Does Netflix Finally Have the ‘Power’ for the Best Picture Oscar?

Clayton Davis The SAG Awards may have signaled a shift in the Oscar season and the switch of support for the streamers.After landing 12 Oscar nominations, Netflix’s “The Power of the Dog” looked to be the odds-on favorite to win best picture, a prize the streamer has coveted since its historic run for “Roma” (2018). However, the streaming giant went home empty-handed on the film side of the house, just one year after becoming the second studio to garner the most nominations for ensemble with three.Apple Original Films’ “CODA” had a momentous evening, winning cast ensemble and supporting actor for Troy Kotsur, who’s the first deaf actor ever to be nominated and win.

The Association Of Motion Picture Sound, the UK body representing more than 550 professionals in the fields of film, TV and game sound, has responded to AMPAS’s decision to remove the Best Sound Oscar from its live broadcast.

The day has finally come… Britney Spears is going to tell her story!

As Oscar nominees circulate in theaters, exhibitors are studying where and when to play Best Picture contenders during the long run-up from nominations February 8 through the awards March 27, juggling holdovers and new releases. (See this weekend’s specialty box office offerings below).

Clayton Davis The most shocking snub of the Oscar noms was Denis Villeneuve’s omission from the best directing category for his science-fiction epic “Dune.”The film’s 10-nomination haul includes best picture and adapted screenplay, the latter perceived to be its most difficult to attain. Yet, Villeneuve’s lack of recognition for directing could rally widespread support from Academy voters and result in the film tying or surpassing a 50-year record held by “Cabaret” (1972).Bob Fosse’s classic adaptation of the Broadway stage musical set a record at the 45th Academy Awards for the most Oscars received without winning best picture.

Todd Gilchrist The push-pull relationship between an individual developing his or her sense of self and the external forces trying to steer them — be they parental, professional, political or cultural — creates a tension that is common, and formative, to many people’s lives. Despite the wildly different stories that they tell, many of this year’s best picture nominees vividly illustrate this universal conflict, examining the challenge of retaining or asserting one’s identity while the world around them attempts to impose pressure or exert its influence.As perhaps the most fantastical of the nominees, “Dune” sends young Paul Atreides ( Timothée Chalamet) on a journey that owes no small debt to Joseph Campbell’s monomyth, but director and co-writer Denis Villenueve weaves a complex tapestry between the lineage into which the character was born, the overlapping but sometimes dueling ambitions of his mother and father, the feudal aristocracy of the film’s futuristic setting, and the almost primal sense of home and harmony that Paul feels once he arrives on the desert planet of Arrakis.

Is something finally about to give in the long impasse between Cannes and Netflix?

Zack Sharf Denis Villeneuve recently told MovieMaker magazine that he is “deeply pleased” with “Dune” landing 10 Oscar nominations, second only to Jane Campion’s “The Power of the Dog” as the most nominated film at the 94th Academy Awards. While “Dune” broke into the best picture race and landed nominations in every craft category, Villeneuve himself got shut out of the best director race.

Weekend grosses popped higher for Oscar Best Picture nominees led by Licorice Pizza, Belfast and Drive My Car.

Of all the nominees that screened this weekend, the highest grossing one was MGM/United Artists’ “Licorice Pizza,” which grossed $922,500 from 1,977 theaters, its widest release yet. The next best result was Focus Features’ “Belfast” with just $285,000 from 928 theaters, though that film is having much better fortunes in the U.K.

No Spide-Man? No Peace! At least according to director Kevin Smith, who has xpressed his vehement displeasure about the Oscar snub of Spider-Man: No Way Home from the Best Picture Oscar nominees.

here. Based on a short story by Haruki Murakami, “Drive My Car” revolves around Yusuke Kafuku (Hidetoshi Nishijima), a recently widowed theater artist who is offered to direct a production of Chekhov’s “Uncle Vanya” at a theater festival.

In case, you were living under a rock, the 2022 Oscar nominations were announced on Monday, earlier this week. Award nominations can be polarizing, and others get upset for people seen as getting snubbed.

When it comes to awards snubs, Josh Brolin has Denis Villeneuve’s back.

EXCLUSIVE: Veteran producer and executive Michael De Luca was named Chairman of the Film Group at MGM in early 2020, and hired veteran producer and executive Pam Abdy as MGM Motion Picture Group President just a few months later. The iconic studio, which includes Annapurna joint venture United Artists Releasing and a rebooted Orion, on Tuesday scored eight Oscar nominations across such films as No Time To Die, House Of Gucci, Cyrano and Licorice Pizza. The latter nabbed three mentions and also brought the studio its first Best Picture nod for a fully produced, marketed and distributed MGM title since 1988’s Rain Man.

Perhaps the Best Picture race is truly over. When the 2022 Oscar nominations were announced Jane Campion’s “The Power of the Dog” landed 12 nominations including Best Picture, Best Director, Adapted Screenplay, four acting nominations, and Editing.

Beginning with our review coverage all the way back to the 2021 Sundance Film Festival, through Cannes in July, Venice and Telluride in the late summer, and finally to late-breaking holiday-season releases that qualified just under the gun for Oscar eligibility, Deadline has been on the front lines of opinion for this year’s eventual 10 nominees for Oscar Best Picture.

Clayton Davis Streamers, jaw-droppers, Princess Diana and heartbroken Little Monsters sum up the 2022 Oscar nominations.It’s unclear what was more shocking — the snub of Lady Gaga or the over-performance of Netflix’s “The Power of the Dog,” which has put the streaming giant in the best position to nab its first best picture trophy, something its been seeking for years.For the second year in a row, the best actress is completely wide open and turned upside down, even more than last year’s race that had a different winner at all the televised award ceremonies. This year, only Gaga’s turn in “House of Gucci” was nominated at the BAFTA, Critics Choice, Golden Globes and SAG Awards, leaving many to assume that she would be walking away with her first acting Oscar.