Cate Blanchett Explains How She Chooses Her Film Roles

Paul Feig, director of such mega-hits as Bridesmaids, Spy, The Heat, Ghostbusters and A Simple Favor, has branched out into the fairytale genre with The School for Good and Evil, which hit Netflix this week.

EXCLUSIVE: Leila George (Animal Kingdom) is set to star alongside Cate Blanchett and Kevin Kline in Disclaimer, a new psychological thriller series from Alfonso Cuarón for Apple TV+.

Peter Debruge Chief Film Critic “Harry Potter” has had many imitators, but none so blatant or irredeemably over-the-top as Netflix franchise starter “The School for Good and Evil,” an extravagant YA costume show from “Bridesmaids” director Paul Feig that follows two friends to an elite academy where the heroes and villains of future fairy tales are trained. The whole idea derives from a book series by Soman Chainani, though it’s obvious where it really comes from: the imagination of J.K. Rowling, who must be positively livid watching what looks like the most expensive episode of “RuPaul’s Drag Race” ever produced. Feig goes full camp here, casting Kerry Washington and Charlize Theron to play the decked-out divas who oversee the enchanted institution’s two sides. The former embodies Professor Dovey, a prissy headmistress in Tweety Bird-yellow threads, who’s always going on about the rules, while Theron’s evil-minded Lady Lesso takes her fashion cues from Ilsa, She Wolf of the SS. Joined by Laurence Fishburne (as the Morpheus-like School Master), Michelle Yeoh (largely wasted as some kind of beauty instructor) and Cate Blanchett (in voice only, as the film’s self-aware narrator), these stars have been given carte blanche to chew the scenery.

In connection with the release of blockbuster queer drama “Tar,” Tracy E. Gilchrist of Advocate Today sat down with film stars Cate Blanchett and Nina Hoss to discuss the significance of narratives that feature LGBTQ+ women.

at the world premiere of his animated film Pinocchio just one day after she died.Guadalupe Gómez passed away on Friday (October 14) shortly before the opening of Pinocchio at BFI London Film Festival yesterday (October 15).According to Variety, del Toro, the visionary director behind films including Pan’s Labyrinth and The Shape Of Water, became emotional as he revealed the news to the audience.“I just want to say, my mother just passed away, and this was very special for her and me,” del Toro said. “This is not only the first time you’ll see the movie, it’s the first time she’ll see the movie with us.

There was a very special guest at the Pinocchio red carpet premiere – a tiny statue of Pinocchio!

An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13. 

Hulu is now searching for a new director and star for its upcoming limited series The Devil In The White City. Director Todd Field is the latest to depart the project, sources confirmed to Deadline. Hulu declined comment.

A long and belated 16 years after his last film (“Little Children,” 2006), filmmaker Todd Field has returned with something of a masterpiece with “TÁR,” starring Cate Blanchett. A bold, audacious, uncompromising work, “TÁR” centers on power and all its forms, its transactional nature, and the way it’s seemingly granted and taken away with lighting speed in our modern world.

Rebecca Rubin Film and Media Reporter After two years of upheaval and unfamiliarity at the box office, there’s something refreshingly familiar about the theatrical release of “Tár.” The acclaimed movie, directed by Todd Fields and starring Cate Blanchett as a world-famous conductor embroiled in a controversy of her own making, generated a stellar $160,000 from four theaters (two in New York City and two in Los Angeles) over the weekend, averaging a mighty $40,000 per location. Next weekend, it’s expanding its theater count (ever so slightly), to 30 new venues in 10 domestic markets. That kind of steady and deliberately paced rollout, one that relies almost entirely on positive word-of-mouth, is about as traditional as it gets for an arthouse film. Yet for most of the pandemic, it was rendered obsolete.

Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic.

After a pandemic recovery year in which Focus has started many of its releases with larger theater counts, “Tár” is starting with a return to the traditional four-screen launch in New York and Los Angeles, earning $160,000 for a per-theater average of $40,000. With the LA theaters that first got platform releases, the Arclight Hollywood and Landmark Pico, both now closed, Focus has turned to the AMC locations in Century City and the Grove on Fairfax to release “Tár,” while releasing it at the Angelika and AMC Lincoln Square in New York.

Two-time Oscar winner Cate Blanchett is back and better than ever in Focus Feature’s latest drama, “Tár.”Written and directed by Todd Field (“In the Bedroom,” “Little Children”), the intense film gives audiences a peek behind the veil at what it really means to hold absolute power over others. Centering on an award-winning composer who has accomplished more in her career than many, the drama interrogates if acclaim is worth its sacrifices. Here’s how to watch “Tár” when it comes out on Friday, Oct.

Bohemian Rhapsody” about a celebrated maestro we would all be more familiar with if we had the time and money to regularly attend the Berliner Philharmoniker and skim Der Spiegel. Nein! She’s fake.Running time: 158 minutes.

Cate Blanchett is opening up about her take on method acting, especially when it came to her new film, TÁR.

While it was always his ambition to be a filmmaker, twenty, thirty years ago, director Todd Field was known as an actor, working with Penelope Spheeris, Nicole Holofcener, Jan de Bont, and even Stanley Kubrick in “Eyes Wide Shut” (1999). That quickly changed in 2001; Field’s directorial debut, “In The Bedroom,” would earn five Academy Award nominations, including two for Field for Best Picture and Best Adapted Screenplay.

There is a line at the beginning of Todd Field‘s celebrated new film “TAR” that notes its subject, fictional conductor Lydia Tar, is many things. She’s an EGOT winner.