Do ‘Everything Everywhere,’ ‘Northman’ and ‘Unbearable Weight’ Offer More Action Than Awards Voters Can Handle?

Joe Otterson TV ReporterStephanie Hsu is set for a guest starring role in Disney+ series “American Born Chinese,” Variety has learned exclusively.The role reunites Hsu with previously announced cast member Michelle Yeoh, with whom Hsu starred in the hit film “Everything Everywhere All at Once.”Based on the graphic novel of the same name by Gene Luen Yang, the series follows Jin Wang (Ben Wang), a teenager juggling his high school social life with his immigrant home life. When Jin meets foreign exchange student Wei-Chen (Jim Liu) on the first day of school, their worlds collide as Jin becomes entangled in a battle of Chinese mythological gods.

Angelique Jackson CAA has signed rising star Stephanie Hsu for representation.Already a SAG Award winner for her work as Mei on “The Marvelous Mrs. Maisel,” Hsu has garnered additional acclaim for her breakout performance in “Everything Everywhere All at Once.”In the A24 film by The Daniels’ (Dan Kwan and Daniel Scheinert), Hsu stars as Joy Wang/Jobu Topaki opposite Michelle Yeoh and Jamie Lee Curtis.

EXCLUSIVE: A24 and AGBO’s fantasy hit Everything Everywhere All At Once has been banned in parts of the Middle East, we understand.

Kanye West has been sued by a Texas-based pastor who claims that a track on the rapper’s ‘Donda’ album samples one of his sermons without licence. That copyright infringement, the pastor’s lawsuit stresses, has resulted in a “considerable influx of ill-gotten financial gains and other benefits” for West and his label.Presumably God approves when West includes religious samples within his music, because – you know – it’s free promo, and we all know how much God loves free promo.

Michelle Yeoh is a big Andrew Garfield fan and vice versa.

Everything Everywhere All At Once is a hit!

Rebecca Rubin Film and Media ReporterAt the box office, A24’s genre-bending black comedy “Everything Everywhere All at Once” has become the little indie that could.After six weeks in theaters, the film has grossed $35 million in North America, an impressive sum for an arthouse flick. Those ticket sales are a positive indication that adult audiences will return to the big screen for the right movie, and also a reminder that ticket buyers really love the concept of a multiverse.Directed by Daniel Kwan and Daniel Scheinert, the well-reviewed “Everything Everywhere All at Once” stars Michelle Yeoh as a wife and mother who exists in a multiverse, a term popularized by Marvel comic book adventures like “Spider-Man: Into the Spider-Verse,” “Spider-Man: No Way Home” and the upcoming “Doctor Strange” sequel.

Carson Burton The VFX team on “The Unbearable Weight of Massive Talent” is no stranger to the intensive process of de-aging a known figure such as Nicolas Cage. For the film, the team was tasked to make Cage, who is 58 years old, appear about 20-25 years younger for the character of Nicky Cage. Nicky, Cage’s imagined younger self in the film, aims to keep the character of Nick Cage (with a K) on the road of being an uber-popular celebrity.

The Unbearable Weight Of Massive Talent have revealed that Daniel Day-Lewis was once in line to play Nicolas Cage in the new film.The movie sees Cage play a fictionalised version of himself alongside the likes of Pedro Pascal and Tiffany Haddish, who portray different characters to their actual selves.Writers Tom Gormican and Kevin Etten have opened up about early struggles getting the film made, with Cage initially hesitant to take on the role of playing himself.“We were told that Nick has done these projects before and he’s not wild about Nick as Nick,” Etten recalled to The Hollywood Reporter. “And we weren’t two guys who had a huge body of work that you could point to and be like, ‘No, trust us.’“We knew that we needed to have a real offer to go along with the script.

Ke Huy Quan is back on the big screen in Everything Everywhere All At Once, after a 20 year hiatus from acting.

extraordinary off-screen persona that have transformed Cage into an unwitting walking, talking (and sometimes yelling) meme.The memeification of Cage has in and of itself spurred a Cage-ification of pop culture, and that’s the foundation for Lionsgate’s “The Unbearable Weight of Massive Talent,” which stars Cage as his greatest character yet — himself. Rather, a fictionalized, off-the-wall and sometimes CGI-produced young version of himself. The action-comedy spoof, from director-writer Tom Gormican and executive producer Kevin Etten (who previously collaborated on the short-lived Fox sitcom “Ghosted”), sees Cage — on the edge of bankruptcy — accept a $1 million offer to attend an über-wealthy super-fan’s (Pedro Pascal) birthday party at his agent’s behest (Neil Patrick Harris).

Universal had the most to boast last night at the box office, hitting the 18-34 arthouse demo with Robert Eggers’ Focus Features Viking epic, The Northman, which drew $1.35M last night in previews, and families with Dreamworks Animation’s The Bad Guys, which made $1.15M. 

For a long time, it wasn’t uncommon for distribution bosses to throw shade on each other’s success, but in the case of A24’s Everything Everywhere All at Once, there’s nothing but glee emanating from Hollywood for the New York based indie studio’s success with the Dan Kwan and Daniel Scheinert martial arts fantasy movie.

Vampire’s Kiss and The Wicker Man alongside lesser-known obscurities like 1991’s erotic spectacle Zandalee and 1993’s noir-ish flop Deadfall, the video expertly served up four minutes of Nicolas Cage screaming his gills off. Cage fans and skeptics alike ate it up.That cut inspired other highlight reels — Nicolas Cage laughing, Nicolas Cage being silent — but it also presaged a decade in which Cage was often treated more as meme than human.

enthusiastically agree with this assessment. The riotous comedy is something of a “Cage Your Enthusiasm.” Like Larry David on the long-running HBO series, Cage plays a fictionalized version of himself who can’t do anything right. Nic’s career has plateaued, he’s hundreds of thousands of dollars in debt and his marriage has crumbled — he lives away from his wife (Sharon Horgan) and daughter (Lily Mo Sheen) in the Sunset Towers Hotel and downs whiskey like water. So when his agent (Neil Patrick Harris) gets a $1 million offer for Cage to fly to Mallorca and spend a weekend with a wealthy fan, Javier (Pedro Pascal), the actor has no choice but to hop on a plane to Spain.Soon after arriving, however, he learns that two FBI agents (Tiffany Haddish and Ike Barinholtz) are on the hunt for his Spanish host because they believe he’s kidnapped the daughter of a political candidate.Says Haddish to Cage: “I loved you in ‘Croods 2’!” There are so many delicious cracks at his erratic résumé: “Gone in 60 Seconds,” “Face/Off,” “The Rock,” “National Treasure,” they’re all in here. Pascal — whose sensitive, goofy performance is a surprise — gives an emotional speech about how he and his father were brought together by “Guarding Tess.” Hilarious.

Superstar actor Nicholas Cage is back on the big screen with new meta-comedy The Unbearable Weight of Massive Talent. And this time the cultural phenomenon is starring in the role he was born to play - himself.

Is it truly a marketplace for branded tentpoles and uber low budget fare at the box office as the pandemic eases?

Director Tom Gormican and co-writer Kevin Etten found themselves suddenly out of work when their sitcom “Ghosted” ended up on Fox’s cancellation chopping block. Determined to work together again, the pair began brainstorming ideas for what they could possibly do next.

Andrew Garfield and Tobey Maguire are hanging out!