William Earl Variety will honor two-time Academy Award-winning director Asghar Farhadi at the Palm Springs International Film Festival on Friday, Jan.
20.11.2021 - 23:59 / deadline.com
Iranian filmmaker Asghar Farhadi has represented his country in the International Oscar race an impressive five times, winning the coveted prize on two occasions (for The Salesman and A Separation).
His latest feature, the social drama A Hero, is once again a hotly tipped contender for this year’s race. The film, which debuted in Competition at Cannes and won the Jury Grand Prize, stars Amir Jadidi as a man in prison because of a debt he is unable to pay. During a two-day leave, he tries to
William Earl Variety will honor two-time Academy Award-winning director Asghar Farhadi at the Palm Springs International Film Festival on Friday, Jan.
EXCLUSIVE: “That’s how you’re gonna beat ’em, Butch,” says Bruce Willis’ pugilistic character in Pulp Fiction. “They keep underestimating you,” the Quentin Tarantino and Roger Avery penned script adds.
Asghar Farhadi, the Iranian filmmaker with two Best International Film Oscars to his name, has returned with another naturalistic immersion in his homeland: A Hero.
high life in his teen years.The 49-year-old Oscar winner was fired from his job at a movie theater after he was caught selling weed on the premises.“I worked at a movie theater when I was a kid, and I got fired for selling weed out the back door,” Leto told Ellen DeGeneres during Tuesday’s episode of her talk show.
A Hero was the big winner at the 21st Hafez Awards, Iran’s primary national screen awards ceremony. Scroll down for the full list of winners across film and TV.
Dance like nobody is watching! Emma Thompson was spotted getting her groove on during An Audience With Adele, and her moves are already going viral.
It took eight years and a very enticing look book before Lamb co-writer and director Valdimar Jóhannsson got Iceland’s current Oscar entry off the ground.
Starring newcomer Erik Enge, Black Spark Film’s Tigers tells the extraordinary true story of Swedish soccer star Martin Bengtsson, who made his international debut at just 17 years old. In stark contrast to many other sporting movies, which tend to focus on stories of triumph over adversity, Ronnie Sandahl’s movie from Black Spark Film examines the true cost of success in the world of professional football and the pressures that almost cost Bengtsson his life.
Escape From Mogadishu, Korea’s submission to this year’s International Feature Oscar race, tells the harrowing true story of North and South Koreans caught in the middle of a brutal civil war in Somalia in 1991, and how the divided nation worked together to survive the crisis in a foreign land.
The sobering story of Pebbles, about domestic violence in India, is inspired by an incident in filmmaker P.S. Vinothraj’s real-life past, in which his sister was “chased away by her husband” and forced to walk 14 miles whilst cradling her baby in scorching terrain.
Filmed with an international cast speaking French, English and Spanish, and co-written with cinematographer Sara Mishara, Ivan Grbovic’s Drunken Birds begins in urban, crime-infested Mexico and swiftly transports us to the rural farmlands of Quebec, where former drug runner Willy has come in search of a former lover is in hiding from her mobster partner.
Lana Barić joined director Danilo Šerbedžija at Deadline’s Contenders Film: International awards-season event to talk about the taboo-busting Tereza37, Croatia’s official candidate for the International Feature Oscar. The film centers on Barić’s character Tereza, a married woman who decides to sleep with multiple men while trying for a baby.
Filmed in the mountains of Greece — which doubled for the stark, alien landscapes of war-torn Afghanistan — Shariff Korver’s Do Not Hesitate tells the story of three young Dutch soldiers who are left guarding a military vehicle after it breaks down. A chance encounter with a local boy causes tensions in the group, which reach a shocking climax.
Ivan Ikić’s second feature Oasis is representing Serbia in the International Feature Oscar race this year following its buzzy premiere at the Venice Film Festival. The pic explores how a friendship between Marija (Marijana Novakov) and Dragana (Tijana Markovic) is put to the test, as they both develop a crush on Robert (Valentino Zenuni), a fellow resident at an institution for people with disabilities.
Agathe Rousselle is at the center of this year’s Cannes Palme d’Or-winning film Titane, in which she plays a psychopathic serial killer experiencing a bizarre pregnancy—a job one might consider best left to the experienced actor. But, surprisingly, despite more than holding her own in the part, Rousselle is brand new to the game, having been plucked from Instagram to take on the role.
Apichatpong Weerasethakul has long been an ambassador for his native Thailand, but his latest film—the Cannes Competition hit Memoria—was shot entirely in Colombia, which has chosen the film as its 2021 International Feature Oscar entry. Compounding the truly international flavor of the production, it stars the UK’s Tilda Swinton as a Scottish woman named Jessica who is in Bogotá to see her sister when a mysterious noise she hears at daybreak sets her on a mesmerizing journey of self-discovery.
The story of I’m Your Man, Germany’s submission to the International Feature Oscar race, is rife with humanity — even if one of the central characters is a humanoid robot. Inspired by a short story from Emma Braslavsky, the premise sparked for both director Maria Schrader and co-star Dan Stevens, as they told us during a Bleecker Street panel at Deadline’s Contenders Film: International awards-season event.
For director Tatiana Huezo, her debut feature Prayers for the Stolen (Noche de Fuego) was largely a balancing act of telling a coming-of-age story of young girls while also conveying a story of corruption, drugs and human trafficking in the Mexican countryside.
For Finnish director Juho Kuosmanen, it was always an ambition of his to shoot a film on a train as well as a film in Russia. So, when he first read the 2011 novel Compartment No. 6 by Rosa Liksom, he was immediately compelled to take it to the big screen.
At Deadline’s Contenders Film: International award-season event, director Eran Kolirin (The Band’s Visit) explained why he chose to adapt Sayed Kashua’s novel Let It be Morning, the film that has become Israel’s submission into the International Feature Oscar race.