Cannes Report Day 5: Tilda Swinton Explains Why It’s ‘Dangerous’ to Hear ‘Only One Story’

Sarah Paulson and Holland Taylor are spending the day at the beach!

“War Pony” wins Palm Dog AwardBrit the Silver Poodle, who stars in Riley Keough and Gina Gammell’s indigenous drama “War Pony,” took home the coveted Palm Dog collar, according to the Hollywood Reporter.The Palm Collar is awarded to the best performance by a canine or group of canines during the festival. The award consists of a leather dog collar with the term “PALM DOG.”Steve Pond, in his review of “War Pony” wrote, “Set on the Pine Ridge Reservation in South Dakota and co-written, co-produced and starring members of the Native American community, “War Pony” is unhurried, naturalistic and heartbreaking, taking its rhythms from the lives of characters in a situation where the lack of options can lead to desperation or to resignation.

Peter Debruge Chief Film CriticSPOILER ALERT: The penultimate paragraph of this review contains spoilers.Few of us are fortunate enough to have a friendship as intimate and effortless as the one shared by 13-year-old Belgian boys Leo (Eden Dambrine) and Remi (Gustav De Waele) in “Close.” That connection, and the responsibility that comes with it, is at the heart of Lukas Dhont’s sophomore feature, so subtle and sensitive in the first half, so devastatingly false from its tragic twist on. This beautifully evocative film, which hails from an openly queer director, offers as pure a portrait of innocent, innocuous same-sex affection as we’ve ever encountered on film.

in a tweet. “The film is dazzling, bold and moving. Austin Butler absolutely nails it- all the shades: voice, moves, emotion.

had some bleak words about the state of the movies in the first part of a Cannes symposium about the future of cinema. But in part two of that conversation, the “Nightmare Alley” filmmaker had a much more optimistic message and explained why today’s directors can’t be afraid of how the movies are changing.Speaking on a panel with other directors including Rebecca Zlotowski, Abderrahmane Sissako, Abel Ferrara, Lynne Ramsay, Laurent Cantet, Pawel Pawlikowski, Joachim Lafosse and even a surprise appearance from Nicolas Winding Refn, del Toro explained that as filmmakers, we “can’t be shy about the platforms,” referring to the algorithms and new methods that are dictating the way the movies are being made today.

said Tuesday. “Not just about Roe vs. Wade but about everything else.”Cronenberg’s “Crimes of the Future” depicts a future in which humans have adapted to the point of no longer feeling pain and have embraced wild surgeries with new transformations and mutations to their bodies.

Forbes). “I know we are human beings and that we are very complicated, and the power of art is that it knows no color. Because human beings, when they sit and watch art they want to feel less alone.

stormed the Cannes red carpet donned in body paint to disrupt the “Three Thousand Years of Longing” premiere, a new protest erupted at the start of the red carpet for competition title “Holy Spider,” in which a group of women held smoke bombs and a massive poster — though this time the demonstration appears to have been pre-planned. The group involved in the demonstration is Les Colleuses, a guerilla feminist movement in France.

CANNES – George Miller is one of the most acclaimed filmmakers of his generation, but when it comes to Tilda Swinton he truly knows among the greats. The star, along with Idris Elba, of his new film “Three Thousand Years of Longing” says she doesn’t pick roles.

Matt Donnelly Senior Film WriterGeorge Miller has some thoughts about the future of superhero movies.At a Saturday press conference in Cannes for his new film “3000 Years of Longing,” story archetypes throughout history were widely discussed — as his movie follows an academic who studies the narratives of humankind.In one scene, set at a conference discussing storytelling, we glimpse a large image of the DC Comics heroes including Superman, Batman and The Flash. Variety asked Miller if he thought that contemporary superhero content would be shared throughout the ages to come.“They endure and have endured anyway.

As if unleashing all the pent-up narrative impulses tamped down for the hard-bitten minimalism of “Mad Max: Fury Road,” Australia’s proudest son George Miller returns to Cannes’ out-of-Competition section with a sumptuous banquet of storytelling in service of storytelling. “Three Thousand Years of Longing” compresses eons of heartbreak, happenstance, and hope into a hotel room tête-à-tête that then re-blooms to the size of the universe, a parable both titanic and intimate in scale as it negotiates one woman’s complacent solitude against the welfare of mythologies dating back to the cradle of civilization.

George Miller told press today in Cannes that his new film 3000 Years of Longing is a fantasy story that is “open to interpretation.”

When ranging out of Mad Max territory, George Miller’s films are highly diverse and unpredictable in nature, and never has this proved more the case than with his time-traveling, narratively far-ranging new drama, Three Thousand Years of Longing. In this Cannes Film Festival competition entry, the director delves back into old texts to examine the nature and power of legendary stories that have endured for centuries in a way that is both sharply creative and a bit off-putting; the film begins on quite a high, only to slowly deflate as it works its way toward its modern-day ending.

The Oscar buzz for 2023 has already begun thanks to the films premiering at the 2022 Cannes Film Festival!

Three Thousand Years of Longing” at the Cannes Festival on Friday.Wearing only panties drenched with blood-red paint, the screaming woman had the Ukrainian flag sprayed across her chest with the words “Stop raping us.” The word “scum” was also written on her lower back. Video posted to Twitter shows security personnel covering up the woman and escorting her off the carpet.

The eventful new trailer for George Miller’s “Three Thousand Years of Longing” has been released.

The upcoming movie Three Thousand Years of Longing has debuted its first trailer, minutes before the film premieres at the 2022 Cannes Film Festival!

pic.twitter.com/3F4uIUX2dFGray’s tone at the press conference turned a bit more serious as he discussed the state of cinema and Hollywood and its reliance on turning everything into a franchise. “The whole point should be to inspire creativity. Instead, what we say is, ‘That’s good franchise.’ We used to think of franchises as McDonald’s and Burger King.