Creedence Clearwater Revival’s Spellbinding Royal Albert Hall Concert Finally Sees the Light of Day: Album Review

Manori Ravindran International Editor The tear-stricken faces peering up adoringly at James Bond producer Michael G. Wilson, seated in the royal box at Royal Albert Hall, during a lengthy standing ovation at “The Sound of 007” concert said it all: It’s not just movie music — the music, for this franchise at least, is the movie. Tuesday’s charity event at London’s grandest venue preceded the Oct. 5 release of feature documentary “The Sound of 007” on Amazon’s Prime Video (the streamer’s top executives for Europe were, unsurprisingly, in the box next to the Bond guardians), and didn’t hesitate to remind both Bond novices and grizzled veterans that the franchise is virtually synonymous with some of cinema’s most iconic tracks.

Jem Aswad Senior Music Editor Back in the day (“the day” being the 1990s), Pavement became so typecast as a cliché-lambasting, anti-rock band that they never really got credit for what a great rock band they were — and, as their ongoing 30th-ish anniversary tour shows, still are. The stereotypical scrawny, bookish, indie vibe and image of the group’s early records had become so cemented that few seemed to notice how tight and accomplished they became after drummer Steve West joined the group in 1993. Although they always downplayed their ability to “rock out” and still do, when the band locks in on hypnotic grooves while singer-guitarist Stephen Malkmus plays solos with a Lou Reed-ish combination of soaring melodies and brittle squall (usually finishing with some self-mocking gesture), they can hold their own with virtually any rock band. On their later albums, that seasoning carried over to their songwriting, as Malkmus’ almost run-on melodies were delivered in a cleaner, sharper manner, as if he were no longer quite so embarrassed by how pretty or catchy they can be.

Jem Aswad Senior Music Editor Drake, arguably the biggest rapper in the world, will play a special concert at the legenday Apollo Theater in New York’s Harlem neighborhood that will be broadcast on SiriusXM, he and the network announced on Tuesday. Details on the show were slim — “Drake will perform at the world-famous Apollo Theater in New York. The exclusive SiriusXM concert marks the first time that Drake will perform at the iconic theater,” the announcement reads — but the concert will be the latest in a long series of special, intimate gigs the network has staged at the 1,500-capacity venue. Fans should head here to score tickets, but act fast.

Jem Aswad Senior Music Editor Jack Harlow Partners With American Express to Present ‘Louisville by Jack Harlow’ Jack Harlow has partnered with American Express to present “Louisville by Jack Harlow,” a special concert taking place at Brooklyn Steel in Brooklyn, New York on Wednesday, October 12. According to the announcement, the show, which is part of the company’s Member Week and is exclusively for card members, “will transport fans deep into Harlow’s world, paying homage to the rapper’s hometown of Louisville, KY and give fans an up-close-and-personal taste of Harlow’s favorite small businesses, artists, and restaurants.”
 The show will be livestreamed on Amazon Music’s Twitch channel and Card Members will have exclusive access to a custom merchandise collection from Louisville illustrator, Bri Bowers, known for her depictions of Louisville’s neighborhoods & landmarks. Her “Jack Harlow x American Express” collection will be sold IRL and online; all other merch items will be sold online.

Jem Aswad Senior Music Editor Two decades ago, as the turn-of-the-century NYC indie-rock scene burst out of its East Village and Williamsburg incubators, few probably expected that the Yeah Yeah Yeahs would end up having the most wide-ranging career of the bunch. After all, a trio consisting of a wiz-kid guitarist, powerhouse drummer and a fireball lead singer might have made for explosive shows and a scrappy, deceptively diverse debut EP, but with no shade intended to the Strokes, Interpol, LCD Soundsystem, TV on the Radio and all the others, the multiple musical directions the band would go did not seem to be in the cards. The Yeahs had the first hit single of the pack (2003’s “Maps”) and varied their approach with each successive album, peaking with 2009’s unexpectedly electronic-heavy “It’s Blitz.” That album represented the end of that particular thread: The group released one more, rockier album “Mosquito” in 2013 (which, significantly, fulfilled their major-label contract) and then basically went on hiatus. In the years since, singer Karen O released a stellar collaboration with Danger Mouse, “Lux Prima” and co-composed the score for the animated film “Where Is Anne Frank?,” guitarist Nick Zinner also scored films and worked with Phoebe Bridgers and Songhoy Blues, and drummer Brian Chase started his own label. Such hiatuses are often permanent, but the group reunited for a tour in 2017, and five years and a pandemic later, there’s finally a reunion album — and it continues the group’s evolution with a powerful, more seasoned take on their earlier sounds.

Willie J Healey has shared details of his upcoming third album, ‘Bunny’ along with new single Dreams – check it out below.The follow up to 2020’s ‘Twin Heavy‘ will be released on March 24, 2023 via Yala! Records and marks a significant change in sound for the Oxfordshire singer-songwriter. While ‘Twin Heavy’ was an album Healey himself described as sounding like “a 70s orgy”, ‘Bunny’ takes inspiration from funk, Philadelphia soul and R&B.“The whole era is something that I love,” said Healey. “Long before making ‘Twin Heavy’, I had always listened to funk, soul and R&B, but for some reason it never translated into my own music.

Jem Aswad Senior Music Editor Phil Collins and his Genesis bandmates Tony Banks and Mike Rutherford have agreed to sell their publishing copyrights and “a mix of recorded music-income streams” to Concord Music Group, the company confirmed to the Wall Street Journal on Thursday. Sources told the publication the deal was for upward of $300 million. The deal includes the solo material of all three, most notably Collins’ multiplatinum solo albums and Rutherford’s band Mike & the Mechanics, which achieved chart success in the 1980s. The catalogs of Peter Gabriel and other former members of Genesis were not included in the deal. A rep for Concord tells Variety an official announcement will be made Friday morning.

Jem Aswad Senior Music Editor With lead vocals by Springsteen, “Only The Strong Survive” features songs from the catalogs of Motown and Stax Records, the songwriting duo of Gamble and Huff and more. This album, Springsteen’s 21st studio outing, will also feature guest vocals by soul great Sam Moore, as well as contributions from the E Street Horns, string arrangements by Rob Mathes, and backing vocals by Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Dennis Collins and Fonzi Thornton. Bruce Springsteen commented: “I wanted to make an album where I just sang. And what better music to work with than the great American songbook of the Sixties and Seventies? I’ve taken my inspiration from Levi Stubbs, David Ruffin, Jimmy Ruffin, the Iceman Jerry Butler, Diana Ross, Dobie Gray, and Scott Walker, among many others. I’ve tried to do justice to them all—and to the fabulous writers of this glorious music. My goal is for the modern audience to experience its beauty and joy, just as I have since I first heard it. I hope you love listening to it as much as I loved making it.”

Jem Aswad Senior Music Editor In a telling example of the state of the touring industry in 2022, indie artist Santigold has canceled her upcoming North American tour, citing the “devastating” costs due to inflation, soaring costs and the glut of artists on the road after pandemic restrictions lifted early this year.  “As a touring musician, I don’t think anyone anticipated the new reality that awaited us,” she wrote in a long and impassioned post on Instagram. “After sitting idle (not being able to do shows) for the past couple years, many of us like everyone else, earning no or little income during that time, every musician that could, rushed back out immediately when it was deemed safe to do shows. We were met with the height of inflation — gas, tour buses, hotels, and flight costs skyrocketed — many of our tried-and-true venues unavailable due to a flooded market of artists trying to book shows in the same cities, and positive test results constantly halting schedules with devastating financial consequences.

Hailey Bieber is finally revealing the truth about those Justin Bieber/Selena Gomez rumours.

Jem Aswad Senior Music Editor Metallica have announced that they will perform a special tribute concert on Nov. 6 to honor Jonny and Marsha Zazula, the founders of their original label, Megaforce Records. The group, which will be joined by fellow Megaforce alums Raven, will perform songs from their early career, dating from 1983 and ’84. The concert will take place at the 7,000-capacity Seminole Hard Rock Hotel & Casino in Hollywood, Fla. — an unusually small venue for the band. The Zazulas, for decades an influential and well-respected power couple on the metal scene, passed away within a year of each other in 2021 and 2022.

Jem Aswad Senior Music Editor The Temple of Dendur in the Egyptian art wing of New York’s Metropolitan Museum of Art is one of the most unique and visually arresting places in a city filled with them, containing the 2,000-year-old Temple itself along with other sculptures and pieces of art, a large reflecting pool and a giant, 25-foot-tall floor-to-ceiling window that extends the entire length of the hall and overlooks Central Park. It also may be the most unique and visually arresting music venue in the city. Over the years the room has hosted concerts by everyone from Interpol to the Estonian Philharmonic Chamber Choir, but it’s hard to think of a more fitting artist for such a setting than Pakistani singer Arooj Aftab, who won a Grammy earlier this year for her song “Mohabbat” from her latest album “Vulture Prince,” and was also nominated for Best New Artist.

Emanuel Okusanya It hardly seems possible that, more than three years after the blockbuster success of “Old Town Road” — which became the longest-charting single in Billboard history and the most-platinum-certified single, with 15 at last count — and many, sometimes-controversial videos and television performances, Lil Nas X is only now on his first major tour. The artist’s 29-date “Long Live Montero” tour made two sold-out stops at New York’s prestigious Radio City Music Hall this week, and he didn’t disappoint in terms of music or visuals (although he did keep things relatively PG, apart from kissing one of his male dancers behind a curtain).

Jem Aswad Senior Music Editor There’s been no shortage of neo-R&B albums over the past few years, but so many of them are led by breathy female singers who feel like they’re singing in your ear — very few have had full-voiced singers at the forefront. And although Muni Long isn’t a belter and does put on the bedroom voice on a couple of tracks, her first full-length album is a blast of vintage ‘90s R&B that isn’t trying to be cute: It’s filled with frank lyrics about of love and sex from an artist who’s been around for more than a minute. Working under the name of Priscilla Renea, Muni has long been a songwriter whose soul and pop smarts helped forge hits such as Ariana Grande’s “Imagine,” Fifth Harmony’s “Worth It,” Rihanna’s “California King Bed,” along with tracks for Mariah Carey, Kelly Clarkson, Madonna, Mary J. Blige, Miranda Lambert, Selena Gomez and more.She released strong albums under that name too — 2009’s “Jukebox” and 2018’s “Coloured” — but neither of those records had the sparkle, innovation and warmth that her songwriting catalog contained. A change of name, an independently-released EP featuring the haunting, quirky hit “Hrs and Hrs,” and suddenly, Muni Long is a new artist with a remarkably seasoned and strong debut album.

Sam Smith has announced a pair of shows at London’s Royal Albert Hall next month, marking their first headline gigs since 2019.Although the British pop star has appeared at numerous festivals and promotional events since 2019, their last tour concluded in Cape Town in April of that year.Smith will perform at the iconic London venue on October 21 and 22, with a setlist featuring some of their biggest hits and previewing material from their forthcoming new album. Fans can gain access to a special ticket pre-sale by pre-ordering the star’s new album directly from their online store before 4pm BST tomorrow (September 21).Those who gain access will receive codes at 6pm BST, with the pre-sale opening at 9am BST on Thursday (22).

A piece of Mariah Carey history is about to get its due.

Jem Aswad Senior Music Editor When YouTube chief business officer Robert Kyncl announced late last month that he’ll be leaving the company after 12 years in the job, many observers quickly moved him to the front of the line to replace outgoing Warner Music CEO Steve Cooper, who’d announced just two months earlier that he’ll be stepping down after 11 years in the job. After all, Kyncl knows the music industry  — YouTube is both the world’s largest video-streaming platform and the largest music-streaming platform, and he played a huge role in its negotiations with labels and publishers and generally received high marks (remarkably, considering the often-contentious relations between the two sides). He’s also pioneering force in the streaming business: Before he was chief business officer of YouTube, he led Netflix from DVDs to digital, a transition that was much more complex and fraught with potential failure than he and the company made it seem.

Jem Aswad Senior Music Editor Though she’s just 22, Noah Cyrus has seen some stuff. As Miley’s younger sister, her music and acting careers launched early — at 16 and 2 (!), respectively — and she released several pop-leaning singles and EPs during her teens, opened an arena tour for Katy Perry in 2017 and was even nominated for a Best New Artist Grammy in 2021. On the less positive side, there was substance abuse, a bad relationship and lockdown isolation — but she overcame all of it, and that battle informs nearly every song on “The Hardest Part,” her long-percolating debut album, which sees her truly finding her voice in a way that her previous recordings only hinted at. Surprisingly or no, the Nashville native did it by returning home, musically speaking. Although her main collaborators here are Northern Irish producer Mike Crossey (Arctic Monkeys, the 1975) and Australian songwriter PJ Harding (Chromeo, Ruel), the sound is country-leaning, heavy on harmonies, organic instrumentation and Music Row-friendly melodies; its big, stacked harmonies recall everything from the Chicks to Boygenius.

Jem Aswad Senior Music Editor Considering their short lifespan and relatively slim discography, the Velvet Underground may be the most thoroughly excavated and documented rock band of their era: Nearly every studio and concert recording, acetate and demo has been scrutinized, digitized and optimized for the many awesome boxed sets that have been released since the world caught up with the group’s brilliance in the 1980s, a dozen-odd years after they split up. The foundation of that brilliance, of course, is Lou Reed’s songwriting, which combines a novelist’s gritty realism with equally confrontational rock music, but also includes soft, vulnerable songs like “Pale Blue Eyes” and “I’ll Be Your Mirror” — songs that are all the more poignant because you can sense, somehow, that the sensitive soul who wrote them isalso kind of an asshole.