted to make it theatrical to bring audiences into theaters,” said Baz Luhrmann at the Cannes press conference for Elvis, the morning after the pic received the longest standing ovation of the fest at ten minutes.

Elvis Presley, has spoken about the “emotional experience” of watching Baz Luhrmann’s Elvis at Cannes Film Festival.“It’s very intense to watch when it’s your family,” the actor/director told Variety. “The first movie I ever watched in the theater and said I wanted to make movies was ( Luhrmann’s) Moulin Rouge when I was 12. It was a real honour to know Baz was doing this movie.

Baz Luhrmann isn’t one for understatement. The Australian director’s appetite for glamour and hallowed material (“Romeo + Juliet,” “The Great Gatsby”) has gained him a reputation as one of the industry’s most audacious auteurs.

For a brief moment there, it felt like Baz Luhrmann held the world in his hands. Coming off the incredible success of “Moulin Rouge!,” Luhrmann seemed poised to solidify his cultural dominance with “Australia,” a sweeping historical epic with Hugh Jackman and Nicole Kidman at the peak of their box office star power.

Måneskin returned to the Eurovision Song Contest last night (May 14) to give new single ‘Supermodel’ its live debut – check the performance out below.The Italian band, who won the 2021 contest with their song ‘Zitti E Buoni’, have had a massive year since their Eurovision triumph, playing across the globe and announcing a massive arena tour.This week, the band returned with new single ‘Supermodel’, their first new music of 2022, and the track was given its live debut during the half-time break at last night’s Eurovision in Turin.After the track was played, the band then debuted a snippet of an unreleased song called ‘If I Can Dream’, revealing that it was written in collaboration with Baz Luhrmann and set to appear on the soundtrack to his forthcoming Elvis Presley biopic.“We felt a huge connection and we decided to jump on it,” frontman Damiano David said of working with Luhrmann. “We’re really proud of what we did, we can’t wait to see it.”Watch the two performances below:Eurovision 2022 was won by Ukraine’s Kalush Orchestra with the song ‘Stefania’, with the UK’s Sam Ryder coming in second, the country’s best placed finish since 1997.

It's been a whirlwind year for Eurovision 2021 winners Måneskin since they won the contest with their song Zitti e Buoni. The Italian group, which consists of singer Damiano David, bassist Victoria De Angelis, guitarist Thomas Raggi and drummer Ethan Torchio, stormed the competition in the Netherlands with an impressive 524 points.