Cannes Directors’ Fortnight Title ‘Blackbird Blackbird Blackberry’ Sells to Multiple Territories (EXCLUSIVE)

Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).

Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

Nick Vivarelli International Correspondent Italy’s RAI Cinema, which has four titles in this year’s Cannes selection, has closed a deal on Ron Howard’s next movie “Origin of Species,” a hot project at the Cannes market starring Daisy Edgar-Jones, Ana de Armas, Jude Law and Alicia Vikander. RAI Cinema chief Paolo Del Brocco said the company – which is the film arm of Italian state broadcaster RAI – has teamed up with Rome-based Lucisano Media Group to acquire Italian rights from CAA Media Finance on Howard’s survival thriller penned by Noah Pink (“Tetris”) about a a group of eclectics who turn their backs on civilization and head to the Galapagos. In Cannes, RAI Cinema also picked up Italian rights from Gaumont on family movie “Moon The Panda,” by French humans and animals adventures specialist Gilles de Maistre, known for “Mia and the White Lion”and “The Wolf and the Lion.” De Maistre’s latest, about the friendship between a boy and a panda, is set to shoot later this month in China’s Sichuan mountains.

Having previously won the Palme d’Or in 2001 for “The Son’s Room” and premiered the majority of his films in competition, Italian filmmaker Nanni Moretti has been a mainstay at the Cannes Film Festival for several decades.

Pierre Creton, has won the SACD Prize, awarded by France’s Writers’ Guild for the best French-language movie in the section. Written by Mathilde Girard, Cyril Neyrat and Vincent Barré, and directed by Creton, who combines his film career with work as an agricultural labourer, “A Prince” has weighed in at this year’s Directors Fortnight as one of the most singular of titles, whose central narrative turns on a horticultural student, Pierre-Joseph. His mentors, botany teacher Alberto and plant nursery owner Adrien, soon become his lovers.

John Hopewell Chief International Correspondent “Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight. Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.   A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label. 

With the Cannes Film Festival heading towards its conclusion on Saturday, the first awards are starting to trickle out. Sidebar Critics’ Week, which is devoted to first and second features, closed this evening, honoring Amanda Nell Eu’s debut Tiger Stripes with its Grand Prize. (Scroll down for the full list of winners).

Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.

Naman Ramachandran Global distributor, streamer and production company MUBI has acquired Felipe Gálvez’ “The Settlers,” which bowed on Tuesday at the Cannes Film Festival’s Un Certain Regard section. MUBI has acquired the film for North America, U.K., Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India. MUBI will release the film theatrically in the U.S., U.K., and additional territories with release plans to be revealed soon. “The Settlers” is set in Chile at the beginning of the 20th century. A wealthy landowner hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a ‘civilizing’ raid.

Rita Wilson is setting the record straight. The 66-year-old actress and singer attended the screening of her husband, Tom Hanks', upcoming Wes Anderson film,, at the 2023 Cannes Film Festival on Tuesday in Cannes, France.The A-list pair were all glitz and glamor on the red carpet, but it wasn't all smiles.

Mubi has picked The Settlers, the latest pic from Chilean filmmaker Felipe Gálvez for North America, the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.

Martin Dale Contributor “Légua” by Filipa Reis and João Miller Guerra has its world premiere in Directors Fortnight. Reis and Miller Guerra previously co-helmed the Cape Verde-set debut feature, “Djon Africa” (2018), and several documentaries. “Légua” is produced by the company, Uma Pedra no Sapato, which Reis founded in 2008 and ranks as one of Portugal’s leading independent production companies. The pic is set in the rural village of Légua in the North of Portugal, between Amarante and Marco de Canaveses. One of the main characters is an old country house that has been deserted by its heirs and is looked after by the ailing elderly housekeeper, Emilia, assisted by Ana (played by Carla Maciel (“Diamantino”), whose husband emigrates to work in France, leaving her to look after Emilia and her own restless teenage daughter, Mónica.

Naman Ramachandran After his debut feature “Titli” bowed at Cannes’ Un Certain Regard strand in 2014, Kanu Behl is back on the Croisette with “Agra,” which has its world premiere at the Directors’ Fortnight. ” ‘Agra’ grasps the reality of patriarchy in India through the prism of male sexual misery,” is how the festival describes the film. It follows Guru, a young single call center employee who still lives with his parents. Consumed by frustration, he plunges into a fever bordering on insanity, between pathetic fantasies, dating apps and hysterical self-harm. The film also explores the role property can play in a young man’s emancipation. After the theatrical release of “Titli” in India and France in 2015, Behl began thinking about what to do next. “I realized that I had felt a certain sexual repression or an inability to express myself sexually in my adolescent years,” Behl told Variety. The filmmaker realized that he was not an isolated case and saw many examples around him. “There is this almost very common delayed sexual maturity that happens in India and I really started thinking about that,” Behl said adding that it is a subject not spoken about.

Lily-Rose Depp is one proud daughter!ET's Rachel Smith spoke to Lily-Rose virtually from the Cannes Film Festival in the South of France Tuesday, where she said she couldn't be happier for her father, Johnny Depp, following the seven-minute standing ovation he received after the premiere of his new biographical drama, .The film marked the opening of the 76th annual event, and the  star's first leading role since his highly publicized defamation trial against his ex-wife, Amber Heard.The French-language film sees Johnny as King Louis XV. Set in the 18th century,  tells the story of Jeanne Bécu (Maïwenn), the daughter of an impoverished seamstress who rose through the Court of Louis XV and became his last official mistress.«I'm super happy for him.

for minutes of applause. So entrenched is this French farce that trade publications routinely time the euphoria and judge the response to the new films based on the length of the cheering at the Grand Théâtre Lumière. Cannes’ longest-ever roar? Guillermo del Toro’s “Pan’s Labyrinth,” which premiered there in 2006, at 22 minutes. This year’s fest is in full swing, and so is the ceaseless hand-slapping.Here are Cannes’ standing ovations so far, from triumphant to tepid.The most ecstatic response to a film so far at this year’s festival, which runs until May 27, was for Martin Scorsese’s latest drama. The historical movie from Apple and Paramount brings together two popular Scorsese stalwarts, Leonardo DiCaprio and Robert De Niro, plus last year’s Best Actor Oscar winner Brendan Fraser and Jesse Plemons.

Lise Pedersen The highest award for docs-in-progress at the Cannes Film Market’s sidebar dedicated to documentary, Cannes Docs, has gone to Ya-Ting Hsu’s debut feature doc “Islands of the Winds.” Twenty years in the making, the film follows the anti-eviction struggle of the patients of Losheng Sanatorium for lepers, which became a symbol of the fight for democracy in Hsu’s native Taiwan. The prize comes with a €10,000 ($10,800) cash prize and project follow-up by IEFTA (the International Emerging Film Talent Assn.). It is produced by Hsu’s Taiwan-based Argosy Films and Media Productions, Huang Yin-Yu (Moolin Films, Ltd. & Moolin Production, Co., Ltd, Taiwan and Japan) and Baptiste Brunner (Wide Productions – La Cuisine aux Images, France).

Seoul-based sales agent Finecut has sold Hong Sangsoo’s In Our Day to France’s Capricci, Spain’s L’Atalante Cinema and Ama Films for Greece. 

Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.