Cynthia Weil, Co-Writer of ‘You’ve Lost That Lovin’ Feeling,’ ‘Make Your Own Kind of Music,’ On Broadway’ and More, Dies at 82

Zack Sharf Digital News Director In the upcoming comedy “No Hard Feelings,” Jennifer Lawrence plays a down-on-her-luck Uber driver who accepts a job trying to seduce a 19-year-old whose helicopter parents don’t want him heading off to college as a virgin. The task of playing the Oscar winner’s male lead in a raunchy R-rated comedy fell to Andrew Barth Feldman, best known until now for his stint on Broadway in “Dear Evan Hanson.” Feldman was already a student at Harvard University when the offer to join Lawrence in “No Hard Feelings” was made. “I mean, when Andrew left his audition, the door closed and we all looked at each other and we were like, ‘That’s our — that’s Percy,”” Lawrence recently told Entertainment Tonight. “Then they were like there’s one complication, he’s supposed to go to Harvard, and we were like, ‘Is that a joke?’ He was fully the character, so I called him and said, ‘Andrew, I have really bad news you’re not gonna be able to finish your semester at Harvard.’ He’s gonna have to defer, or whatever college school words are.”

Jem Aswad Executive Editor, Music Grammy-winning Songwriters Hall of Fame member Cynthia Weil — who co-wrote “You’ve Lost That Lovin’ Feeling,” “On Broadway,” “Make Your Own Kind of Music,” “Walking in the Rain,” “You’re My Soul and Inspiration,” “Uptown,” “He’s So Shy,” “Kicks,” “Here You Come Again,” “Through the Fire,” “Somewhere Out There” and many other hits, mostly with her husband and Brill Building colleague Barry Mann — died earlier this month at the age of 82. She was one of the top “Brill Building” songwriters that came out of the Midtown Manhattan building of the same name (although much of the work actually was done a couple of blocks uptown at 1650 Broadway) and spawned literally hundreds of hits throughout the 1960s for the Righteous Brothers, the Ronettes, the Drifters, the Monkees, the Animals, multiple Phil Spector productions and many others. Along with Mann — to whom Weil was married for some 62 years — the coterie included another young married couple, Carole King and the late Gerry Goffin.

Meghan McCain — a self-proclaimed «reality TV aficionado» — is offering her hot take on ' Scandoval fallout. In her column for, McCain speaks out on the vitriol hurled at Raquel Leviss by her castmates during a reunion episode of the show. The taping, which took place in March and aired earlier this month, marked the first time Leviss had come face to face with the group since news broke of her affair with Tom Sandoval. The secret romance occurred while Sandoval was still involved in a nearly decade-long relationship with co-star Ariana Madix. «This was TV gold.

Scarlett Johansson is revealing that there were 2 roles she auditioned for that she didn’t get that made her rethink if she wanted to continue pursuing a career in Hollywood.

New plays by Pulitzer Prize-winning Paula Vogel and Obie-winning Branden Jacobs-Jenkins will be among the Broadway offering of the Second Stage Theater 2023-24 season, the company announced today.

Luke Bryan got real about his work-life balance struggles — and pressures — after finishing season 21 of American Idol ahead of his nationwide tour.

Jem Aswad Senior Music Editor Veteran music writer Scott Schinder, who wrote for virtually every major music publication over the course of a three-decade-plus-long career, has died after a long illness, his friend Randy Haecker confirms to Variety. Schinder’s work can be read in Rolling Stone, Entertainment Weekly, Billboard, Time Out New York, the Austin Chronicle, Please Kill Me, Creem, Musician, Newsday, Stereophile, Musician, Tower Pulse, New Musical Express, Melody Maker, Texas Music, SXSWorld and probably many others. No cause of death has been announced; he was 61. A native of Long Island and a longtime New York resident, Schinder was a ubiquitous presence on the city’s music scene, where, beginning in the 1980s, he could be found most nights of the week at CBGB, Irving Plaza, Maxwells, Under Acme, Brownies and multiple other venues of the era. Indeed, the photo on his author page at Please Kill Me could have been taken at one of dozens of different venues in the city on any of a couple thousand evenings (it was actually taken at CBGB circa early 1990s).

Will Swenson hit the stage for a performance from his Broadway musical A Beautiful Noise at the 2023 Tony Awards!

Chris Willman Senior Music Writer and Chief Music Critic Jason Isbell has a new album out, “Weathervanes,” and he says, “I’m happy to be talking about it. You know, I’ve been talking about a lot of other stuff lately, and it’s nice to actually discuss the job that I chose for myself.” Nothing against the Other Stuff on his part, mind you. He’s proud of the much-heralded HBO Max documentary that director Sam Jones made about him, “Jason Isbell: Running With Our Eyes Closed,” even if it did open him and his wife, Amanda Shires, up to a huge amount amount of personal scrutiny. And he’ll sure be spending an even bigger part of the year than he is now talking about his dramatic role in Martin Scorsese’s “Killers of the Flower Moon,” which he now feels confident did not leave him in the position of “be(ing) the one guy that screws up this $200 million movie.”

This story about “Weird: The Al Yankovic Story” first appeared in the Limited Series/Movies issue of TheWrap’s awards magazine.Opening night of last year’s Toronto International Film Festival culminated with one of the wackiest and, yes, weirdest screenings imaginable. Premiering at midnight, Roku’s “Weird: The Al Yankovic Story”left a capacity TIFF audience in stitches at the almost wholly fictional saga of young Al’s rise from a kid whose passion for accordions and Hawaiian shirts shamed his parents to a global superstar who found time to romance Madonna and take down a Colombian drug cartel.The film was inspired by a Funny or Die video that director Eric Appel made in 2009, parodying rock biopics in the same way that Yankovic’s songs (“I Love Rocky Road,” “Another One Rides the Bus,” “Eat It,” “Like a Surgeon,” “Amish Paradise”) gleefully distort rock hits.

A restaurant owner said his heart broke after a mum and her four children ordered something to eat during the school holidays.

Music lovers, unite! The iHeartRadio Music Festival is back for 2023 — and it’s gearing up to be a weekend of epic proportions.

Christine Brown is excited to make her new home with fiancé David Woolley a place for her whole family. The 51-year-old star took fans on a tour of her new deck and backyard on Monday, showing off the impressive view and sharing her plans.Noting that the home originally had a smaller deck, the TLC star said, «Now it's huge!» as the impressive mountain backdrop was clearly visible.Christine captioned the video, «I’m getting my backyard ready for grandkids to come play.»With the help of her daughters, Christine took her followers down to the yard where they had a hot tub and plans to install a playground for the grandkids, a trampoline, and a fire pit.

Cynthia Weil, a Grammy-winning lyricist of notable range and endurance who enjoyed a decades-long partnership with husband Barry Mann and helped write “You’ve Lost That Lovin’ Feeling”, “On Broadway”, “Walking in the Rain” and dozens of other hits, has died at age 82.

Cynthia Weil, who teamed with husband Barry Mann to write such pop classics as “You’ve Lost That Lovin’ Feelin’,” “On Broadway,” “We Gotta Get Out of This Place” and dozens of other hits for the likes of the Drifters, the Ronettes, Dolly Parton and B.J. Thomas, died Thursday. She was 82.

statement to TMZ. “My mother, Cynthia Weil, was the greatest mother, grandmother and wife our family could ever ask for,” she wrote.

Cynthia Weil, the iconic songwriter behind such hits as “You’ve Lost That Loving Feelin’” and “On Broadway,” has sadly passed away at the age of 82.

A version of this story about “Jason Isbell: Running With Our Eyes Closed” first appeared in the Race Begins issue of TheWrap’s Emmy magazine.The latest installment in the HBO Max Music Box series created by Bill Simmons, “Jason Isbell: Running With Our Eyes Closed” finds director Sam Jones (“Tony Hawk: Until the Wheels Fall Off,” “I Am Trying to Break Your Heart: A Film About Wilco”) following the writing and recording of singer Jason Isbell’s 2020 album “Reunions.” But the film is about far more than one of the gifted musician and writer’s best albums, delving into his self-destructive days with drugs and alcohol and his marriage to fellow singer Amanda Shires, a charged creative and personal partnership that nearly fell apart while Jones’ cameras were rolling.Sam, why a film about Jason Isbell?Sam Jones: He was on my interview show (“Off Camera With Sam Jones”), and once I chatted with him, I felt like not only did he have an interesting story, but he was good at telling it. So I flew to Nashville and I asked him a couple hours before he went on stage at the Ryman.

Jem Aswad Senior Music Editor Grace Jones was one of the most iconic artists of the early ‘80s, with a boldly androgynous and prescient image and string of brilliant albums with a pioneering sound and expertly curated covers that fused R&B, new wave and reggae into a fusion that has been echoed everywhere from Rihanna to Massive Attack and beyond. Now 75, she’s continued performing but hasn’t released an album since 2008, and seemed to drop below the radar for all but her fanbase, influencees and the LGBTQ and Pitchfork audiences until the past few years, when the brilliance of her “Warm Leatherette,” “Nightclubbing” and “Living My Life” albums became even more undeniable. Yet even fans who’d seen her shows in the past probably were not prepared for the eye-popping, mind-blowing concert she staged as part of Blue Note Jazz Festival at New York’s Hammerstein Ballroom on Wednesday night, which mere words cannot do justice. At 75, her always-deep voice sounds as great as ever, her outfits and staging are as provocative as ever, and she could give Mick Jagger a literal run for his money in terms of fitness and dexterity at a certain age. Best of all, for all her hauteur, diva-tude and icon status, she never takes herself too seriously and every outfit, headdress, and staging touch had an undercurrent of humor that’s sadly lacking in most artists — and her stage banter is absolutely hilarious, although the humor often lay less in what she was saying than the way she said it (although lines like “Why do you need a dick if you’ve got a dildo?” land in a multitude of contexts).

Scott Disick discussed the details of his harrowing car accident while filming season 3 of The Kardashians.