Davy Chou
France
city Seoul
North Korea
Cambodia
city Busan
film
Actor
Davy Chou
France
city Seoul
North Korea
Cambodia
city Busan
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Cannes’ endless standing ovations are an embarrassment to France - nypost.com - France - county Love
nypost.com
28.05.2022 / 02:21

Cannes’ endless standing ovations are an embarrassment to France

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

‘Return to Seoul’ Review: A Restless, Graceful Drama About Identity Formed Rather Than Found - variety.com - France - city Seoul
variety.com
27.05.2022 / 20:47

‘Return to Seoul’ Review: A Restless, Graceful Drama About Identity Formed Rather Than Found

Jessica Kiang In order to return somewhere, you first have to leave it. So it’s arguable whether the initial visit in Davy Chou’s strange, deep, changeable and wise “Return to Seoul” even qualifies in a meaningful sense as a return.

Korean film ‘Broker’, starring IU, gets 12-minute standing ovation at Cannes - www.nme.com - Japan - North Korea
nme.com
27.05.2022 / 12:53

Korean film ‘Broker’, starring IU, gets 12-minute standing ovation at Cannes

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

'Elvis' Cast Appears at Cannes Press Conference, Director Baz Luhrmann Talks About the Film's 'Greatest Review' - www.justjared.com - France - county Butler - county Mason - city Alton, county Mason
justjared.com
27.05.2022 / 04:53

'Elvis' Cast Appears at Cannes Press Conference, Director Baz Luhrmann Talks About the Film's 'Greatest Review'

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

Anne Hathaway’s Cannes fashions spark celebration of star’s ‘renaissance’ - nypost.com - France
nypost.com
25.05.2022 / 23:47

Anne Hathaway’s Cannes fashions spark celebration of star’s ‘renaissance’

Anne Hathaway is being crowned the haute couture queen of the Cannes Film Festival. And fans of the brunette bombshell are digitally reveling over the early-2000s diva’s fashionable resurgence. “Can we all take a moment to appreciate Anne Hathaway looking like a goddess in Cannes,” tweeted an admirer of the Oscar winner, alongside a snapshot of her in a sequin, floral-print two-piece ensemble by Schiaparelli. “I love this Anne Hathaway renaissance we’re going through,” chimed another. Making her debut at the annual silver screen soirée over the weekend, Hathaway, 39, repeatedly turned heads in high-fashion finery for the premiere of her feature flick “Armageddon Time,” starring Anthony Hopkins, 84, and Jeremy Strong, 43. And immediately after touching down in France on Wednesday, the blockbuster beauty transformed the Nice Côte d’Azur Airport into a virtual runway, sashaying through in a chic, loose-fitting pantsuit.  From there, Hathaway ditched her trendy traveling togs to don a white strapless Armani Privé gown, reminiscent of her “Princess Diaries” glamor, on the film festival’s star-studded red carpet Thursday. The flawless fashion plate continued to outdo herself throughout the duration of the weekend, rocking a blue mini dress by Gucci Friday, stunning in a coffee-colored Louis Vuitton number Saturday and beaming in a hot pink piece by Valentino Sunday. And the luxe looks sent Hathaway enthusiasts into a full-on Twitter tizzy. “Anne Hathaway at the cannes film festival.

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes] - theplaylist.net - Britain - France
theplaylist.net
25.05.2022 / 23:39

‘The Silent Twins’ Review: Agnieszka Smoczynska’s Take On A Tragic True Story Is Imaginative, But Frustrating [Cannes]

In the late 19th century, two French psychiatrists coined the term “folie à deux,” literally translated as madness for two, to describe what is now widely referred to as shared psychotic disorder, or when two — or more — people transmit delusional beliefs and occasional hallucinations to one another. The condition is most common in people closely related, who live in intimate proximity, and has been lengthily dissected by academics.

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes] - theplaylist.net - France
theplaylist.net
25.05.2022 / 18:49

‘Forever Young’ Review: Valeria Bruni Tedeschi’s Tempestuous Romance Is Passionate, But Remote [Cannes]

Based on her own time spent in the acting school Les Amandiers, Valeria Bruni Tedeschi’s “Forever Young” aims to recreate a very specific time and place both in her life and in France, more than it cares to inform her audience about what, exactly, was so special about this school. Funded in the 1980s by Patrice Chéreau, a successful and daring director of theatre, opera and film, Les Amandiers did not last very long but for a few years it was considered to be one of the most exciting places in France and even Europe for young actors to develop their crafts, and for directors to find new talent.

‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes] - theplaylist.net - France
theplaylist.net
25.05.2022 / 16:55

‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes]

Observed in isolation, detached from the body or in extreme close-ups, organs and other vital viscera resemble moist masses of soft tissue plucked from alien landscapes in the unflinchingly immersive medical documentary “De Humani Corporis Fabrica.” Alternating between footage from cameras inserted into patients for the purpose of treating ailments and grisly shots from the operating room, directors Verena Paravel and Lucien Castaing-Taylor, the team behind the striking non-fiction film on fishing “Leviathan,” apply their fascination for uncanny imagery with relativist intent to the inner workings of French hospitals and, in turn, the human body.

‘The Five Devils’ Review: Adèle Exarchopoulos Is A Force Of Nature In Léa Mysius’ Formally Stunning Drama [Cannes] - theplaylist.net - France
theplaylist.net
23.05.2022 / 20:29

‘The Five Devils’ Review: Adèle Exarchopoulos Is A Force Of Nature In Léa Mysius’ Formally Stunning Drama [Cannes]

“The Five Devils,” from French director Léa Mysius, captivates from its very first seconds. We see Adèle Exarchopoulos in a sparkling gymnast outfit with other similarly dressed girls, all watching an enormous fire in the background; when she turns around, she is crying — fire, beauty, passion and death all conveyed in one image.

Alessandra Ambrosio shares gorgeous photos at Cannes - us.hola.com - France - Brazil - Taylor
us.hola.com
23.05.2022 / 19:13

Alessandra Ambrosio shares gorgeous photos at Cannes

Alessandra Ambrosio has been making the most of her time in Cannes. The Brazilian supermodel is a big fan of the film festival, enjoying its luxurious and elegant ambiance and the opportunity to wear bold and innovative looks. She shared some photos on her Instagram, stunning her followers.Brazilian model Alessandra Ambrosio & her most stunning Cannes looksBrazilian model Alessandra Ambrosio looks like a vision wearing a plunging dress in CannesA post shared by Alessandra Ambrosio (@alessandraambrosio)“Heure d’or,” she captioned the post, referring to the golden hour in display in the photographs.

Cannes Report Day 7: ‘Holy Spider’ Director Ali Abbasi Explains Iranian Cinema’s ‘Parallel Reality’ - thewrap.com - France - USA - Denmark - city Sandra - Iran
thewrap.com
23.05.2022 / 19:05

Cannes Report Day 7: ‘Holy Spider’ Director Ali Abbasi Explains Iranian Cinema’s ‘Parallel Reality’

Forbes). “I know we are human beings and that we are very complicated, and the power of art is that it knows no color. Because human beings, when they sit and watch art they want to feel less alone.

‘Smoking Causes Coughing’ Review: Quentin Dupieux Returns With A Zany Horror Anthology [Cannes] - theplaylist.net - France
theplaylist.net
23.05.2022 / 17:31

‘Smoking Causes Coughing’ Review: Quentin Dupieux Returns With A Zany Horror Anthology [Cannes]

The films of French filmmaker Quentin Dupieux are at their best when they combine his penchant for ludicrous but simple what-if scenarios, with his perceptive eye for humor in everyday life and banal interactions. He would probably hate his cinema to be pinned down in this way: though he has proven that he can subscribe to straightforward storytelling with “Deerskin” (which premieres at Cannes in 2019) and “Incredible But True” (Berlinale 2022), the French director and absurdist also enjoys leaving the demands of logical plot developments behind in favor of a freer style.

‘Paris Memories’ Review: Alice Winocour Explores Trauma Thoughtfully (& Predictably) With Virginie Efira [Cannes] - theplaylist.net - France
theplaylist.net
22.05.2022 / 16:57

‘Paris Memories’ Review: Alice Winocour Explores Trauma Thoughtfully (& Predictably) With Virginie Efira [Cannes]

French writer/director Alice Winocour was interested in the connection between the body and the mind before it was cool. Her feature debut “Augustine” (2012) told the story of a supposedly “hysterical” woman and her doctor in 19th century France, while “Disorder” (2015) centered on a soldier-turned bodyguard suffering from PTSD.

Cannes Review: Davy Chou’s ‘Return To Seoul’ - deadline.com - France - city Seoul - North Korea
deadline.com
22.05.2022 / 14:59

Cannes Review: Davy Chou’s ‘Return To Seoul’

An adoptee explores her Korean roots in Return To Seoul, Davy Chou’s engaging drama premiering at Cannes in Un Certain Regard. Newcomer Park Ji-Min plays the magnificently complex Freddie, who was raised in France and has impetuously decided to spend a couple of weeks in the country of her birth.

‘My Imaginary Country’ Review: Patricio Guzmán’s Documentary On Chilean Revolution Is A Testament to Hope [Cannes] - theplaylist.net - France - Chile - city Santiago
theplaylist.net
21.05.2022 / 18:51

‘My Imaginary Country’ Review: Patricio Guzmán’s Documentary On Chilean Revolution Is A Testament to Hope [Cannes]

“When you want to film a fire, you need to be in the place where the first flame is produced.” So says the disembodied voice of Patricio Guzmán as he recalls a piece of advice received early in his filmmaking career by his mentor, French multimedia artist Chris Marker. In this case, the fire is the Estallido Social, a series of colossal protests and riots that started in the capital city of Santiago and rapidly spread across Chile at the end of 2019.

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