Ariana Madix isn’t wasting any time turning a hurtful remark into a business opportunity.
26.05.2023 - 15:13 / deadline.com
In less than 10 years, Alice Rohrwacher has carved out a formidable reputation for herself, notably by gatecrashing the boys’ club that is traditionally the Cannes competition, and the fact that she did so in 2014 with only her second film, The Wonders, is further proof of a distinctive talent. One competition slot doesn’t guarantee another, yet Rohrwacher was back in 2018 with the follow-up, Happy as Lazzaro. Both films won prizes — Grand Prix and Best Screenplay, respectively — which means that expectations are high for the Oscar-nominated 41-year-old Italian, whose new film, La chimera, makes it three in a row.
DEADLINE: What can you reveal to us about La chimera?
ALICE ROHRWACHER: Nothing! [Laughs] It’s very difficult to talk about the film when you have not seen it, but I can tell you that it’s the story of a group of grave robbers. We call them tombaroli in Italy, and they do it because some of the world’s most precious artifacts are hidden in Etruscan tombs. The main character is a British archeologist, played by Josh O’Connor, and the title, La chimera, represents what we aim for and can never reach. For some, a chimera is easy money. For other people, it’s a secret goal that cannot be attained so easily.
DEADLINE: Who else do you have starring in the movie?
ROHRWACHER: There’s a very important character played by Isabella Rossellini, an old lady living with the memory of her daughter. And then there’s a young singing student, played by Carol Duarte, a Brazilian actress who learned Italian to play the role, and there’s also a small part played by my sister Alba. But it’s an ensemble with many different roles that are played by local people. Some of them are non-professional actors. Mainly my neighbors [laughs].
Ariana Madix isn’t wasting any time turning a hurtful remark into a business opportunity.
Curzon CEO Philip Knatchbull today said that he plans to leave the company after 17 years in post. He will remain in the role until November when a new CEO is expected to be in place.
Nick Vivarelli International Correspondent Alice Rohrwacher’s “La Chimera,” in which “The Crown” star Josh O’Connor plays a British archeologist named Arthur who gets involved in an international network of stolen Etruscan artifacts during the 1980s, has sold worldwide after premiering positively in Cannes. The Match Factory has inked deals for the film in the U.K. and Ireland (Curzon); Australia and New Zealand (Palace Entertainement); Benelux (September Film); Germany (Piffl Medien); Hong Kong (Edko); Spain (Elastica); South Korea (M&M International); China (Jetsen); Japan (Bitters End); Taiwan (Swallow Wings); Austria (Stadtkino); Baltics (A-One); Bulgaria (Art Fest); CIS (Mauris Film); Czech Republic & Slovakia (Aerofilms); Finland (B-Film); Denmark (Filmbazar); Former Yugoslavia (MCF): Greece (Cinobo); Hungary (Cirko); Middle East and North Africa (Moving Turtle); Poland (Aurora Films); Portugal (Midas); Romania (Independenta); Singapore (Anticipate Pictures); Thailand (Documentary Club); and Ukraine (Arthouse Traffic).
Hunter Ingram Christina Applegate was very intentional about who stood at the podium last November when she received her star on the Hollywood Walk of Fame. Watching from the crowd with her husband and daughter at her side, Applegate heard remarks from her other family — “Married… With Children” co-stars Katey Sagal and David Faustino, and her “Dead to Me” support system, co-star Linda Cardellini and creator/writer Liz Feldman. For Applegate, the foursome represents the full breadth of her 40-year career in Hollywood. “There was no mistake as to who I asked to speak, kind of my beginning and my…,” she hesitates for the moment, editing her thoughts in real time, before she continues, “…my possible end. That was really important to me. It was about where I came from and where I landed.”
Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.
Tamra Judge turned lemons back into an orange. «You know, like a good ex that drops you, they came back,» Tamra cracks of her comeback, two years after producers fired her following a 12-year run on the show. The years she took off proved challenging for ; COVID hit just as season 15 found its footing, forcing filming to shut down.
Even if you haven’t watched CBS’ hit comedy Ghosts, chances are pretty good that you’d recognize Utkarsh Ambudkar — the actor-rapper best known for his breakout role as one of the Treblemakers in Pitch Perfect and as Mindy Kaling’s younger brother in The Mindy Project. But playing Jay Arondekar — the unseeing husband of Rose McIver’s Sam who can see the spirits who live inside their hotel — is his biggest achievement yet, and a job that should keep him busy for a long time. Here, the Maryland native talks about his start in rapping and acting and what’s so brilliant about playing a guy who can’t get spooked by spooky roommates.
Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. “The Idol,” one of the buzziest shows of the summer, hits Max this Sunday, June 4, at 6 p.m. PT.
Carrie goes BOLD!!
Zack Sharf Digital News Director Channing Tatum told Forbes in a recent interview that streaming has made him a little fearful due to the changes in storytelling it has brought onto the industry. The actor has remained committed to the theatrical experience through the pandemic, releasing his feature directorial debut “Dog” in February 2022 to a strong $61 million at the domestic box office. While “Magic Mike’s Last Dance” was originally conceived as an HBO Max premiere, Warner Bros. changed coursed and and opened it exclusively in theaters in February. “The movie industry is just changing so much,” Tatum said. “It’s a different era now and it’s just getting crazier with the streamers. I do fear a little for the storytelling of it all. I think there will be less good storytelling and a lot more product out there.”
Nick Cave has recently revealed that two of his books are currently in the works to become TV series or movies.Speaking to NME as part of a recent “good faith conversation”, Cave shared that the adaptation of his book, The Death Of Bunny Munro, into a TV series was “chugging along”. The adaptation was mooted over a decade ago with the Black Seeds frontman stating he originally wrote the story as a screenplay, but had it published as a novel after it failed to move forward.The Death Of Bunny Munro is a dark and humorous book centred around the life of a sex-addicted cosmetics salesman after his wife commits suicide.Cave had previously mentioned that Actor Ray Winstone was “dying” to play the part of Bunny telling Empire more than a decade ago that: “[Winstone] really loved the script when we first handed it to him.
Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.
Nick Cave has spoken about what to expect from the next Bad Seeds album, and if there’s a chance of more music from Grinderman any time soon.Earlier this year, the Australian musician was criticised by a fan for losing the anger that was present in much of his earlier work.In a post on his blog The Red Hand Files, Cave shared a note from the fan who asked: “When did you become a Hallmark card hippie? Joy, love, peace. Puke! Where’s the rage, anger, hatred?”In response, Cave said the death of his son Arthur was behind the shift in his energy. “Things changed after my first son died,” he wrote.
Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.
Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater. For those keeping score, that ties for the longest of this year’s event with Martin Scorsese’s Killers of the Flower Moon which played out of competition.
Guy Lodge Film Critic In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking. Arthur (Josh O’Connor), the wandering Brit at the center of Alice Rohrwacher’s marvelously supple and sinuous new film, is accustomed to such limbo states. So are admirers of Rohrwacher’s filmmaking, which, in this eccentric, romantic tale of competing grave-robbers in Central Italy, touches the transcendental without diving into the outright fabulism of 2018’s “Happy as Lazzaro.”
A Chimera is something one tries to achieve but alas, never manages to find. It is the heart and soul of a quest in life, in different ways, for the cast of characters in writer/director Alice Rohrwacher’s beautiful new film La Chimera premiering today as one of the last entries in competition at the 2023 Cannes Film Festival. It also happens to be one of the best.
Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.
Editor’s note: Deadline’s It Starts On The Page features 10 standout drama series scripts in 2023 Emmy contention. It showcases the critical role writer’s work plays in a show’s success. All materials (the script and writers intro) were submitted before the WGA strike began on May 2.
Fresh off the debut of “Firebrand,” it appears that acclaimed filmmaker Karim Aïnouz has already lined up his next film, “Rosebushpruning.” And as you might expect, he’s already landed an incredible cast to lead the feature. According to The Match Factory and MUBI, Karim Aïnouz’s next film will be titled “Rosebushpruning,” and it will be a remake of the classic Italian film, “Fists in the Pocket.” Exact details about the plot are unknown, but if it follows ‘Fists,’ which was directed by Marco Bellocchio, the film will tell the story of a family dealing with various medical conditions and the effect it has on their relationships.