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Red Hot Chili Peppers drummer Chad Smith has paid tribute to Taylor Hawkins during the tribute concert that is taking place at Wembley Stadium today (September 3).The special gig is being held in honour of the late drummer, with appearances from Liam Gallagher, Mark Ronson, Queens Of The Stone Age’s Josh Homme, Supergrass, Queen’s Brian May and Roger Taylor, The Pretenders’ Chrissie Hynde, Blink-182’s Travis Barker, AC/DC’s Brian Johnson, Kesha, Metallica’s Lars Ulrich and more.In a video message between performances, Smith shared a heartwarming story about his friend’s generous nature. “I’d love to tell a story of one of Taylor and I’s many escapades, but those probably wouldn’t be appropriate for this,” he said.

Cate Blanchett steps out in two chic looks at the 2022 Venice Film Festival.

Carson Burton Zev Raben and Chad Russo have been promoted to partners at Ramo Law PC. The duo now joins a team including founder and managing partner Elsa Ramo, managing partner Michelle Chang and partner Erika Canchola. “We are thrilled to include Zev Raben and Chad Russo as partners of the firm,” Ramo said. “Zev joined our firm transitioning from litigation and his experience and know how has been paramount in our growing finance practice.  Chad has been impactful in building our podcast division from the inception days and has a stellar reputation in supporting production legal for our clients.  They both exemplify the firm’s entrepreneurial ethos and are essential to our continued growth and success.”

Venice Film Festival officially kicked off the fall Oscar race on Thursday afternoon with Todd Field’s “Tár,” a drama starring Cate Blanchett as a famous composer embroiled in a public scandal. The film was showered with an ecstatic six-minute standing ovation as the crowds at the Sala Grande Theatre kept chanting “Bravo!“ even surprising Blanchett at times.As Venice chief Alberto Barbera took her hand, Blanchett bowed — but the clapping went on. When the applause finally ended, a misty-eyed Blanchett turned to someone on her team and said: “Let’s get a drink.”Surely, Blanchett’s work in “Tár” will be one of the most toasted performances of Oscar season. The rave reviews for the film all but guarantee the actor, who has two Academy Awards acting wins, will land her eight Oscar acting nomination this winter.

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.

Owen Gleiberman Chief Film Critic “Tár,” written and directed by Todd Field, tells the story of a world-famous symphony orchestra conductor played by Cate Blanchett, and let me say right up front: It’s the work of a master filmmaker. That’s not a total surprise. Field has made only two previous films, and the first of them, the domestic revenge drama “In the Bedroom” (2001), was languorous and lacerating — a small, compact indie-world explosion. His second feature, “Little Children” (2006), was, in my opinion, a misfire, though his talent was all over it. But “Tár,” the first film he has made in 16 years, takes Todd Field to a new level. The movie is breathtaking — in its drama, its high-crafted innovation, its vision. It’s a ruthless but intimate tale of art, lust, obsession, and power. It’s set in the contemporary classical-music world, and if that sounds a bit high-toned (it is, in a good way), the movie leads us through that world in a manner that’s so rigorously precise and authentic and detailed that it generates the immersion of a thriller. The characters in “Tár” feel as real as life. (They’re acted to richly drawn perfection down to the smallest role.) You believe, at every moment, in the reality you’re seeing, and it’s extraordinary how that raises the stakes.

post-post-MeToo character study that premiered on Thursday at the Venice Film Festival – should be heralded for offering a neat corollary to Chekhov’s Gun, a theatrical theory that states that if you introduce a gun in Act 1, you’d better fire it by Act 3. Call this version Gopnik’s Speech.

It’s hard to say that something has been worth the wait when that wait has been 16 years, which is how long it’s been since Todd Field’s previous feature, Little Children. All the same, it’s very good to have this fine filmmaker back on the scene with Venice Film Festival competition entry Tár, a weighty new drama that creates an exceptionally detailed portrait of a promethean artist eventually hoisted on her own petard.

Who is Lydia Tár? Is she the acclaimed composer-conductor celebrated by The New Yorker in the opening of the movie that shares her fictional namesake as generational? Is she the heavily pruned and curated brand that she herself cultivates, her swishy suit pants as well-measured as her staccato? Or, indeed, is there an all-the-more sinister side: a narcissistic megalomaniac as beholden to her plaudits as she is driven by them?  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch The truth, as is so often the case, is nestled in the center of the Venn Diagram, astutely observes director Todd Field in his first film for sixteen years, “Tár.” Though not without its blemishes, here’s a timely — and, indeed, timeless — a piece about the corrupting essence of power, exploitation, and the burdensome nature of the crown, elevated by a hydrogen bomb of a performance from Cate Blanchett, inarguably at her best since 2015’s “Carol.” The aforementioned questions emerge, of course, across the two hours and change of runtime; as far as we’re concerned, the Lydia Tár we’re initially introduced to is a flawless demigod.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

TÀR, Todd Field’s return to filmmaking after a 16-year stretch, and starring a buzzed about Cate Blanchett, has its world premiere at the Venice Film Festival this evening. The Focus Features drama follows Blanchett’s titular conductor, the first female chief conductor of a major German orchestra who is at the height of and grappling with her genius, swimming in the abyss of it and the toll it takes on those closest to her while a #MeToo scandal swirls.

Tár, starring Cate Blanchett as a composer, has just been released – check it out below.The film marks the return of director Todd Field, after his last film was 2006’s Little Children, which starred Kate Winslet and Patrick Wilson.“Time is the essential piece of interpretation. You cannot start without me.

Todd Field has come back into the world of cinema and television for the first time in sixteen years.

From costars to lovers! Chad Michael Murray met his wife, Sarah Roemer, in 2014 while filming the Crackle TV series Chosen together.

After A Cinderella Story was released in 2004, stars such as Hilary Duff and Chad Michael Murray continued to find success in the industry.

“John Wick” director Chad Stahelski will take his love of assassin films to Warner Bros. as director and producer of the action film “Shibumi,” which now has “Operation Finale” screenwriter Matthew Orton attached to pen the script. Orton will adapt the script from the 1979 novel of the same name written by Rodney William Whitaker under the pen name Trevanian.

EXCLUSIVE: John Wick director Chad Stahelski has a number of irons in the fire at the moment. Among the buzzy projects on the go is assassin movie Shibumi at Warner Bros, which has now found a writer in Operation Finale scribe Matthew Orton.

New Found Glory‘s Chad Gilbert has confirmed that the procedure “went really well”.The guitarist received treatment for cancer last year, during which he had “half a liver, a gallbladder and one adrenal gland” removed.Gilbert announced this January that he was “cancer-free”, but told his fans on Tuesday (August 16) that he would be having another operation following the discovery of a new tumour on his spine.“I’ll be headed into surgery tomorrow to get almost all of it out then hit what’s left with some fancy radiation,” the musician wrote in a message on social media.He has since shared a follow-up post, writing: “Got out of surgery yesterday afternoon! Things went really well.”Gilbert continued: “They were able to remove almost all of it besides a microscopic amount of tumour that was in the bone. Once we get test results back from the tissue, we’ll be able to blast it with whatever treatment it needs so we can keep it at bay or even kill it completely.“Pheochromocytomas and paragangliomas are very rare tumours.

New Found Glory‘s Chad Gilbert has confirmed that he is undergoing surgery today (August 16) after doctors found a Pheochromocytoma tumour in his spine.The guitarist previously received treatment for cancer last year, during which he had “half a liver, a gallbladder and one adrenal gland” removed.After declaring in January that he was “cancer-free”, Gilbert has now told his fans that he is set to undergo further surgery following the discovery of a new tumour.“Was having really intense bad back pain on tour (which can happen from jumping around carrying a heavy guitar),” he wrote on Instagram yesterday (August 15). “I flew home early for an MRI.

Carson Burton While “John Wick: Chapter 4” is reportedly the longest “John Wick” film yet, director Chad Stahelski ensures that the newest installment will use that extra runtime wisely.“I love mythology,” Stahelski told Variety at the red carpet for “Day Shift” on Wednesday night. “I love a good myth. I don’t really believe — at least for the ‘John Wick’ movies — in a three-act structure. I believe in storytelling and leaving it. You know, we’ve always seen John Wick as Odysseus. So we take the time we need to tell the story. As long as we don’t fall asleep watching it, we keep it going. But I guess there is a bathroom limit.”“John Wick: Chapter 4” finds Keanu Reeves back in the title role as the beloved head-smashing gun-fu action hero. While plot details for the fourth installment remain largely under wraps, an action-packed teaser that debuted at Comic-Con saw the title character once again brutalizing opponents with everything from handguns to nunchucks. Now, it seems that Stahelski is teasing that the fourth film will venture more into the mythology behind the Continental and the expansive world of assassins.