Emmy Party Preview 2022: All the Red-Carpet Events and Celebrations Around TV’s Big Night

Rebecca Rubin Film and Media Reporter Despite 13 years passing since “Avatar” first hit theaters, moviegoers are apparently still dazzled by the striking world of Pandora. In anticipation of the sequel “The Way of Water,” which opens in December, Disney re-released James Cameron’s original science-fiction epic to promising returns. The film generated $10 million in North America and $20.5 million internationally over the weekend, a huge result for movie that opened more than a decade ago, even if that movie happens to be the highest-grossing global release in history. With this weekend’s returns, “Avatar” widens its lead as the biggest movie of all time with $2.85 billion worldwide.

The thriller directed by Olivia Wilde and starring Florence Pugh and Harry Styles was produced on a budget reported to be at around $35 million, so this opening puts the film on track to earn a modest theatrical profit if it gets some help from overseas theaters. The Venice premiere of “Don’t Worry Darling” was beset with constant rumors about animosity between Wilde and Pugh during the film’s production, and reviews from critics during and after the festival didn’t help matters with a 38% score on Rotten Tomatoes.

projections, the New Line Cinema film will earn $17 million from its opening weekend. Independent projections put that number at $18 million to $20 million. According to reports, its budget falls in the mid-$20 million range.The Florence Pugh and Harry Styles-starring psychological thriller premieres opposite Disney’s re-release of “Avatar” (2009), a few months before its sequel “The Way of Water” hits theaters.

Clayton Davis As the filmmaking team for “The Woman King” travels to Brazil to promote the historical epic, Viola Davis and her husband and producing partner Julius Tennon are celebrating the success of the film’s no. 1 debut at the box office, grossing $19 million domestically. The film had its world premiere at the Toronto Film Festival on Sept. 10, followed by opening in theaters one week later. It’s one of the rare films where critics and general audiences given it a similarly positive reception, with a 95% critics score and 99% audience score on Rotten Tomatoes. It even pulled off an “A+” Cinema Score. Davis emphasizes that the story of “The Woman King” can connect to all audiences, not only Black women.

Rebecca Rubin Film and Media Reporter It’s been proven time and time again that Academy Award attention has little to do with box office glory. Just look at recent winners like “Moonlight,” “The Hurt Locker,” or “CODA,” the first streaming movie to land the Oscar’s top prize, all of which were more beloved than seen, at least by the general public. But during a year in which several commercial movies, including “Top Gun: Maverick” ($1.44 billion globally and counting), “Elvis” ($284 million globally) “Black Panther: Wakanda Forever” (scheduled for Nov. 11) and “Avatar: The Way of Water” (scheduled for Dec. 16), look to find themselves in the awards race, film industry analysts believe the box office may play a part in keeping movies from major studios in the conversation.

Rebecca Rubin Film and Media Reporter “The Woman King,” a historical action epic starring Viola Davis, ruled over domestic box office charts in its opening weekend. Bolstered by stellar reviews and positive word-of-mouth, the movie collected $19 million from 3,765 North American cinemas over the weekend, arriving at the higher end of expectations. Independent tracking services projected “The Woman King” would kick off with $15 million to $18 million, while Sony estimated a debut closer to $12 million. Sony is lucky the film exceeded its ultra-conservative forecasts. “The Woman King” cost $50 million to produce, not including the tens of millions in marketing expenses, including a stop at the Toronto International Film Festival.

according to IMDB’s Box Office Mojo.Produced by and starring Viola Davis, The Washington Post called the film the actress’ “ultimate flex.” The drama, which cost $50 million to make, is projected to take in anywhere from $13.5 million to $22.5 million during its domestic debut, according to Forbes.Clubbing its way to second place was “Barbarian” which earned over $1.96 million. The horror-thriller, which Vogue said is one of “the best reasons to go to the movies right now,” tells the story of a young woman, played by Georgina Campbell, who discovers the remote home she booked on Airbnb was double-booked by a man, portrayed by Bill Skarsgård.

That opening weekend would be just a tad higher than the $17.2 million opening for fellow Sony release “Where the Crawdads Sing,” which legged out to an $86 million domestic run thanks to strong word-of-mouth from female audiences. For “The Woman King,” Sony is hoping for a similar long box office run during this sluggish box office period as audience buzz builds.So far, it looks like Sony’s hopes will be fulfilled.

J. Kim Murphy “The Woman King” has found its throne at the box office. The Sony release is drumming up a projected $18 million opening from 3,765 locations, in line with most analysts’ estimates heading into the weekend. The epic also benefited from landing some premium format auditoriums, such as Imax, lending an additional boost to revenue. Though that doesn’t necessarily qualify as a grand opening, it’s a solid start for the action film, which carries a $50 million production budget and has no ties to existing franchises. What’s more, it’s more than enough for “The Woman King” to top box office charts on a slow weekend with few rival releases.

Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected with a $18M opening boosted by lively word of mouth with an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M.

A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace of new releases

“The Woman King,” the historical action epic starring Viola Davis, took in $1.7 million at the box office from its Thursday night preview screenings, which opened at 3 p.m. on 3,271 screens. The Sony and eOne film will launch at 3,765 locations this weekend.In its opening weekend, the studio projects “The Woman King” to earn $12 million against a $50 million budget.

Jordan Moreau Sony’s “The Woman King,” starring Viola Davis, has earned $1.7 million at the domestic box office, as theatergoers slowly embrace one of the first major studio releases in a few weeks. The historical epic is aiming for a $15 million opening this weekend, where it doesn’t face much competition from rival releases. Other projections see a launch as high as $18 million to $20 million, or as low as $12 million. “The Woman King” comes with a $50 million price tag, so results on the lower end would be less than royal for Sony. Directed by Gina Prince-Bythewood (“The Old Guard,” “Love & Basketball”), the movie premiered at the Toronto International Film Festival last week, where it had a warm reception from attendees. Set in the 1820s, the film stars Davis as a powerful general of the Agojie, an all-female military regiment that protected the West African kingdom of Dahomey. The cast includes John Boyega, Lashana Lynch, Thuso Mbedu and Sheila Atim.

Want to know why the Toronto International Film Festival is so special?

Rebecca Rubin Film and Media Reporter Fresh off its enthusiastic world premiere at the Toronto Film Festival, the Viola Davis-led historical epic “The Woman King” will touch down in 3,700 North American movie theaters over the weekend. The domestic box office desperately needs a boost, but will U.S. audiences be as receptive as festival-goers in Canada? Touted as the real-life “Black Panther,” Sony’s “The Woman King” is aiming to collect at least $15 million in its domestic debut. Independent box office observers are optimistic that opening weekend returns could reach $17 million to $20 million. Yet Sony, who co-financed the movie with eOne, is projecting $12 million, in line with 2018’s “Widows,” which also starred Davis. Replicating those ticket sales, even with tempered pandemic-expectations, would be tepid-at-best since “The Woman King” carries a $50 million price tag.

Jean Smart hilariously called out her fellow nominee Rachel Brosnahan while accepting her Emmy!

Jean Smart has won her second consecutive Emmy for lead actress in a comedy series for her role as legendary Las Vegas comic Deborah Vance in HBO Max’s Hacks.

Jean Smart is adding another feather to her cap. For the second consecutive year, the 70-year-old actress took home Outstanding Lead Actress in a Comedy Series for her performance on . Smart beat out Rachel Brosnahan (), Kaley Cuoco (), Elle Fanning (), Issa Rae () and Quinta Brunson ()«Thank you for a second time honoring this show,» the now five-time winner said while accepting her award onstage at the Microsoft Theater in Los Angeles during the 74th Primetime Emmy Awards. Smart won last year's Lead Actress Emmy for her performance on the HBO Max series. «As we all know season two of a show is kind of a litmus test,» Smart continued on Monday night, adding that the cast and crew had passed with flying colors. «The crew went above, above, above and beyond,» she said.Smart's win last year came in the wake of the death of her late husband, Richard Gilliland.

BreAnna Bell Zendaya made history — once again — by winning the Emmy award for lead actress in a drama series for her performance in “Euphoria.” She became the youngest lead actress in a drama winner with her first win for “Euphoria” in 2020. Now, at 26 years old, Zendaya is the youngest actress to win two acting Emmys. During her speech, Zendaya thanked the cast and crew of “Euphoria” as well as those who have shared with her their stories of addiction. “My greatest wish for ‘Euphoria’ was that it could help heal people, and I just want to say thank you to everyone who shared their story with me,” she said. “I want you to know that anyone who has loved a Rue or feels like you are a Rue, I’m so grateful for your stories and I carry them with me and carry them with her. Thank you so much.”