Elizabeth Olsen & Husband Robbie Arnett Run Errands Together in Studio City

Dakota Johnson, Jodie Turner-Smith and Elizabeth Olsen were just a few of the stars to attend the Gucci 2024 Cruise fashion show at the Gyeongbokgung Palace on Tuesday (May 16) in Seoul, South Korea.

who passed away in September at age 96. “The images are really realistic,” Allievi said, according to SWNS.

Dakota Johnson provided a masterclass on wearing double denim while running errands on Saturday (May 13) in Los Angeles.

Elizabeth Olsen is opening up about the pivotal scene in Love & Death that she needed to use a stunt double for.

Mike Tindall sported three medals today as he accompanied his wife Zara at King Charles' Coronation.The former England rugby captain and Zara, 41, who is Princess Anne's daughter, looked dapper as they attended the historic event at Westminster Abbey in London on Saturday. I'm A Celeb star Mike, 44, who married the late Queen Elizabeth's daughter in 2011, was seen wearing three military-style medals for the service as he and his wife sat among the other members of the Royal Family.

coronation of King Charles III and Queen Camilla, Queen Elizabeth II and Prince Philip's memory were felt throughout, with several nods made to both late royals. When it came to Elizabeth, who died in September, there were several nods made by her son and his second wife, largely in the outfits they wore during Saturday's ceremony at Westminster Abbey in London, England. When it came to the king, his Stole Royal was inspired by one worn by his mother during her coronation in 1953 and featured a series of roundels that included the four emblems of the United Kingdom. Camilla's outfit featured several more notable nods to Elizabeth, with the new queen wearing her late mother-in-law's historic «coronation necklace.» First commissioned by Queen Victoria in 1853, it was also worn by Elizabeth during her crowning ceremony in 1953. Additionally, Camilla's «Robe of State,» which was worn upon her arrival at Westminster Abbey, was originally made for Elizabeth in 1953. Her «Robe of Estate,» meanwhile, was embroidered with 24 plants, including the Lily of the Valley, which was the late queen's favorite flower. During the ceremony, Camilla was crowned with Queen Mary's Crown, which was made for the 1911 coronation of Queen Mary, the consort of King George V.

Queen Elizabeth II's ceremony occurred on June 2, 1953, while her son, King Charles III, had the crown bestowed upon him on Saturday in a ceremony that also formalized his role as the head of the Church of England and marked the transfer of his title and powers.  Queen Elizabeth was only 27 years old when her big day finally came calling, though she had to wait 15 months between her ascension to the throne and her coronation. Meanwhile, Charles was 74 on his coronation day, but he only had to wait two days shy of eight months from when he ascended the throne to his coronation day.

Queen Elizabeth II's ceremony occurred on June 2, 1953, while her son, King Charles III, will have the crown bestowed upon him on Saturday, May 6, in a ceremony that also formalizes his role as the head of the Church of England and marks the transfer of his title and powers.  Queen Elizabeth was only 27 years old when her big day finally came calling, though she had to wait 15 months between her ascension to the throne and her coronation. Meanwhile, Charles will be 74 on his coronation day, but he only had to wait two days shy of eight months from when he ascended the throne to his coronation day.

Queen Elizabeth II's ceremony occurred on June 2, 1953, while her son, King Charles III, will have the crown bestowed upon him on Saturday, May 6, in a ceremony that also formalizes his role as the head of the Church of England and marks the transfer of his title and powers.  Queen Elizabeth was only 27 years old when her big day finally came calling, though she had to wait 15 months between her ascension to the throne and her coronation. Meanwhile, Charles will be 74 on his coronation day, but he only had to wait two days shy of eight months from when he ascended the throne to his coronation day.

Clayton Davis Senior Awards Editor Big names from across movies and television are coming together to voice their support for the Writers Guild of America strike, which officially started on Tuesday. Notable creators speaking out include “Spider-Man: Across the Spider-Verse” writers Phil Lord and Chris Miller, “Dopesick” writer and director Danny Strong and “Mrs. Davis” writers and producers Damon Lindelof and Tara Hernandez.

Elizabeth Olsen has no idea why she’s being called the “Internet’s Mom”.

Elizabeth Olsen opened up about her future in the Marvel Cinematic Universe during a recent interview.

Clayton Davis Senior Awards Editor Elizabeth Olsen calls herself an “unemployed” actor — even after playing Scarlet Witch in the Marvel Cinematic Universe and her latest role as Candy Montgomery in the HBO miniseries “Love & Death.” “I don’t want to work for work’s sake,” she tells Variety. “I don’t know how to half-ass stuff, so I have to love something a lot. And there are things I love, and it’s tough to raise money for them.” Olsen, 34, has multiple projects she wants to make with some unnamed first-time narrative directors but is finding it difficult to secure the financing that would allow them to have creative control. So, while she continues navigating Hollywood’s grounds during an unsteady economic time and a possible writer’s strike, she says she’s enjoying this break after working three years straight with Marvel (including two years of shooting and one year of promotion). “I don’t miss it,” she says.

HBO Max miniseries premieres April 27 and written by David E. Kelley (“Big Little Lies”).

Murder in the heartland. Elizabeth Olsen plays a Texas housewife with a very dark secret in HBO Max’s new series Love & Death.

Elizabeth Olsen isn’t really sure what to make of being named the “internet’s mom.” While she had attained the title some time ago, the popularity really took off when she presented an award at this year’s Oscars alongside Pedro Pascal — famously, the “internet’s daddy.”

Elizabeth Olsen isn't really sure what to make of being named the «internet's mom» after she presented at this year's Oscars alongside Pedro Pascal — famously, the «internet's daddy.»The celebrated actress walked the carpet at the premiere of her new drama series — held at the Directors Guild Of America theater in Los Angeles on Wednesday — and she spoke with ET's Deidre Behar about the unusual moniker.«I really don't get it,» admitted Olsen, who largely stays off social media in general. «My friends have tried to explain to me that it's, like, a good thing? I don't know.»«Like, mothers are great, I guess, but I don't know.

Elizabeth Olsen and Jesse Plemons are stepping out for the premiere of their new HBO Max limited series!

Elizabeth Olsen makes her chilling debut as Candy Montgomery, a woman accused of killing her friend with an axe, in the HBO Max true-crime drama,, written by David E. Kelley and directed by Lesli Linka Glatter. While this is the first time Olsen has portrayed the infamous housewife, it's actually the second time in one year that audiences will get to explore the lives and events leading up to the 1980 murder of Betty Gore.

Alison Herman TV Critic “Love & Death” feels familiar, as it should. The Max drama is the second series in less than a year to take on the same story: the case of Candy Montgomery, a Texas housewife who killed her friend and neighbor Betty Gore with an ax in 1980. This version follows closely on the heels of “Candy,” which aired on Hulu last year. The proximity practically demands comparison, and it’s tempting to draw up a laundry list of differences and call it a review. “Love & Death” casts Elizabeth Olsen as Montgomery, while “Candy” stars Jessica Biel. (The more jarring contrast is between the former’s Jesse Plemons and the latter’s Pablo Schreiber, two physically opposite actors who both assume the role of Allan Gore, Betty’s husband and Candy’s ex-lover.) “Candy” is inflected with horror, while “Love & Death” is more naturalist. “Candy” flashes back from the day of the murder, which saw Montgomery toggle from brutal homicide to eerily banal errands, while “Love & Death” is more linear in structure. The effect is not unlike that of 2019’s competing documentaries about the viral quagmire known as Fyre Festival, with the same details refracted through distinct sensibilities. But instead of racing to cover a recent event, these shows converge on a tragedy more than four decades old.