Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527.
06.08.2022 - 11:09 / deadline.com
Daisy Edgar-Jones picked up Locarno’s Leopard Club acting award Friday evening — the latest honour of her short career. Despite her early success, however, Edgar-Jones says she’s keen to reshape her career and shake her perception in the industry.
“I play a lot of gentle and quiet nice people, but I’d like to play characters that are very different from me. I’d like to transform and pick characters that aren’t my obvious casting,” she told Deadline, adding that she’d like to try her hand as a villain.
Edgar-Jones — who accepted the award at the festival’s Piazza Square — is best known for her performance as Marianne in Normal People, Hulu’s popular series adaptation of Sally Rooney’s critically acclaimed, bestselling novel. Most recently, she starred in Sony’s Where the Crawdads Sing, which is also showing at Locarno.
Directed by Olivia Newman, Where the Crawdads Sing is set in the mid-20th century South and follows the story of a young woman named Kya (Edgar-Jones) who raises herself in the marshes outside of her small town after being abandoned by her family. When Kya’s former boyfriend is found dead, she is thrust into the spotlight and is immediately assumed by local townspeople and law enforcement to have been behind the murder. The film was adapted from the novel of the same name by Delia Owens and produced by Reese Witherspoon under her Hello Sunshine label.
Speaking about the film’s release, Edgar-Jones said: “It feels really exciting to be a part of a film that isn’t this big, massive action sequence or a superhero film. And I think it’s also important to prove that there is an audience out there for this type of film, which is quieter, female-led, and a character study.”
Crawdads had an impressive $17 million
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527.
Wise men say only fools predict that adult films don’t work at the pandemic box office, however, older moviegoers kept falling in love with Warner Bros.’ Elvis this summer to the point where it’s now director Baz Luhrmann’s highest grossing movie ever of his career in U.S./Canada with $144.851M, beating the original run of his 2013 title, The Great Gatsby, which made $144.84M.
With no new wide Hollywood tentpole releases until October, we’re in a period of holdovers, and local titles excelling in their home markets (and beyond), while Top Gun: Maverick continues to soar and there’s a will it or won’t it question mark over Jurassic World Dominion‘s shot at getting to $1B global.
Patrick Frater Asia Bureau Chief“Hunt,” the period political thriller directed by “Squid Game” star Lee Jung-jae, held top spot at the South Korea box office for the second weekend. “Nope” was the highest opener, landing in third spot.“Hunt,” made $5.68 million over the weekend, down 35% compared with its opening score a week earlier.
The Picturehouse release of National Geographic Documentary Films The Territory grossed a solid $26.4K in six markets (eight screens) for a PSA of $3,308 with its climate change message attracting a broader than typical age range for a theatrical doc, especially lately, according to Picturehouse CEO Bob Berney.
Daisy Edgar Jones brings her new movie, Where The Crawdads Sing, to the Kulturbrauerei for its latest premiere event in Berlin, Germany, on Wednesday night (August 10).
Rebecca Rubin Film and Media ReporterJordan Peele’s latest nightmare, “Nope,” has crossed $100 million at the domestic box office, marking the director’s third feature film (out of three) to achieve that benchmark.After three weeks on the big screen, the film’s North American tally stands at $100.32 million.“Nope” — starring Daniel Kaluuya and Keke Palmer as siblings who discover something spooky hovering around their family’s ranch — is one of the few original movies to cross the $100 million mark in pandemic times. When it comes to movies that aren’t based on existing brands or franchises, only director Baz Luhrmann’s musical biopic “Elvis” ($137 million) and the Sandra Bullock-led romantic comedy “The Lost City” ($105 million) have surpassed the coveted threshold in 2022.
A24’s Bodies Bodies Bodies hit theaters with the highest per-screen average this weekend in a limited opening, and the second best of the year. That record was set last spring with Everything Everywhere All at Once as this indie distributor piles up successes.
Brent Lang Executive Editor of Film and Media“Bullet Train,” a hyperviolent action thriller with Brad Pitt providing the propulsion, racked up $32.4 million at the international box office.The Sony Pictures release, which carries a hefty $90 million budget, has earned $62.5 million worldwide over its opening weekend. The studio says that those results indicate the film in on pace to match hits such as “Murder on the Orient Express” and “Kingsman: The Secret Service.” Pitt’s latest effort was available in 73% of the international market or more than 15,900 screens. It was the top-grossing global release of the weekend.“Bullet Train,” a star-studded film about battling assassins, performed best in the U.K., where it had a 5-day total of $3.5 million, followed by France with $3.1 million and Mexico with $3 million.
Refresh for latest…: Coming in just slightly ahead of pre-weekend projections, Sony’s Bullet Train pulled into 57 overseas markets for a $32.4M international box office launch. When including the domestic start, the global debut is $62.5M.
Marta Balaga One of the breakout stars of the pandemic, Daisy Edgar-Jones, was finally out and about at Locarno Film Festival, where she picked up the Leopard Club Award and introduced her latest film “Where the Crawdads Sing,” based on a novel by Delia Owens.“The whole idea of being a ‘breakout star’ is a strange thing to comprehend anyway. The strangeness of that, happening in tandem with the strangeness of the pandemic, meant that those things will be forever mixed up together for me,” she tells Variety, recalling “Normal People’s” triumphant unveiling during the lockdown.“In reality, nothing in my life was changing.
The Post called “a sexy, bloody crime comedy — is already projected to enjoy a $30 million weekend debut, according to Variety.“DC League of Super-Pets,” which opened on July 29, was dogged down to second place, raking in $3.35 million — a stark departure from the $9.3 million it earned the night it hit theaters. The animated Warner Bros.
Daisy Edgar-Jones adds some chic fringe to her look while being honored at the 2022 Locarno Film Festival on Friday (August 5) in Locarno, Switzerland.
according to The Hollywood Reporter.“Nope,” the Jordan Peele sci-fi horror film came in second place, taking home $5.8 million. The film dropped 70 percent in sales since Friday, and earned over $5.84 million in the eight days since its release, according to Forbes.“Thor: Love and Thunder” is getting less love this week, coming in third with a little over $3.75 million in sales.
wildly popular murder-mystery book, Where the Crawdads Sing, is now a Reese Witherspoon-produced movie starring Daisy Edgar-Jones and David Strathairn.WATCH: Where The Crawdads Sing - Official TrailerBut as the film hit cinemas this month, there came another stunning twist to the author’s remarkable life.A Zambian official revealed that the 73-year-old retired scientist and conservationist, her ex-husband Mark, and Mark’s son Christopher were all wanted for questioning over an alleged murder in Zambia in 1995 – which was caught on camera.The author is not in any way suspected of involvement in the incident, and there have been no charges laid in the case. Through their lawyers, Mark and Christopher have always denied any wrongdoing.However, the director of public prosecutions in Zambia, Lillian Shawa-Siyuni, told The Atlantic, “They are all wanted for questioning in this case, including Delia Owens.”Delia Owens, author of wildly popular murder-mystery book, Where the Crawdads Sing.The alleged murder was shockingly televised to a nationwide audience in 1996.
Broadway box office held steady last week, with most productions keeping pace, for better or worse, with their recent trends. In all, the 25 shows took in a total $29,531,601 for the week ending July 24, up about 2% from the previous week.