Diane Keaton Has Not Watched ‘Father of the Bride’ Remake: I’d ‘Of Course’ Reprise Nina Banks Role

J. Kim Murphy As Nintendo’s Bayonetta 3 closes in on its long-awaited release date of Oct. 28, the video game franchise’s fanbase has been rocked by a statement shared by the series’ original lead voice actor, Hellena Taylor, who shares that she did not return for the new entry after being offered only $4,000 to reprise her role. “The Bayonetta franchise made approximately $450 million. That’s not including merchandise. As an actor, I trained for a total of seven and a half years,” Taylor shared in a statement on her Twitter. “What did they think this was worth? What did they offer to pay me? The final offer to do the whole game — as a buyout, flat rate — was $4,000. This is an insult to me [and] the amount of time that I took to work on my talent and everything I’ve given to this game and to the fans.”

The woman who has voiced Bayonetta through two editions of the video game is claiming on social media that she’s being stabbed in the back when it comes to her fee for part three.

Jon Gosselin is getting called out by the CEO of his daughter’s beauty brand!

Mindy Kaling Michael R. Jackson is, in a word, dazzling. His Broadway musical, “A Strange Loop,” is a breakthrough masterpiece whose plot I won’t describe here because it’s so inventive that my summary wouldn’t do it justice. But what I can say is that it’s a musical about a writer … well, trying to write. The star of “A Strange Loop” is Usher, a “young overweight-to-obese homosexual and/ or gay and/or queer, cisgender male writer,” as he says in his opening song, working to find his way in the world, deciphering the many destructive (and often extremely funny) voices in his head. Watching Michael’s Pulitzer- and Tony Award-winning musical, I felt like someone had shone a light on the creative process of writing in a way it had never been examined before. For years, many neurotic writers have been able to see themselves in the protagonists of Woody Allen movies or Charlie Kaufman’s “Adaptation” or, hell, even “The Shining.” I never completely got it. But I actually identify with Usher, a funny, tortured, pop-culture-fluent brown man trying to impress his parents, discover his voice, vanquish his shame and have sex occasionally. Michael managed to capture all the moments of artistic self-doubt and relentless self-examination and somehow make it joyful, funny and relatable.

Patrick Frater Asia Bureau Chief Japanese director Kawase Naomi will lead the international competition jury of the 44th Cairo International Film Festival (Nov. 13-22). Kawase won the Caméra d’Or for best debut feature film at Cannes for “Moe no Suzaku” (1997) and also won awards there for “Mogari no Mori” (2007) and “Hikari” (2017). In 2000, her film “Hotaru” won the FIPRESCI award at Locarno. Cairo festival president Hussein Fahmy said that Kawase has had a distinguished career and possesses great experience that qualified her to obtain prestigious awards from various international festivals.

Guy Lodge Film Critic Children’s literature loves few things as much as a mighty monster who remains, against all outward appearances, defiantly benign — one who sets out to soothe young nightmares after initially stoking them, ultimately proving that fears and anxieties aren’t limited to little folk. Boris, the cheerfully dorky title character in Ruth Stiles Gannett’s 1948 book “My Father’s Dragon,” is cut from the same soft felt as Frank L. Baum’s Cowardly Lion, Roald Dahl’s Big Friendly Giant or Jill Murphy’s Worst Witch. A would-be flying fire-breather who hasn’t yet found his wings or his flames, he has even more growing up to do than fearful 10-year-old hero Elmer, and their mutual guilelessness sets the tone for Irish animator Nora Twomey’s winningly sweet-natured, visually transporting adaptation.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. In a surprise turn of events, Amazon announced last month that they would be holding a second Prime Day this year. Following the two-day deals event that the retail behemoth holds every summer comes what the site is calling the Prime Early Access Sale, which kicks off on Oct. 11. The event will see much of the same price cuts on products in every category, from apparel and tech to home entertainment and beauty. While the major deals event (Prime Day 2.0, if you will) comes just in time for the holiday shopping craze, it’s also the result of retailers having too much stuff. A record $732 billion of merchandise is sitting in warehouses, which is why brands like Target, J. Crew, Nine West, Brooklinen and dozens more are also having sales this week.

A beloved children’s novel is turned into a charming animation in My Father’s Dragon, which is world premiering at the BFI London Film Festival. Oscar-nominated director Nora Twomey (The Breadwinner) helms a story of childhood friendship based on the 1948 novel by Ruth Stiles Gannett, with animation from Cartoon Saloon (The Secret of Kells, Song of the Sea, Wolfwalkers) and a screenplay by Meg LeFauve (Inside Out). It’s a sweet adventure with appeal for young kids and a starry voice cast including Jacob Tremblay as hero Elmer, and – in one of the film’s more amusing moments – Whoopi Goldberg as a cat. 

Jeff Bridges and Helen Mirren have been listed as just two of the names who will be reading chapters on the audiobook edition of Bob Dylan‘s forthcoming essay collection.The book, The Philosophy of Modern Song, contains over 60 essays written by Dylan about songs by artists such as Stephen Foster, Elvis Costello, Hank Williams and Nina Simone. It is set for release on November 1.Sissy Spacek, Oscar Isaac and Steve Buscemi will also be reading essays written by Dylan.

Near the start of the Roundabout Theatre Company’s Broadway revival of the musical 1776, a cast made entirely of actors who identify as female, transgender and nonbinary, with multiple representations of race and ethnicity, step into the gold-buckled shoes, literally, of the men who would come to be called the founding fathers. We can only imagine how things might turn out differently, both for the musical and in some alternate real-life universe.

An Instagram account leaking explosive voice notes which allegedly Ferne McCann has returned to the app, just days after it was shut down. Formerly posting with the handle lucymay195, the account, which has over 31k followers, is back with the name @ladywhistledown195, in a nod to the fictional whistleblower in the hit Netflix series, Bridgerton.

EJ Panaligan editor Warner Bros. Discovery has announced the finalists for its Warner Bros. Discovery Access Music Supervisor program, which gives creative voices from historically underrepresented communities the training and tools to gain experience in television and film music supervision. The six selected participants, Mjeema Pickett, Tiffany Gouché, A.D. Johnson, Matthew Wang, Nikki Marshall and Willy Rodriguez, will participate in a curriculum developed by an advisory board of music supervisors Paul Broucek, President of Music, Warner Bros. Pictures; Bronwyn Savasta, SVP, Music, Warner Bros. Television; and Evyen Klean, Founder, Neophonic. The cohort will learn about production, IP management, publishing, soundtracks, deal negotiation in addition to music masters, record labels, research, clearance and licensing. The program will also allow participants to gain hands-on training in an experience that will assist in their future career goals in entertainment. After completing a string of Masterclasses, the cohort will be able to shadow a WBD music supervisor on a show or feature, through a partnership with HBO, HBO Max, WBTV and Warner Bros. Pictures.

Iranian authorities appear to be following through with threats to “deal” with celebrities publicly voicing support for the wave of anti-government protests that have swept Iran following the death of 22-year-old Mahsa Amini in the custody of morality police earlier this month.

EXCLUSIVE: Husslup, a venture-backed mobile app focused on connecting creatives to each other and to the companies that need to staff them, has launched a bimonthly series of table reads designed to promote scripts from emerging writers.

recreate his voice for future projects, Trevor Noah couldn’t help but imagine what it would sound like if someone else took on the iconic voice role during Monday’s episode of “The Daily Show.”Before jumping into the impressions, he joked: “You see? ‘The Little Mermaid becomes Black and they take away James Earl Jones! I told you there would be backlash!”“I’m joking,” he continued, adding that he was “a little nervous” about the idea that artificial intelligence would be used to keep using Jones’ voice for the part.“We think A.I. is going to take over the world, and now we’re going to teach it to use the dark side of the Force? No one thinks this is a bad idea?” he said.But, he had to admit that A.I.