Chopard Celebrates Star-Studded 25-Year Partnership with Cannes

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

Patrick Frater Asia Bureau ChiefGuillermo del Toro and Thierry Fremaux on Wednesday resumed their colloquium on the future of cinema with leading filmmakers. The discussion shifted from anxiety about technology and streaming to the need for diversity and creativity.After the complete absence of women on Tuesday, the Wednesday session rectified that with the inclusion of France’s Rebecca Zlotowski and the U.K.’s Lynne Ramsay.Zlotowski quickly got into impact of the economics on film making. “You need a lot of money to represent your ideas [through cinema].

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

Manori Ravindran International EditorThe Cannes Film Festival invited eight male directors for an hours-long symposium on the future of cinema on Tuesday — a session that raised uneasy questions for those working with streaming services, and paid no attention to the lack of female filmmakers on the panel.Moderated by Cannes festival director Thierry Fremaux and Canal+ correspondent and festival associate Didier Allouch, guests included Guillermo del Toro, Claude Lelouch, Costa Gavras, Gaspard Noé, Paolo Sorrentino, Nadav Lapid, Mathieu Kassovitz and Robin Campillo. The directors were interviewed individually, with Del Toro present on stage throughout.The session — which ran for two and a half hours, with speakers remaining a mystery until the event was underway — is one of two forums about cinema organized by the festival.

Elsa Keslassy International CorrespondentThe Cannes Film Festival celebrated its 75th anniversary Tuesday evening with a group of no less than 120 stars and filmmakers from all over the world, including Jake Gyllenhaal, Paolo Sorrentino, Isabelle Huppert, Diane Kruger, Guillermo del Toro, Jacques Audiard, Melanie Laurent, Gael Garcia Bernal and Nicolas Winding Refn who made the trip for the event.Some of them, notably del Toro, took part in a symposium earlier Tuesday to discuss the new challenges that cinema is facing today. The roster of talents on the ground at the gala ceremony also included the bevy of stars and filmmakers presenting films at this year’s festival, including Kristen Stewart, Lea Seydoux, Viggo Mortensen and David Cronenberg (“Crimes of the Future”), among many others.

To celebrate its 75th anniversary, the Cannes Film Festival gathered dozens upon dozens of previous laureates and special guests at the Palais des Festival this evening. Inside the Lumière Theatre, the fest’s artistic chief and general delegate, Thierry Frémaux, and outgoing Cannes President, Pierre Lescure, did a roll call of star actors and directors who left their seats and made their way to the stage .

You can pretty much bet that whenever the Dardenne brothers show up with a new film in Cannes, it will walk away with some sort of prize. That has been the case since 1999 when their first competition film, Rosetta swooped in at the last minute and won the Palme d’Or and Best Actress. They won a second Palme d’Or in 2005 for The Child, the Grand Jury Prize in 2011 for Kid With A Bike, Screenplay in 2008 for Lorna’s Silence, and Director in 2019 for Young Ahmed. No matter what the jury, the Dardennes continue to impress, yet none of their films has ever brought them an Oscar nomination. 2011’s Two Days, One Night did get a surprise Best Actress nomination for Marion Cotillard but that has been it.

Julia Roberts climbed to the top of the stairs at Cannes’ red carpet last week, festival director Thierry Frémaux whispered in her ear: “You made it with your shoes on.” This was, for Roberts, a first — the last time she hit the world’s most glamorous red carpet, promoting “Money Monster” in 2016, she’d intentionally abandoned her stilettos.At the time, the press speculated that Roberts bared her feet as a political statement, given that Cannes has a history of mandating that women wear heels, not flats, at the gala premieres. Was she trying to send a message? “I’ll leave it to everyone to decide for themselves,” Roberts says.

Christopher Vourlias Russia may have been cut off from much of the international film community, but here at Cannes, members of the country’s media business are quietly trying to line up deals.Nearly three months into the war in Ukraine, the leadership of the film festival has spent its opening week fielding questions about its stance on Russia. Festival chief Thierry Frémaux, for instance, was grilled over the inclusion of competition title “Tchaikovsky’s Wife,” a movie with financial ties to Russian oligarch Roman Abramovich.

Cannes Film Festival on Saturday. The actress, 46, put on a leggy display in a thigh-skimming pink minidress featuring silver embellishments as she posed up a storm for photographers.

Arnaud Desplechin’s latest film superficially resembles some of his most beloved and best work, family dramas featuring very colorful, neurotic, sometimes impulsive characters by turn extremely sincere and sardonic, loquacious and secretive — films such as “My Sex Life… or How I Got Into an Argument” (1996) and “A Winter’s Tale” (2008). But unlike them, “Brother and Sister” is also a puzzle, even if the director does not make it easy for us to solve it.

Marion Cotillard shows off her long legs on the red carpet for the premiere of her new film, Brother and Sister, during the 2022 Cannes Film Festival on Friday (May 20) in Cannes, France.

Patrick Frater Asia Bureau ChiefThe question arising at every Cannes Film Festival lineup announcement about why the festival has not selected films from a particular country tends to irk chief selector Thierry Frémaux. But this year, with films from China notable by their absence, Frémaux may be asking himself if he messed up, or whether bigger forces are at play?Last year, Cannes was at pains to conceal its selection of Hong Kong pro-democracy film “Revolution of Our Times” until as late as possible, in order not to alert mainland Chinese authorities or disrupt the other Chinese indies showing in the festival.China experts differ as to how much Cannes’ defiance last year was a factor in this year’s de facto boycott.

Woody Allen, Gerard Depardieu and Johnny Depp all walk into a restaurant.That’s not the beginning of a bad joke — the three controversial men are looming over a favorite eatery in the South of France, and have been for years.La Pizza Cresci, a famous spot frequented for decades by Hollywood players who have visited the Cannes Film Festival, has immortalized the trio in a large mural of cinema legends.The portrait is on the restaurant’s second floor, opposite sweeping views of the French Riviera. As guests snack on plates of pasta and creamy burrata, they can’t help but make eye contact with an illustrated Allen (who was accused of rape by his then 7-year-old adoptive daughter, Dylan, in 1992) seen playing the clarinet.

cast landed on the red carpet in style at the 75th Annual Cannes Film Festival on Wednesday. The spectacle began with the celebrated arrival of superstar Tom Cruise, who greeted cheering fans at the Palais before walking down the red carpet with co-star Jennifer Connelly. Cruise and Connelly were also joined by fellow co-stars Jon Hamm, Miles Teller, Glen Powell and Jay Ellis. The cast's arrival was made even more memorable when an eight-jet flyover released smoke in the colors of the French flag over the event.

EXCLUSIVE: Berenice Bejo (The Artist) agreed that making Cannes opening-night film  Final Cut (Coupez!) with filmmaker husband Michel Hazanavicius (The Players) had been a family affair.

Ramin Setoodeh Executive EditorA visit from the dead? How chic.The Cannes Film Festival sprung back into action on Tuesday night, as this year’s opening night movie, “Final Cut (Coupez!)” received a 5-minute standing ovation. The gory zombie line, which straddled a tone somewhere between “The Blair Witch Project” and “Call My Agent,” kicked off a festival where few patrons were wearing masks in these COVID times.To commemorate the 75th edition of Cannes, festival director Thierry Fremaux selected a French movie — not to mention a French jury president, “Titane” actor Vincent Lindon — to keep things local at the start of the celebration of movies in the French Riviera.

Cannes Film Festival chief Thierry Frémaux took part in a ‘meet the press’ session with journalists in Cannes yesterday afternoon.

CANNES, France -- After a canceled 2020 edition and a scaled back gathering last year, the Cannes Film Festival on Tuesday rolled out the red carpet for what organizers hope will be a f ully resuscitated French Riviera spectacular.The 75th Cannes Film Festival is set to open Tuesday night with the premiere of Michel Hazanavicius' zombie comedy “Final Cut.” Over the next 12 days, 21 films will vie for the festival's prestigious top award, the Palme d'Or, while a handful of high-profile Hollywood titles — including “Top Gun: Maverick,” “Elvis” and “Three Thousand Years of Longing” — will also launch in Cannes.“This year, everyone wanted to come to Cannes,” said Thierry Frémaux, artistic director of the festival, ahead of the opening. “Everyone wanted to meet again.”This year's Cannes will officially begin Tuesday evening with an opening ceremony preceding the premier of “Final Cut," which was renamed from its original title, “Z,” after Ukrainian protesters noted that the letter Z to some symbolizes support for Russia’s war in Ukraine.The war in Ukraine is expected to be a regular presence in Cannes.

Ellise Shafer Cannes Film Festival has responded to complaints over the online press ticketing system, saying that the fest is currently working to resolve the issue.“The technical difficulties met this morning on the online ticketing service are very likely due to acts aimed at saturating the site with ticket requests, thus preventing festival-goers from accessing it,” Cannes’ official statement reads. “We are currently working on fixing the problem.”Many journalists and critics took to Twitter this morning to express their frustration at the ticketing site, which was not allowing them to access badges or book tickets for screenings.“It’s fair to say the Cannes online ticketing system is a shambles wrapped inside a clusterfuck wrapped inside an enigma,” critic Martyn Conterio wrote on Twitter.