‘Dune,’ ‘The French Dispatch,’ ‘The Last Duel’ Among Competition Lineup for Camerimage

Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films.

Leo Barraclough International Features EditorLouis Hothothot’s feature debut “Four Journeys” will open the 34th edition of the International Documentary Film Festival Amsterdam (IDFA), which also revealed the lineup of the International Competition program, as well as other sections.“Four Journeys” is a personal film about the destructive influence on a Chinese family of the one-child policy. Hothothot was born as an “illegal” second child, and the authorities punished his parents harshly.

EXCLUSIVE: United Talent Agency (UTA) has signed up Wes Anderson’s The French Dispatch breakout star Lyna Khoudri.

Netflix show Squid Game has appeared in Sydney – you can see pictures of the image below.Netflix commissioned the huge replica of the creepy ‘Red Light, Green Light’ doll that appears in the first episode of the series to overlook Sydney’s The Rocks until Monday (November 1).As reported on Perth Now, the doll is 4.57 metres tall and weighs approximately 3,000kg.Just as in the show, the doll can turn its head and say: “Red light, green light.”The doll’s eyes are said to light up red and can

It’s Squid Game come to life!

Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.

Opening in 14 cities, “The French Dispatch” is estimated to earn $1.3 million this weekend for an average of around $25,000 per venue. By comparison, the per-theater average for “Venom: Let There Be Carnage,” which set a post-shutdown opening record of $90 million in wide release, had an average of $21,300.

Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters.

Rebecca Rubin Film and Media Reporter“The French Dispatch,” director Wes Anderson’s tribute to 20th-century magazines, opened at the domestic box office with a robust $1.3 million from only 52 theaters.For platform releases like “The French Dispatch,” the key metric is per-theater average rather than overall box office tally because indie movies kick off in a handful of theaters while commercial pictures start in thousands of venues.

Jon Burlingame editorEvery Wes Anderson film is filled with musical delights, from offbeat songs to unexpected score cues, and “The French Dispatch” is no exception.Composer Alexandre Desplat and music supervisor Randall Poster are among the first to read any new Anderson script.

Anna Tingley All products and services featured by Variety are independently selected by Variety editors. However, Variety may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.It’s been more than seven years since Wes Anderson has transported viewers to a delightfully eccentric world constructed for the screen.

trailer, “The French Dispatch” ticks off all of these boxes. Set in the fictional French city of Ennui-sur-Blasé, “The French Dispatch” is a collection of stories from the final issue of an American magazine staffed by a colorful cast of expatriate journalists.

The French Dispatch,” when Winkler had an idea for quirky director Wes Anderson.“Here is a true story,” Winkler, 75, told The Post. “We’re standing on a bridge.

The agent of Juventus defender Matthijs De Ligt - Mino Raiola - has held talks with Manchester City about the prospect of the Dutchman making the move to the Premier League.

When Joe Russo recently predicted the arthouse independent box office wouldn’t be coming back, following the damage the pandemic did to the theatrical industry, we didn’t think his prediction would come correct so soon. But when you think about it, his prediction is off.

Marc Malkin Senior Film Awards, Events & Lifestyle EditorJodie Comer was immediately intrigued by “The Last Duel” when she was asked to meet with director Ridley Scott about starring in the period film.In the drama, based on true events and adapted from Eric Jager’s 2004 book “The Last Duel: A True Story of Trial by Combat in Medieval France,” Comer stars as Marguerite de Carrouges, a French noblewoman in the late 1300s who is raped by her husband Jean de Carrouges’ friend Jacques Le Gris (Adam

Jazz Tangcay Artisans EditorComposer Harry Gregson-Williams, costume designer Janty Yates and cinematographer Dariusz Wolski are part of the team Ridley Scott rallies to make a “Ridley Scott” film.