Carey Mulligan and Zoe Kazan are stepping out for a screening of their new movie at the 2022 New York Film Festival.
27.09.2022 - 21:27 / etonline.com
.ET exclusively debuts the trailer for the upcoming horror-comedy, which stars Nicole Byer, Harvey Guillén, Jessica Lowe, and Andrew Lewis Caldwell as a group of 30-something childhood besties who wake up on Halloween to realize that their future-predicting game of M.A.S.H. (Mansion-Apartment-Shack-House, for those who didn't grow up playing) from 2002 is starting to come true for them in hilarious and disturbing ways.From Byer's character's wish to have the world's longest fingernails — and marry *NSYNC's Joey Fatone! — to having 100 kids with the hometown loser, to leading a cult, there's plenty of madness in store for the four friends, not to mention hilarious cameos from stars like James Austin Johnson, Nikki Glaser, Kathy Griffin, Nicole Richie, Ken Marino, and Rob Riggle.Check out the full trailer below: premieres Saturday, Oct.
8 at 8 p.m. PT/ET on Comedy Central.
Carey Mulligan and Zoe Kazan are stepping out for a screening of their new movie at the 2022 New York Film Festival.
The English,” starring Emily Blunt and Chaske Spencer. All six episodes of the limited series will premiere on November 11 exclusively in the U.S., Canada, Australia, New Zealand, and the Nordics on Prime Video, following its November 10 UK premiere on BBC Two and BBC iPlayer. The series is created by Hugo Blick, who also serves as an executive producer, director and writer. The series follows aristocratic Englishwoman Lady Cornelia Locke, played by Blunt, and a Pawnee ex-cavalry scout named Eli Whipp, played by Spencer. They come together in 1890 middle America to cross a violent landscape built on dreams and blood.
Outlander has revealed some major casting shake ups ahead of the new season, and Caitriona Balfe has started the welcome wagon for the actors.
Dragula is nearly here!
Michaela Zee editor President Joe Biden’s turbulent first year in office is the focus of HBO’s forthcoming documentary, “Year One: A Political Odyssey.” In the trailer, which Variety can exclusively reveal, the documentary chronicles Biden’s first year as president, from his inauguration in 2021 to the State of the Union speech in March. Directed by Emmy-winning filmmaker John Maggio, “Year One” explores the dynamics of the President’s inner circle, featuring archival news footage and insider interviews with secretary of state Antony Blinken, national security advisor Jake Sullivan, secretary of defense Lloyd Austin, CIA director William Burns and White House chief of staff Ron Klain, among other members of Biden’s cabinet.
It’s almost time to deck the halls!
Can a friendship survive anything? Two friends are about to test the limits in “I’m Totally Fine.” The film may start with a central character’s journey through loss, but it quickly establishes itself as a quirky comedy. Actor and producer Kyle Newacheck spoke about the influences surrounding the project — namely, its connections to powerlessness during a raging pandemic.
Steve Burns is making a big return in Blue’s Big City Adventure movie, set to debut on Paramount+.
Chinonye Chukwu was certain of two things setting out to tell the story of a loving and lovely 14-year-old boy lynched in 1955 Mississippi for whistling at a white woman. First, the story had to be told from the perspective of Mamie, the mother of Emmett Till. “We had to follow closely her emotional journey. For without Mamie, the world, we, would not have known who Emmett Till was.”
Joel Edgerton and Sigourney Weaver are stepping out to promote their new movie.
EXCLUSIVE: Barbara Broccoli, one of the teams of producers behind the powerhouse film Till, about the extraordinary efforts of Maimie Till Mobley to find justice after the lynching of her 14-year-old son Emmett Louis Till, for whistling at Carolyn Bryant, a white woman, by white supremacists in Mississippi in 1955, told Deadline, that audiences must seek out the movie: ”This is not a time for us to look away.”
Antonio Ferme editor Long before “Marriage Story” writer-director Noah Baumbach was attached to Netflix’s “White Noise,” several filmmakers mounted attempts to adapt the notoriously “unfilmable” novel of the same name written by Don DeLillo. Variety reported in 2004 that “The Addams Family” director Barry Sonnenfeld was on board to direct the film, known as his “longtime passion project.” The torch was then handed off to Michael Almereyda, best known for his 2000 film “Hamlet” starring Ethan Hawke, after Uri Singer acquired the rights to DeLillo’s novel. Baumbach’s “White Noise” served as the opening night screening for the 60th annual New York Film Festival on Friday, making its North American debut after a divisive premiere at the Venice Film Festival. The director told Variety on the red carpet that he didn’t give a second thought to the idea that his film’s source material was unadaptable.
Andrew Barker Senior Features Writer In September 1963, the first ever New York Film Festival was held in Manhattan’s Lincoln Center, and it counted as something of an experiment, an early test case as to whether the sort of serious, artistically inclined fests that were quickly becoming established in Europe could find real purchase stateside. The inaugural lineup included Luis Buñuel’s “Exterminating Angel,” Roman Polanski’s debut, “Knife in the Water,” and Yasujirō Ozu’s swan song “An Autumn Afternoon.” According to a Film Comment report at the time, the inaugural fest sold more than 20,000 tickets before a single film had unspooled. Not bad for a first time out.
Dennis Lim, the artistic director of the New York Film Festival, has a confession.
Arctic Monkeys were the latest musical guests on The Tonight Show Starring Jimmy Fallon, where the band brought ‘Body Paint’ – the latest preview of their forthcoming seventh studio album ‘The Car’.The band’s Fallon appearance was filmed while the band were in New York to play an intimate “phone-free” concert at the 3,000-capacity Kings Theatre in Brooklyn.Alex Turner and co’s live rendition elevates all the glitzy, slow-burning slickness of the studio version – which arrived on Thursday (September 29), following lead single ‘There’d Better Be a Mirrorball’ in August. Watch below:In a four-star review of ‘Body Paint’, NME described the second preview of ‘The Car’ as “an ambitious, swaggering rock ballad” that proves “the band have no issue creating something otherworldly, even when the subject matter is far closer to earth.”‘The Car’, which will follow on from the band’s 2018 album ‘Tranquility Base Hotel & Casino’, is set to arrive on October 21 via Domino.
is back with its 11th installment in FX’s long-running horror anthology series, which is officially dubbed and will debut mid-October. Presumably leaning into the queer esthetic teased by leaked photos of the production, the newest season also stars an all-star LGBTQ cast, including Joe Mantello, Zachary Quinto, Russell Tovey, Charlie Carver, Isaac Powell and Denis O’Hare. Rounding out this year’s ensemble are Billie Lourd, Leslie Grossman, Sandra Bernhard and Patti LuPone. For those keeping track, marks the return of alums Quinto, Powell, LuPone, Lourd, Grossman and Bernhard, while the rest are newcomers to the franchise despite having previously worked with co-creator Ryan Murphy.While few details are known about the new season, FX chairman John Landgraf told that season 11 would go back to being one story after last year’s Double Feature. “It actually takes place in different timelines but it’s one subject, one story, with a beginning, middle and an end, like many of the prior stories,” he said. Sadly, for fans of the series, longtime recurring players Sarah Paulson and Evan Peters appear not to have roles in season 11.
True-crime films are all the rage nowadays. Thanks to streamers like Netflix, Hulu, Amazon, and the rest, film and TV libraries are filled to the brim with docuseries and narrative projects about real-life criminal activity.
As we are seeing this film festival season return to what we all knew and loved pre-pandemic, we are so excited to have one of the longest-running U.S.-based film festivals return for its 60th year (yes, 60!!).