Cannes Hot Package: Ken Kwapis’ Indie ‘Thelma’ Adds Stephen Root & Tim Blake Nelson; The Exchange To Launch Sales At Cannes

The exquisite and sublime journeys of Oregon-based filmmaker Kelly Reichardt are arguably, more or less, incidental or oblique political statements about survival in America, often focusing on two or more friends, usually outsiders, and their struggle to endure. “Wendy And Lucy,” about a destitute woman and her soulmate canine companion, was overt about human inequity and hardship; “Meek’s Cutoff” depicted the unbearable burden of living off a hostile, unforgiving land; and “First Cow” presented the warm, but sad futility of two friends trying to sustain themselves under the grueling rigors of nascent American capitalism.

Daniel Brühl and Macaulay Culkin have joined the cast of the Galder Gaztelu-Urrutia directed thriller, Rich Flu, which we told you about back at EFM with Rosamund Pike attached to star. Production is expected to start in the fall.

report.Every year, the American Pavilion’s student program recruits more than 200 college students eager for experience and networking opportunities at the longstanding home-away-from-home for American film industryites attending Cannes. According to a report by blogger Stephen Follows, a film industry data researcher and screenwriter, many were highly disillusioned by the experience, which they said failed miserably to live up to what they were sold and often put students in perilous situations.A spokesperson for The Pavilion told TheWrap they’ve reached out to Follows “to correct the many mischaracterizations of our student program … including the suggestions about French labor law that are false and defamatory.

EXCLUSIVE: Decal has acquired North American rights to Brandon Dermer’s sci-fi comedy I’m Totally Fine out of the Cannes market, slating it for release in theaters later this year.

“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.

Manori Ravindran International EditorThe “Elvis” team was on hand in Cannes for a little more conversation about Baz Luhrmann’s boisterous musical drama — but how Tom Hanks landed on his mysterious European-American accent as Colonel Tom Parker in the movie will remain a mystery for now.The Oscar-winning actor received the first question from journalists at the Thursday press conference, and was asked how he prepared for his role as Parker and whether he researched his Dutch background and accent.Hanks skirted any discussion of his accent work, and instead spoke at length about learning more about Elvis’ notorious manager, who “was a delightful guy” that could light up every room he came into.“Was he a cheap crook that played fast and loose? Yeah, when it comes down to that, but I worked that all out to everyone’s satisfaction,” said Hanks, “He was a man who brought joy to everything he did — along with a bit of larceny.” “Elvis” marks Luhrmann’s first feature directorial effort since 2013’s “The Great Gatsby,” which also world premiered at the Cannes Film Festival. Butler stars in the title role opposite Hanks as Elvis’ infamous manager.While critics have praised Butler’s tour de force performance, Hanks’ extremely thick and at times indecipherable accent for Parker, who was from the Netherlands, has been singled out as one of the movie’s weaker turns, and some have called Hanks’ prosthetic nose and padding to resemble the heavy-set Parker distracting.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you Mr.

Tom Hanks looked as dapper as ever with Priscilla Presley on his arm at the star-studded Cannes premiere of Baz Luhrmann’s highly-anticipated Elvis biopic. The film, which is out in June, stars Austin Butler as the king of rock ‘n’ roll, which follows Presley’s rise to fame. Tom, who plays Presley’s enigmatic manager Colonel Tom Parker, was seen on the red carpet at the 75th Cannes Film Festival with Presley’s ex-wife by his side.

Deadline’s studio at the 2022 Cannes Film Festival kicked off at the American Pavilion by hosting fest-goers such as Joel Edgerton of The Stranger, Jesse Eisenberg and Julianne Moore of When You Finish Saving The World, and many more. Click on the photo above to launch the gallery.

Manori Ravindran International EditorA24 has snapped up the Paul Mescal-led tearjerker “Aftersun” out of the Cannes Film Festival.The distributor has picked up North American rights for the movie, which premiered as part of the Cannes’ Critics’ Week section to rave reviews last week. The movie stars Mescal and newcomer Frankie Corio.“Aftersun” is produced by Adele Romanski, Barry Jenkins and Mark Ceryak for Pastel and Amy Jackson for Unified Theory.

A24 has won North American rights to Charlotte Wells’ Cannes buzz title Aftersun.

Elizabeth Wagmeister Senior CorrespondentRiley Keough has been in the business for more than a decade. At just 32 years old, the granddaughter of Elvis Presley has made a name for herself as a performer with great range, known for “Mad Max: Fury Road,” “Magic Mike,” “Zola” and Steven Soderbergh’s “The Girlfriend Experience,” which earned her a Golden Globe nomination.

Anne Hathaway is channeling one of her most iconic characters. On Thursday, the 39-year-old actress stepped out for a screening of her new flick, , at the 2022 Cannes Film Festival, and gave off serious Mia Thermopolis vibes.Hathaway stunned on the red carpet in a custom, white Giorgio Armani Privé gown that included a train and oversized bow.

Top Gun: Maverick” unspooled at the film’s Cannes premiere on Wednesday night, festival-goers made it clear that they think Tom Cruise is magnifique.The actor received a thunderous ovation after he was presented with a “surprise” Palme d’Or, one that genuinely seemed to take him off guard. He had received another ovation after making some spirited introductory remarks.It was an extravaganza that included the appearance of eight fighter jets bellowing red, white and blue smoke behind them as Cruise and other members of the film’s cast looked on from the red carpet below. Those colors are featured prominently in both the French and American flags, in a fitting piece of symmetry.

Tom Cruise, Miles Teller, and Jennifer Connelly pose for photos together at the Top Gun: Maverick photo call at the 2022 Cannes Film Festival on Wednesday (May 18) in Cannes, France.

Patrick Frater Asia Bureau ChiefEpic Pictures Releasing has licensed North American rights to Korean action film “Hot Blooded,” from leading Seoul-based film sales agency Finecut. The deal is one of several struck by the agency ahead of Cannes, where it is also launching sales on Critics’ Week title “Next Sohee.”Starring Bae Doona and Kim Si-eun, “Next Sohee” is directed by Jung July, whose acclaimed “A Girl at My Door” played in Un Certain regard in 2014.

EXCLUSIVE: Clara Rugaard (I Am Mother) and Kit Harington (Game Of Thrones) are set to star in a new movie about the life and circle of Frankenstein scribe Mary Shelley.

EXCLUSIVE: Eddie Cochran, the American rock n roll star behind songs such as “Twenty Flight Rock” and “Summertime Blues,” is getting the feature documentary treatment.