‘Charlotte’ Review: An Affecting But Conventional Portrait of an Artist Whose Work Survived the Holocaust
21.04.2022 - 15:51
/ variety.com
Dennis Harvey Film CriticFew victims of the Holocaust left behind such a methodical and memorable record of their life as Charlotte Salomon, a native Berliner who died in Auschwitz at age 26. As if anticipating that premature end, she’d spent much of the preceding two years painting about a thousand gouaches composing the illustrated autobiography “Life? Or Theater?,” which fortunately survived the war.
Now permanently exhibited at a museum in Amsterdam, they’ve generated a number of works in other media, including an opera, stage plays, a ballet, a novel, a 1981 Dutch dramatic feature, and several documentaries.“Charlotte” is likely to introduce Salomon’s story to a larger audience by virtue of its appeal to animation fans, plus the lure of a starry voice cast led by Keira Knightley. (Marion Cotillard performs the title role in a forthcoming French-language version.) Audiences who responded to recent awards magnet “Flee’s” style of hard-hitting, fact-based narrative in cartoon form will find some similar rewards in this collaboration between directors Eric Warin (“Leap!”) and Tahir Rana (“Angry Birds: Summer Madness”).
What might have seemed a familiar if sad drama in live-action form benefits from this relative novelty of presentation, which lends a certain universality, as well as heightened viewer access, to Salomon’s story. But the rather pedestrian animation here also makes “Charlotte” a bit of a disappointment: The film seems to take little inspiration from its subject’s much bolder, more distinctive visual style.
Good Deed Entertainment begins opening the multinational coproduction on U.S. and Canadian screens from April 22.The narrative is framed by Knightley’s Charlotte entrusting a suitcase of her paintings
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