Does ‘Ghostbusters: Afterlife’ Box Office Debut Signal a Revival of a Fading Franchise?

J. Kim Murphy administrator20th Century Studios’ “West Side Story” is off to a slow start at the domestic box office.

Endeavor Group Holdings CEO Ari Emanuel dismissed the recently announced acquisition of ICM Partners by CAA as “the type of merger we did 10 years ago.”

Patrick Frater Asia Bureau ChiefAction-adventure film, “Schemes in Antiques” grabbed the top spot at the mainland China box office with a solid $25.6 million debut.It deposed crime comedy “Be Somebody” which had topped the chart for the past three weekends and earned $13.3 million in its fourth weekend, according to data from consultancy Artisan Gateway.

Patrick Frater Asia Bureau Chief“Ghostbusters: Afterlife” crept into the background at the South Korean box office over the weekend, as the top three films remained unchanged.Nationwide aggregate revenue was a lowly $5.06 million as audiences avoided cinemas ahead of new health restrictions.Cinemas, along with bars, restaurants, gyms and museums, are among the high-risk places affected by a new tightening of health measures in Korea, intended to slow the spread of the Omicron variant of the

COVID-addled box office, distributors with top prestige films have been mulling whether to release on several hundred screens or with the traditional four-screen platform strategy. Their decision for Anderson’s latest film was a wise one.With a per screen average of $83,852, “Licorice Pizza” has earned by far the highest average of any release this year, more than triple the $26,889 average that A24’s “C’mon C’mon” earned last weekend from five screens.

Rebecca Rubin Film and Media ReporterPaul Thomas Anderson’s “Licorice Pizza” has secured the best pandemic-era debut at the independent box office.With speciality offerings like “Licorice Pizza,” the key metric is per-theater-average rather than overall box office tally since its playing in very few locations.

SUNDAY AM UPDATE, Refresh for more analysis and chart: Without Paramount’s Top Gun: Maverick in the marketplace, the Thanksgiving box office was much lighter than previous holidays, grossing an estimated $141.3M over 5-days, off 46% from 2019’s pre-pandemic holiday.

Rebecca Rubin Film and Media ReporterDisney has reclaimed its rightful place at the top of Thanksgiving box office charts.

Naman Ramachandran Sony’s comedy sequel “Ghostbusters: Afterlife” debuted atop the U.K. and Ireland box office, collecting £4.3 million ($5.7 million), according to numbers released by Comscore.Disney release ‘Eternals,’ the latest addition to the Marvel Cinematic Universe dropped to second position in its third weekend and collected £1.2 million for a total of £12.8 million.James Bond film “No Time to Die” also dropped a place to third with £940,075.

Refresh for latest…: There was a lot of holdover play this session overseas with one new Hollywood addition in Sony’s Ghostbusters: Afterlife which came in essentially on par with pre-weekend offshore projections at $16M in 31 international box office markets. However, with domestic’s overperformance, the Jason Reitman-directed sequel trapped a better-than-expected $60M global opening. In IMAX, the worldwide start was $4.7M.

Ghostbusters: Afterlife is on top!

Rebecca Rubin Film and Media ReporterThe box office ain’t afraid of no ghosts.“Ghostbusters: Afterlife,” a sequel to the sci-fi comedy classic, collected $44 million in its opening weekend, a better-than-expected result.

Prior to the weekend, projections for the film ranged from $27 million to around $35 million, with Sony projecting on the lower end. Instead, the film has opened closer to the $46 million earned by the “Ghostbusters” reboot in 2016.

back in August as Sony’s “Ghostbusters: Afterlife” is No. 1 with $16.5 million grossed from 4,315 locations and an estimated opening of $40.5 million.

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Jordan Moreau Halloween may be over, but the ghosts are here to stay. “Ghostbusters: Afterlife” picked up $4.5 million in Thursday previews.The spooky Sony sequel is expected to generate a three-day total of around $27-30 million, taking a first-place finish at the domestic box office over fellow releases “King Richard” from Warner Bros.